Cher Public

  • Porgy Amor: I got the same reaction when I took a friend to a local Trovatore years ago, grim. General enjoyment throughout but then a... 8:01 AM
  • grimoaldo: ” I’ve decided that Traviata maybe isn’t the best opera to introduce the art form to someone. Too much prolonged... 7:02 AM
  • grimoaldo: ” She just kept whining on and on about the painting with a kind of pouty bitchy face, facing the stage and gesturing to... 6:08 AM
  • grimoaldo: Thank you for all that antikitschychick, a most enjoyable read! 5:28 AM
  • Cicciabella: This week’s Building A Library on BBC Radio 3 concentrates on Norma. Ignore Roger Parker’s references to daddy... 4:11 AM
  • antikitschychick: Ach! Yet another blunder. Opera teen saw the same performance I saw since yesterday was the 28th. Apologies. I am... 2:04 AM
  • antikitschychick: sorry not a handful of times; but a handful of productions, with this one at the Met being her 7th, so more than a... 12:53 AM
  • antikitschychick: Found a good review of the November 28th performance, (same one Camille saw) by Opera Teen: https://operate... 12:30 AM

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

Renaissance man

muti_renaissanceLa Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver. Read more »

The view from Kareol

kleiber_thumbPoet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975. Read more »