La Cieca predicts you will be seeing more of the same old puritans at the Met next season, and she’s not just talking about the ones who slouch around during intermission hissing, “You call that a trill?” But uou will also see six new productions (including a Met premiere of a 21st century work) and the local debut of one of opera’s most controversial stage directors. Read more »
Well, you can provisionally knock La Cieca over with a feather. “James Levine, the Metropolitan Opera’s Music Director, will return to conducting on May 19, 2013 with the Met Orchestra at Carnegie Hall. He will then lead three operas in the Met’s 2013-14 season, including a new production of Verdi’s Falstaff and revivals of Mozart’s Così fan tutte and Berg’s Wozzeck.” The press release from the Met, sent at the peculiar hour of 7:30 pm, continues… Read more »
La Cieca has been sniffing around her generally reliable (and fragrant) sources, and she thinks she has pieced together a list of the dozen operas to be featured in the 2013-2014 season of “The Met: Live in HD.” Details are, naturally, after the jump. Read more »
Based on reliable reports about reshuffling of the Met’s repertoire for the 2013-14 season, the only reasonable conclusion is that James Levine will never return to conduct with the company.
James Levine received $2.1 million in compensation from the Met for the 2010-2011 season, during which time he conducted 31 performances.
The Met has finally released the contents of the James Levine 40th Anniversary box sets separately for those of us who didn’t have $500 lying around.
La Cieca has just heard some interesting and completely plausible gossip about 2013-14.
Says the Met press office (a propos of nothing much on a quiet Friday afternoon): “Principal Conductor Fabio Luisi will conduct the Met’s new production of Wagner’s Götterdämmerung which premieres January 27, 2012, and continues on January 31, February 3, 7, and 11 matinee. Luisi will also conduct the MET Orchestra concert at Carnegie Hall on January 15, featuring Renée Fleming as soloist. He replaces the Met’s Music Director, James Levine, who is continuing his rehabilitation after a fall last September that necessitated emergency back surgery.”
Though the headline seems to apply a whole series of epithets to a revered critic (“Stand-In Meets Sweet Snake, Shrieky Diva, Grumpy Dad: Manuela Hoelterhoff”), the actual review of the Met’s Siegfried on Bloomberg offers more than purely comic interest. While La Hoelterhoff is no better than usual as an opera reviewer, she does briefly at least return to a line of work she does better than just about anyone else: cultural criticism.
Revealed: James Levine has had two back surgeries since the spring, but is described (by Tom Levine) as “very, very positive and very, very optimistic.” [NYT]