Headshot of La Cieca

Cher Public

  • La Cieca: Yeah, I kind of find the logic boggling here: either spend hundreds of millions of dollars and a... 12:15 PM
  • kashania: Gelb did not set out to create a “drab/boring” Hoffmann. Oh, but I thought that was precisely... 12:14 PM
  • kashania: Cocky: There is a very good reason why most N. American venues are too big for ideal acoustics and... 12:10 PM
  • figaroindy: Totally agree with Kashania and Cocky here…so, we reduce seats, selling fewer, which... 12:06 PM
  • phoenix: ‘Any young singer will do –’ for you, but not for everyone 11:56 AM
  • La Cieca: Which is why Gelb was foolish to substitute the current drab/boring Hoffman for the wonderful... 11:55 AM
  • kashania: LW: As I’ve already stated, the HD broadcasts turn a profit, so they are actually adding to... 11:54 AM
  • Archaeopteryx: I think the widening of the vibrato is a natural thing to her voice – it was rather... 11:54 AM
  • Regina delle fate: Well Bayreuth don’t have a great recent record of casting Eva – Amanda Mace... 11:52 AM
  • Cocky Kurwenal: Thanks for clearing that one up, Kashania. I must say I have read the suggestion so many... 11:42 AM

“It’s right twice a day”

george_steel_watchIt’s always time for Stravinsky! [Ebay]

Don Giovanni drinks your milkshake

Squirrel was expecting boobs! People, there were no boobs, and for that, I was a little disappointed. Read more »

Modern Orthodox

Doubling down on its artistic mission, New York City Opera begins a tenuous season with a turgid Bible drama. Read more »

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Les feux d’artifice s’approchent

According to the always reliable Zachary Woolfe, among the beans spilled at the NYCO “Koch” Gala last night was the strong suggestion (from no less than Rufus Wainwright himself) that a production of Prima Donna is planned for an upcoming George Steel-planned season. [New York Observer]

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E poi morir, e poi morir!

In the year and half that New York City Opera has been absent from the musical milieu of our metropolis, Tony Tommasini has been sadly deprived of one of his favorite topics of conversation. 

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He has always been a fellow who arranges things

Is there no end to the talents of George Steel? Boy soprano, Bernstein protégé, conductor, impresario, endive fancier — and now matchmaker!

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A bird in the hand

Whenever La Cieca (center) feels afraid, she doesn’t just hold her head erect or whistle a happy tune (though she’s been known to do both on occasion), she reminds herself, “You know, things could be a lot worse than what they are!”  

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Pop goes the peplum!

Well, all La Cieca can think is that the New York City Opera has just plain decided to win your doyenne over, because otherwise how can you explain why the company would present an art installation that combines her two very favorite things in the entire universe, i.e., couture and explosions?

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Kiss the cook

George Steel manages to hold out for 140 words before dropping the inevitable name in this month’s issue of Edible Manhattan. The Man of Steel continues: The places that are famous tend not to be good. People are looking for an experience of authenticity and not really using their mouth. La Cieca should note that he’s probably not talking about NYCO here.  But do be sure to check out who was present when George had his first endive salad.

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pact checkers

La Cieca is delighted to learn that “the New York City Opera and the American Guild of Musical Artists, AFL-CIO, have reached agreement on a new collective bargaining contract, helping to ensure City Opera’s continuing place in the forefront of American opera,” according to a press release from the NYCO. Since Alan Gordon and George Steel so ably brought to fruition what at one point seemed a hopeless project, La Cieca suggests that now they lend their persuasive talents to the cause of health care reform.

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