It’s always time for Stravinsky! [Ebay]
Squirrel was expecting boobs! People, there were no boobs, and for that, I was a little disappointed. Read more »
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
Doubling down on its artistic mission, New York City Opera begins a tenuous season with a turgid Bible drama. Read more »
According to the always reliable Zachary Woolfe, among the beans spilled at the NYCO “Koch” Gala last night was the strong suggestion (from no less than Rufus Wainwright himself) that a production of Prima Donna is planned for an upcoming George Steel-planned season. [New York Observer]
In the year and half that New York City Opera has been absent from the musical milieu of our metropolis, Tony Tommasini has been sadly deprived of one of his favorite topics of conversation.
Is there no end to the talents of George Steel? Boy soprano, Bernstein protégé, conductor, impresario, endive fancier — and now matchmaker!
Whenever La Cieca (center) feels afraid, she doesn’t just hold her head erect or whistle a happy tune (though she’s been known to do both on occasion), she reminds herself, “You know, things could be a lot worse than what they are!”
Well, all La Cieca can think is that the New York City Opera has just plain decided to win your doyenne over, because otherwise how can you explain why the company would present an art installation that combines her two very favorite things in the entire universe, i.e., couture and explosions?
George Steel manages to hold out for 140 words before dropping the inevitable name in this month’s issue of Edible Manhattan. The Man of Steel continues: The places that are famous tend not to be good. People are looking for an experience of authenticity and not really using their mouth. La Cieca should note that he’s probably not talking about NYCO here. But do be sure to check out who was present when George had his first endive salad.
La Cieca is delighted to learn that “the New York City Opera and the American Guild of Musical Artists, AFL-CIO, have reached agreement on a new collective bargaining contract, helping to ensure City Opera’s continuing place in the forefront of American opera,” according to a press release from the NYCO. Since Alan Gordon and George Steel so ably brought to fruition what at one point seemed a hopeless project, La Cieca suggests that now they lend their persuasive talents to the cause of health care reform.