Headshot of La Cieca

Cher Public

  • Flora del Rio Grande: Well done, Gualtier. Thank you. I had forgot about the Goerke-Soviero tuition, and yes... 5:08 PM
  • Maury D: Death in Venice or: the only opera that has ever given me a non-metaphorical headache. 5:01 PM
  • Flora del Rio Grande: Yes, aulus, it was Agrippina! I agree with you about that season and several others... 4:48 PM
  • marshiemarkII: what’s wrong with “flattenR 21; as in lay them supine with pleasure, carisssima... 4:45 PM
  • manou: It’s the “flattenR 21; that bothers me – surely that can’t be the aim? 4:36 PM
  • marshiemarkII: “If she is wearing silk and satin she can flatten any Latin…” Now that’s definitely my... 4:17 PM
  • marshiemarkII: My beloveds all, the gurl shall be back next week, that I promise! hugs to all :-P 4:09 PM
  • Clita del Toro: Today my partner, Mike forced me to buy tickets for four operas at LOC this season: 6... 4:02 PM
  • Gualtier M: I have several times wanted to throw my panties onstage during performances of “Hansel und... 3:53 PM
  • Henry Holland: Thanks so much for posting that JML, a terrific performance. I really liked the conducing and... 3:52 PM

The secret of nymph

“Imagine, if you can, sitting in crisply-pressed linen, sipping a perfectly chilled strawberry mojito wafted to your sidewalk table by a ravishing server, as you listen to the murmur of leaves without even the echo of a car radio or a cranky child’s whine to mar the tranquility… and, while you’re at it, throw in a sumptuous sky display as the evening sun sets over the Hudson River. Now set the whole experience to music by Handel, and you’ve got an approximation of Mark Morris’ staging of Acis and Galatea at Lincoln Center. It’s everything good about summer condensed into two hours.” [New York Observer]

Get happy

Lincoln Center hosted two milestones this week: on Wednesday, The Juilliard School produced a gripping production of Handel’s Radamisto incorporating into an opera for the first time its much-heralded original-instrument orchestra Juilliard 415, while the following night saw choreographer Mark Morris’s radiant setting of Handel’s L’Allegro, il Penseroso ed il Moderato returning to celebrate its 25th anniversary as part of the White Light Festival.   Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »