Cher Public

  • LT: I don’t know about royalties. In pop music it’s usually the writers that get the royalties which is why singers always get... 6:15 PM
  • LT: Yeah, I wouldn’t be surprised if they got Dyka or some other walking mediocrity for Amelia. 6:12 PM
  • JohninSeattle: My right elbow has a fascination that few can resist. 5:49 PM
  • Big Finn: Most likely he has a royalty deal with Decca, and any repackaging and release of older recorded material would bring him... 5:19 PM
  • steveac10: Except Hong reads younger on stage than most sopranos in their 40′s. To say she is aging well is an understatement. 5:03 PM
  • Satisfied: 2016 at Aix-en-Provance looks very interesting: http://www.festiva l-aix.com/blog/pre ts-pour-2016/ But then again, so did this... 4:19 PM
  • aulus agerius: means nothing with photoshop these days :-) 4:01 PM
  • Hippolyte: And Hong will be nearly 57 when she undertakes her first Butterfly next year–surely a not irrelevant detail in the... 4:01 PM

The secret of nymph

“Imagine, if you can, sitting in crisply-pressed linen, sipping a perfectly chilled strawberry mojito wafted to your sidewalk table by a ravishing server, as you listen to the murmur of leaves without even the echo of a car radio or a cranky child’s whine to mar the tranquility… and, while you’re at it, throw in a sumptuous sky display as the evening sun sets over the Hudson River. Now set the whole experience to music by Handel, and you’ve got an approximation of Mark Morris’ staging of Acis and Galatea at Lincoln Center. It’s everything good about summer condensed into two hours.” [New York Observer]

Get happy

Lincoln Center hosted two milestones this week: on Wednesday, The Juilliard School produced a gripping production of Handel’s Radamisto incorporating into an opera for the first time its much-heralded original-instrument orchestra Juilliard 415, while the following night saw choreographer Mark Morris’s radiant setting of Handel’s L’Allegro, il Penseroso ed il Moderato returning to celebrate its 25th anniversary as part of the White Light Festival.   Read more »

A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan. On Wednesday night, Lincoln Center’s Mostly Mozart Festival hosted the Mark Morris Dance Group’s acclaimed 1989 production of Purcell’s Dido and Aeneas at the Rose Theater, and Morris who created the double role of Dido and the Sorceress for himself and danced it exclusively for over a decade was there–this time as conductor–with Stephanie Blythe singing the two roles from the pit as she had done last fall in Berkeley.   Read more »