Headshot of La Cieca

Cher Public

  • Camille: This is actually quite useful information and appreciate the time you took to explain these fine... 12:19 AM
  • Camille: Don’t be sorry—I’m not sorry I didn’t notice the eunuch. I don’t pay much... 12:05 AM
  • operaassport: If you think the Govs of 7 states have inside weather info you can’t get by watching the... 11:15 PM
  • DeepSouthSenior: This is looking better every minute: Live in HD, Saturday, February 14, 2015. (Two sweet... 10:55 PM
  • operaassport: The point being that its silly to cancel things for the evening when nothing is really going... 10:39 PM
  • operaassport: So far, in NYC, it’s been much ado about nothing. 10:38 PM
  • Krunoslav: The plastic bag warnings as you report them– clearly in possession of information about the... 10:32 PM
  • laddie: That is cute. 10:17 PM
  • operaassport: I’d be happy to experiment on you :) 10:12 PM
  • Poison Ivy: Well seeing as this is an opening night/NP playing to an empty house is probably a bad idea. 10:09 PM

Ten thousand bedrooms

The Metropolitan Opera desperately needed a new production of Le nozze di Figaro. The old Jonathan Miller production in its last revival had degenerated into a freakshow. My most vivid memory is the fingernails-on-chalkboard Susanna Mojca Erdmann simpering on the apron of the stage as the libretto called for her to be frantically shuttling Cherubino out of the Countess’s window. It was pure filth.   Read more »

Wedding bell blues

Our Own JJ (not pictured) writes in the New York Observer, “The combination of the Metropolitan Opera’s opening night—one of the most glamorous social events of the year, in theory at least—and a new production of Le Nozze di Figaro—which is, after all, about a wedding—should result in a doubly gala event. So it’s twice as disappointing that Monday night’s performance of the Mozart masterpiece turned into a four-hour fizzle.” (Photo: Ken Howard, Metropolitan Opera)

It’s a good career

THE DOG IN THE MANGERMusic Director James Levine (pictured, right) is obviously feeling well enough that he can get back to favorite pastime, i.e., making sure nobody else has a success except him. Read more »

isolde

Namenlos in Lieb’ umfangen

SiriusXM is broadcasting right now a 1981 performance of Tristan und Isolde featuring Gwyneth Jones (pictured) and Spas Wenkoff, with James Levine conducting the work that season for the first time in his career.

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cieca_pubie

There is something I must do, there is something I must do

Your Own La Cieca has emerged from semi-retirement to present the 2014 Pubie Awards.

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New York Philharmonic

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive.”

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Sir John and the horse

Come to the unstable

How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return?

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falstaff

He is big

Falstaff, Verdi’s final opera, is exuberantly inventive, bubbling and roiling with ideas the 79-year-old composer was too impatient to develop.

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cosi_3

‘Twas ever “Thus”

While James Levine’s name might not immediately spring to mind when pondering the great Mozart conductors, he does have a long and distinguished career leading operas by the Austrian master.

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furor

“If the headline is big enough, it makes the news big enough”

For those of you who might have overlooked the fact that James Levine is conducting tomorrow night at the Met, the New York Times will get you up to speed this morning with no fewer than four (4) features on the return of “somebody who may be the greatest opera conductor in history.”

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