Headshot of La Cieca

Cher Public

  • Cocky Kurwenal: I don’t agree about Haroutounian. Thrilling though her huge and very reliable top is, I... 4:52 AM
  • Cocky Kurwenal: That’s absolutely right ArmerJ, and I’d add that the singer might sing better not... 4:49 AM
  • NPW-Paris: My hair is not just grey, it’s white and has been for years. But I want to see the opera of... 3:42 AM
  • stevey: Flora, I’m so happy to have gotten your attention, and thank you for responding to my post. In... 2:19 AM
  • parpignol: totally agree about Haroutounian, extraordinary voice, beautifully suited to Elisabetta, and I... 12:50 AM
  • Flora del Rio Grande: stevey – I’d say you know plenty as regards Anna Tomawa Sentow. I heard... 12:33 AM
  • Porgy Amor: A deep bow of gratitude to Nestor Almendros, one of those DPs who is among the gods. And another... 11:20 PM
  • Krunoslav: In the cast of ANKLES AWEIGH was Janet Pavek, whose Met career 8 years later looked like this:... 11:19 PM
  • stevey: Zinka! I have long wanted to ask you about someone, as I value and respect your thoughts and... 11:01 PM
  • ducadiposa: Nothing truer was ever said! Odd, as I just commented on another blog about much the same thing... 10:35 PM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Renaissance man

muti_renaissanceLa Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver. Read more »

The view from Kareol

kleiber_thumbPoet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975. Read more »