Cher Public

  • Jungfer Marianne Leitmetzerin: At one of the two performances of the Castorf “Ring” which I attended, I was seated next to a very kind... 7:17 PM
  • lorenzo.venezia: I found it fitfully fascinating. My big objection was the way he consistently undermined the important moments with... 7:02 PM
  • Jungfer Marianne Leitmetzerin: I know they have made some changes to the Regie – is it still the inflatable swimming pool and... 6:34 PM
  • manou: Wrth gwrs! 6:23 PM
  • Donna Anna: We were in Colorado when Cincinnati Opera offered Fidelio with Thomas as Florestan and Goerke as Leonora. The reports were on... 6:12 PM
  • Quanto Painy Fakor: The realization of “Ihr, da oben!” / “Was willst du dort unten?” Pfui! 6:08 PM
  • Jungfer Marianne Leitmetzerin: Cami, going back to your first question, I have now had some time to listen to some bits of the... 5:53 PM
  • Jungfer Marianne Leitmetzerin: I guess adding the “v” to a URL only works with YouTube, so the link should be: http://www.me... 5:35 PM

The secret of nymph

“Imagine, if you can, sitting in crisply-pressed linen, sipping a perfectly chilled strawberry mojito wafted to your sidewalk table by a ravishing server, as you listen to the murmur of leaves without even the echo of a car radio or a cranky child’s whine to mar the tranquility… and, while you’re at it, throw in a sumptuous sky display as the evening sun sets over the Hudson River. Now set the whole experience to music by Handel, and you’ve got an approximation of Mark Morris’ staging of Acis and Galatea at Lincoln Center. It’s everything good about summer condensed into two hours.” [New York Observer]

Get happy

Lincoln Center hosted two milestones this week: on Wednesday, The Juilliard School produced a gripping production of Handel’s Radamisto incorporating into an opera for the first time its much-heralded original-instrument orchestra Juilliard 415, while the following night saw choreographer Mark Morris’s radiant setting of Handel’s L’Allegro, il Penseroso ed il Moderato returning to celebrate its 25th anniversary as part of the White Light Festival.   Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »