Headshot of La Cieca

Cher Public

  • Betsy_Ann_Bobolink: Damn! I’m crying. 7:45 PM
  • Camille: That is an interesting account, Mme. Manou, particularly as it is a first-hand eye witness one, and thank... 7:32 PM
  • zinka: httpv://www.youtub e.com/watch?v=m4DP F6kA0aI How can ONE NOTE summarize a career?? ANYONE who can do what... 6:46 PM
  • manou: Nigel Farrago 6:44 PM
  • MontyNostry: Wells Farrago? 6:43 PM
  • La Valkyrietta: manou, I concede :). kashania, I have to listen to that, but not now, to paraphrase Mae West, a... 6:27 PM
  • manou: me first! me first! 6:21 PM
  • kashania: I just finished listening to the Traubel/Schorr/Mel chior/Varnay/Thorb org/Kipnis Walküre. Schorr is... 6:20 PM

Our retrospection will now be all to the future


La Cieca predicts you will be seeing more of the same old puritans at the Met next season, and she’s not just talking about the ones who slouch around during intermission hissing, “You call that a trill?” But uou will also see six new productions (including a Met premiere of a 21st century work) and the local debut of one of opera’s most controversial stage directors. Read more »

Scent of mystery

La Cieca has been sniffing around her generally reliable (and fragrant) sources, and she thinks she has pieced together a list of the dozen operas to be featured in the 2013-2014 season of “The Met: Live in HD.” Details are, naturally, after the jump. Read more »

Desert fox

Karol Szymanowski’s 1926 King Roger was the sleeper hit of SFO’s season, not so much for its weird, mystical theme and feeble libretto but because the music is powerfully effective and Evan Rogister handled the shimmering, richly expressionistic orchestral writing with consummate skill. The choral writing is ravishing, especially the ecclesiastical Russian-sounding opening movement that emerges from the stark sounds of bells and gongs.   Read more »

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Sensational

Juan Diego Flórez made an untraditional Nemorino, his small but diamond-bright tenor unlike the luscious lyric voice usually heard in this part.”

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Passaggio/fail basis

Not only has physical therapy healed Mariusz Kwiecien‘s shapely back, it’s apparently added a third to the top of his range. [New York Times]

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Bringing Mariusz back

Good news, barihunk lovers! According to a press release from the Met, Mariusz Kwiecien will return to the stage for the title role of Don Giovanni on October 25, in time for the HD telecast October 29 as well as remaining scheduled performances through November 11.

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Juan down

Barihunk Mariusz Kwiecien injured his handsome back during today’s dress rehearsal of Don Giovanni at the Met and was taken to the hospital, tweets Dan Wakin. As La Cieca writes this, Kwiecien’s cover Dwayne Croft is at the Met rehearsing the opera’s first act swordfight.  

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Tour de farce

UPDATE, Tuesday, 7:45 AM: The Met sent out a press release at 1:27 AM New York time today announcing major changes to its roster for the tour of Japan this month. La Cieca has revised the following gossip item (which appeared at 11 PM last night) to reflect the Met’s confirmations. 

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