Headshot of La Cieca

Cher Public

  • mia apulia: I remeember at the time of the Caballé/Verett Norma thinking that, as much as I loved and still... 12:06 AM
  • mia apulia: and just how does one get Google to do that for one? non parlo tedesco….. 11:36 PM
  • Ruxxy: Well done sweet Sanford :) 11:35 PM
  • FragendeFrau82: Excellent review of Netrebko’s Vier Letzte Lieder recital. I hope we all get a chance... 10:38 PM
  • Camille: Thanks so much, Feldmarschallin!! My prayers have been answered for my wish to hear this work and... 9:48 PM
  • Lindoro Almaviva: Wouldn’t it? i am in Chicago often enough, i am but less than  miles away from Chicago 9:01 PM
  • Clita del Toro: Lindoro, that would be fun! 8:42 PM
  • Grane: Can’t get this in the right place, but thanks, Cicciabella, for the review of Anna’s Four... 8:10 PM
  • phoenix: dan, I can’t find the exact casts for the last 2 operas, but today I found a site that claims... 8:04 PM
  • manou: Yes marshie – but before the supine bit there should be a more vertical phase. 7:18 PM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Renaissance man

muti_renaissanceLa Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver. Read more »

The view from Kareol

kleiber_thumbPoet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975. Read more »