Headshot of La Cieca

Cher Public

  • Chirper: Speaking of early in the game, I believe the musicians voted to strike about 7 or 8 weeks ago in the... 1:24 PM
  • NPW-Paris: And R. Fleming tested Il Pirata on us in Paris. After that, I thought she’d drop the idea... 1:17 PM
  • peter: Mediation!: http://tinyurl.com /oq87ne4 1:07 PM
  • Milady DeWinter: Claycomb is outstanding – and does (or used to) a VERY unusual (but effective) cadenza... 1:06 PM
  • armerjacquino: Ha, Monty. The word ‘Commonwealt h’ is one I only usually ever see on here, so for... 1:03 PM
  • MontyNostry: … and he had sung Pinkerton at ENO in London. (Another of those talented North Americans... 12:58 PM
  • Clita del Toro: Well, Kaufmann barely “opened up” in Act I of Parsifal, and I found it a bit... 12:55 PM
  • La Cieca: The Pinkerton at the Met I think was a “last-minute ” casting change; that is, after... 12:50 PM
  • Clita del Toro: Amneerees, strange, I absolutely adore Bergonzi, and he is one of my all time fav tenors,... 12:47 PM
  • MontyNostry: I think Hymel is a terrific singer, but – if I were a casting director – I... 12:43 PM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Renaissance man

muti_renaissanceLa Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver. Read more »

The view from Kareol

kleiber_thumbPoet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975. Read more »