Headshot of La Cieca

Cher Public

  • Guestoria Unpopularenka: I don’t understand how it is that he looks so tall here when in reality he... 1:46 AM
  • CwbyLA: Maybe I am naive and/or do not believe in conspiracy theories but I agree with armer here. Looking at... 1:33 AM
  • Poison Ivy: You can see a silhouette of Grigolo’s bubble here: http://www.680news .com/files/2014... 12:58 AM
  • Lindoro Almaviva: I have a feeling JDF’s self esteem and ego will not be bruised by people making... 12:40 AM
  • Camille: Did anyone see this Così fan tutte tonight? Was it as boring in the theatre as it was over Sirius?... 12:39 AM
  • Camille: I think Il Grigoletto came just about as close to his ideal as possible, next to a Michelangelo... 12:36 AM
  • Poison Ivy: Very nice arms, I agree. httpv://www.youtub e.com/watch?v=9dNQ hI3S5_w 12:33 AM
  • Camille: Here, pappy, knock yourself out reading about The Florentine Nightengale: http://www.sfmu... 12:32 AM
  • Poison Ivy: This leads me to regret that I never asked MMII what his example of the The Perfect Bubble... 12:23 AM
  • brunettino: Win! 12:20 AM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Renaissance man

muti_renaissanceLa Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver. Read more »

The view from Kareol

kleiber_thumbPoet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975. Read more »