Headshot of La Cieca

Cher Public

  • La Valkyrietta: Thank you for this piece that I don’t listen to every day :). I have some silly... 2:43 PM
  • umangialaio: Remarkable performance of Simon Boccanegra last Saturday at la Fenice with the very happy role... 2:38 PM
  • Krunoslav: I heard him sing a Met Canio thrillingly ( opposite Soviero, perfect) and act it with restraint... 1:29 PM
  • SF Guy: I never heard Giacomini live, but I find his singing and acting both quite good in this 1981... 1:13 PM
  • Loge: She sang Aida in her early days. A CD exists of highlights. 12:42 PM
  • peter: He may have been a dud on stage but the times I heard him were from the Family Circle standing room... 12:34 PM
  • armerjacquino: vociaccia- certainly true when I saw him in TOSCA. He just strolled round the stage without... 12:16 PM
  • la vociaccia: He certainly had a marvelous voice which he trained extremely well, but was he ever... 12:10 PM
  • peter: Giacomini’s prime was fairly short but earlier on in his career, he had the most thrilling... 12:00 PM
  • NPW-Paris: I like to go to Kad?köy for lunch at Çiya. 11:57 AM

The secret of nymph

“Imagine, if you can, sitting in crisply-pressed linen, sipping a perfectly chilled strawberry mojito wafted to your sidewalk table by a ravishing server, as you listen to the murmur of leaves without even the echo of a car radio or a cranky child’s whine to mar the tranquility… and, while you’re at it, throw in a sumptuous sky display as the evening sun sets over the Hudson River. Now set the whole experience to music by Handel, and you’ve got an approximation of Mark Morris’ staging of Acis and Galatea at Lincoln Center. It’s everything good about summer condensed into two hours.” [New York Observer]

Get happy

Lincoln Center hosted two milestones this week: on Wednesday, The Juilliard School produced a gripping production of Handel’s Radamisto incorporating into an opera for the first time its much-heralded original-instrument orchestra Juilliard 415, while the following night saw choreographer Mark Morris’s radiant setting of Handel’s L’Allegro, il Penseroso ed il Moderato returning to celebrate its 25th anniversary as part of the White Light Festival.   Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »