Cher Public

  • rompicolleone: Hasn’t JK been singing this song all over Europe for the last six months? 7:47 PM
  • manou: Tous dans le même panier? 7:38 PM
  • aulus agerius: PD sounds dreadful – his emission seems utterly undependable. Hey, he’s older than I am – what else would... 7:22 PM
  • Camille: Oh, and Vratogna–for what he lacks in vocal suavité he amply makes up in sleaziness as the most laudiably and justifiably... 7:12 PM
  • Niel Rishoi: I found Cruz-Romo hard-pressed and wiry. Never a fan of Bonisolli. The two stalwarts, Siepi and Bruscantini, sounded by far... 7:07 PM
  • Camille: If it is any consolation to you AKC, so far as Spanish vs. Italian, it is very tricky sometimes. In Rome, I went to school to... 7:01 PM
  • Camille: Just stick with Beurre d’Isigny and forget about but(t)er. Yes, take off those noise cancelling ear muffs and be alert when... 6:34 PM
  • PCally: Armer, the basic timbre of the voice is still appealing I think. But some of his operatic ventures have just been appalling.... 6:24 PM

The secret of nymph

“Imagine, if you can, sitting in crisply-pressed linen, sipping a perfectly chilled strawberry mojito wafted to your sidewalk table by a ravishing server, as you listen to the murmur of leaves without even the echo of a car radio or a cranky child’s whine to mar the tranquility… and, while you’re at it, throw in a sumptuous sky display as the evening sun sets over the Hudson River. Now set the whole experience to music by Handel, and you’ve got an approximation of Mark Morris’ staging of Acis and Galatea at Lincoln Center. It’s everything good about summer condensed into two hours.” [New York Observer]

Get happy

Lincoln Center hosted two milestones this week: on Wednesday, The Juilliard School produced a gripping production of Handel’s Radamisto incorporating into an opera for the first time its much-heralded original-instrument orchestra Juilliard 415, while the following night saw choreographer Mark Morris’s radiant setting of Handel’s L’Allegro, il Penseroso ed il Moderato returning to celebrate its 25th anniversary as part of the White Light Festival.   Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »