La Cieca has heard that, not to be outdone by Peter Gelb’s discovery of hot young directors like Luc Bondy and Patrice Chéreau, NYCO’s George Steel is boldly leaping forward into the 20th century by signing up Peter Sellars for a series of productions.
In other music news, everyone down at Danceteria is just wild for that new girl singer Madonna.
When invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern?
New York City Opera has announced its 2010-2011 season, and it looks like La Cieca’s 


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