Cher Public

  • armerjacquino: Hey, don’t knock it. When I’d been with my other half for just three weeks, he came to see me in a show on... 5:31 AM
  • NPW-Paris: E.g. “I suppose Krzysztof Warlikowski was bound to come a cropper at some stage, and that was exactly how French daily Le... 5:05 AM
  • Porgy Amor: Thanks for the kind words, phoenix. My own nod to La Cieca for the great photos. 1:00 AM
  • parpignol: in house: Alagna sounded well enough, but not comfortable with the role; Luisi was tentative as he tried to accommodate the... 12:55 AM
  • Porgy Amor: I agree with your very good summing-up of both Opolais and Westbroek, mrsjohnclaggart. I’ve seen the Covent Garden... 12:40 AM
  • mrsjohnclaggart: PCally, I didn’t think Opolais sang with any great beauty or remarkable ease tonight, she sounds like an HD... 12:20 AM
  • Howling in Tune: They were thinking, “This’ ll be quite an event if it happens, but we’d better have a backup... 12:16 AM
  • Constantine A. Papas: Give Alagna some slack. He has never sung the role and had a week to learn it. He’ll get better. Maybe is me... 11:52 PM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Renaissance man

muti_renaissanceLa Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver. Read more »

The view from Kareol

kleiber_thumbPoet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975. Read more »