Headshot of La Cieca

Cher Public

  • Cicciabella: “…the braying of asses and the grunting of hogs.” Did Martin Luther attend... 12:20 PM
  • manou: I didn’t think much of Massi(ve disappointment) when I saw him recently here in Tosca. 12:16 PM
  • manou: Maybe his sight was obscured by your post. 12:14 PM
  • messa di voce: And as “Kunc.” ; 12:14 PM
  • Guestoria Unpopularenka: Really? You think she chooses her roles based on such careful and complex... 12:06 PM
  • Gualtier M: Just a note to the Met management that there is a better Italian tenor Radames choice out than... 12:06 PM
  • Krunoslav: I posted a reply on Lebrecht’s sight calling this trashy post what it was– and as... 11:54 AM
  • Guestoria Unpopularenka: Here you can find some excerpts: http://ximo.wordpr ess.com/2012/12... 11:48 AM
  • Porgy Amor: She’s a tragic character, but not really a victim- even her death is her own choice. That’s a... 11:47 AM
  • La Cieca: Netrebko has already announced she is singing Aida. This “weepy waily” stuff is a... 11:32 AM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Renaissance man

muti_renaissanceLa Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver. Read more »

The view from Kareol

kleiber_thumbPoet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975. Read more »