Cher Public

  • Bill: Goerke was quite good as Iphigenia (Taurus) at the City Opera quite a few years back – the voice is not a gorgeous voice but... 4:18 PM
  • Cicciabella: Thanks for this upload, Jungfer. I hope Gheorghiu was having a bad night, because in both arias she sounds out of breath, the... 3:57 PM
  • Cicciabella: Love reading the exigent S. Jay-Taylor. From his review of the Glyndebourne at the Proms Entführung: ‘Of course, like... 3:16 PM
  • Ilka Saro: Thanks a million for the Michele Molese Hoffmann clip! I saw that Hoffmann on TV when I was 13 or 14, and became nutty for the... 3:13 PM
  • Jungfer Marianne Leitmetzerin: ATTENTION GHEORGHIU FANS: her performance of two Verdi arias at the Grafenegg Festival tonight (29 August)... 2:08 PM
  • zinka: https://www.youtub e.com/watch?v=2vlD 3sK-O8o Are you as abnormal as I am to go NUTS at 3:15 on Magda’s “MUUUUUUU... 1:44 PM
  • DeepSouthSenior: I thought Goerke was excellent as Brünnhilde in Die Walkure at Houston Grand Opera this year. The vocal problems... 1:24 PM
  • manou: I am sorry La C – I did not realize you had uploaded the whole performance. But I am thrilled at the idea that you could be... 1:12 PM

Chris and the pirates

Back when I was a good boy, I told my parents that my goal in getting my first job was to earn money for college; however, my real motive was to make my secret wish come true—to be able to consort with “pirates.”   Read more »

Mais nous voyons à nouveau La Carmencita

The opening night of the Metropolitan Opera of September 1972 was supposed to be the dawn of a new era. Sir Rudolf Bing, General Manager, had two years previously ceded to his successor the head of the Royal Swedish Opera Göran Gentele. Bing had made major inroads in his attempts to have opera presented as musical theatre by hiring nearly every prominent stage director who was willing and even some who weren’t. Gentele already had a reputation as a very forward-thinking man of the theatre and his appointment was a profoundly optimistic choice.   Read more »

Herself you shall adore

From an early Mike Richter CD-ROM, “Odd Opera” comes this gem, a live performance of Handel’s Semele at Carnegie Hall on February 23, 1985, the 300th anniversary of the composer’s birth. Read more »

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On a clear day you can “C” forever

Of course,  we all know a Marilyn Horne anecdote without a four-letter word is about as plausible as a martini without gin, but the tale that kicks off her Q&A with Zachary Woolfe is particularly bracing. You’ll be both shaken and stirred by this interview in the current Capital New York.

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Horne aplenty

La Cieca has learned that The Metropolitan Opera Guild will pay tribute to  legendary American mezzo-soprano Marilyn Horne (right) on Monday, October 31, when stars, fans of opera, and the cream of New York’s society, business, and civic leaders assemble in the Grand Ballroom of the Waldorf-Astoria for the Guild’s 77th Annual Luncheon.

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