Cher Public

  • antikitschychick: Haha can you tell I was excited?? They sang back to back show-stopping arias for sure, even though they were technically... 9:36 PM
  • davidzalden: Thanks so much for the lovely thought — I have not had the opportunity to see this Guillaume Tell but I have heard from... 8:58 PM
  • Batty Masetto: Lowe-Porter is always a trudge. My students have regularly made more accurate and entertaining translations of Mann than... 8:52 PM
  • wenarto: Poor Anna, now the same rank as me httpv://www.youtub e.com/watch?v=dgmM mywY2MY 8:43 PM
  • manou: Henry – sorry about the Times review. We agreed with La Cieca that I would not copy and paste whole reviews for copyright and... 8:40 PM
  • wenarto: OMG yes I agree 8:38 PM
  • Henry Holland: Many thanks for the link, manou, I had to read this twice to make sure I got it right: To include all the opera’s ballet... 8:30 PM
  • antikitschychick: Hey Luv :-) Yes there were some flaws, and those who prefer a more italianate rendition would have reason to be... 8:15 PM

“It’s right twice a day”

george_steel_watchIt’s always time for Stravinsky! [Ebay]

Don Giovanni drinks your milkshake

Squirrel was expecting boobs! People, there were no boobs, and for that, I was a little disappointed. Read more »

Modern Orthodox

Doubling down on its artistic mission, New York City Opera begins a tenuous season with a turgid Bible drama. Read more »

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Les feux d’artifice s’approchent

According to the always reliable Zachary Woolfe, among the beans spilled at the NYCO “Koch” Gala last night was the strong suggestion (from no less than Rufus Wainwright himself) that a production of Prima Donna is planned for an upcoming George Steel-planned season. [New York Observer]

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E poi morir, e poi morir!

In the year and half that New York City Opera has been absent from the musical milieu of our metropolis, Tony Tommasini has been sadly deprived of one of his favorite topics of conversation. 

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He has always been a fellow who arranges things

Is there no end to the talents of George Steel? Boy soprano, Bernstein protégé, conductor, impresario, endive fancier — and now matchmaker!

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A bird in the hand

Whenever La Cieca (center) feels afraid, she doesn’t just hold her head erect or whistle a happy tune (though she’s been known to do both on occasion), she reminds herself, “You know, things could be a lot worse than what they are!”  

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Pop goes the peplum!

Well, all La Cieca can think is that the New York City Opera has just plain decided to win your doyenne over, because otherwise how can you explain why the company would present an art installation that combines her two very favorite things in the entire universe, i.e., couture and explosions?

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Kiss the cook

George Steel manages to hold out for 140 words before dropping the inevitable name in this month’s issue of Edible Manhattan. The Man of Steel continues: The places that are famous tend not to be good. People are looking for an experience of authenticity and not really using their mouth. La Cieca should note that he’s probably not talking about NYCO here.  But do be sure to check out who was present when George had his first endive salad.

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pact checkers

La Cieca is delighted to learn that “the New York City Opera and the American Guild of Musical Artists, AFL-CIO, have reached agreement on a new collective bargaining contract, helping to ensure City Opera’s continuing place in the forefront of American opera,” according to a press release from the NYCO. Since Alan Gordon and George Steel so ably brought to fruition what at one point seemed a hopeless project, La Cieca suggests that now they lend their persuasive talents to the cause of health care reform.

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