Headshot of La Cieca

Cher Public

  • Poison Ivy: Thanks for that compilation coloraturafan! (And thanks manou). I like Kunde’s high F the... 12:01 PM
  • kashania: Agreed. I was surprised that he even went for the F. That takes guts. The fact that he was ever... 11:59 AM
  • Operngasse: Thank you PI for reproducing this review. The only performance of I Puritani I have seen was... 11:51 AM
  • manou: Gualtier kindly posted this yesterday in the chat httpv://www.youtub e.com/watch?v=xZ3u Ptm1Oyc I... 11:49 AM
  • Poison Ivy: The F last night definitely didn’t sound that good, but then again, this was 2008, and 6... 11:47 AM
  • Cocky Kurwenal: I think you’d approve of the idea of Isolde – act I is very dramatic and... 11:39 AM
  • bluecabochon: You’ll “let me” be right? Come on. You aren’t interested in the... 11:32 AM
  • kashania: I did not hear last night’s performance but Brownlee has sung the high F very convincingly... 11:24 AM
  • Tamino: herTz that is, cycles per second, that is. Not “heart” ; ; ) 11:18 AM
  • uwsinnyc: Great review. I only heard it over the radio but found the same qualities you so perfectly... 11:18 AM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Renaissance man

muti_renaissanceLa Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver. Read more »

The view from Kareol

kleiber_thumbPoet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975. Read more »