Headshot of La Cieca

Cher Public

  • Grane: I agree with Early Romantic that pledge week is my signal not to bother watching PBS. I like Fleming... 2:20 PM
  • SilvestriWoman: @SFGuy, Ronstadt did seriously prepare for that role. Not sure if she had at that point but,... 2:19 PM
  • armerjacquino: And you don’t get to decide what ‘merit and quality’ are, you know. 2:09 PM
  • armerjacquino: Wow, you’re going to have to do a hell of a lot better than that. My post was an... 2:09 PM
  • EarlyRomantic: ‘Things should be allowed to exist regardless of merit or quality if Flemingflappers... 1:27 PM
  • armerjacquino: ‘Things should be allowed to exist if I like them’. 1:08 PM
  • EarlyRomantic: If she wants to make a Christmas album and people want to buy it- fine. I won’t be, but its... 12:52 PM
  • Krunoslav: Hammond-Stroud (indeed wonderful in an ENO RHINEGOLD I saw) did fine as Faninal at the Met but... 12:10 PM
  • SF Guy: Speaking of G&S and crossover… httpv://www.youtub e.com/watch?v=1ud5 4BCPJv8 (More... 12:08 PM
  • La marquise de Merteuil: LOL – My fav version is with Hinge and Brackett – Helas – not to... 11:42 AM

Ten thousand bedrooms

The Metropolitan Opera desperately needed a new production of Le nozze di Figaro. The old Jonathan Miller production in its last revival had degenerated into a freakshow. My most vivid memory is the fingernails-on-chalkboard Susanna Mojca Erdmann simpering on the apron of the stage as the libretto called for her to be frantically shuttling Cherubino out of the Countess’s window. It was pure filth.   Read more »

Wedding bell blues

Our Own JJ (not pictured) writes in the New York Observer, “The combination of the Metropolitan Opera’s opening night—one of the most glamorous social events of the year, in theory at least—and a new production of Le Nozze di Figaro—which is, after all, about a wedding—should result in a doubly gala event. So it’s twice as disappointing that Monday night’s performance of the Mozart masterpiece turned into a four-hour fizzle.” (Photo: Ken Howard, Metropolitan Opera)

It’s a good career

THE DOG IN THE MANGERMusic Director James Levine (pictured, right) is obviously feeling well enough that he can get back to favorite pastime, i.e., making sure nobody else has a success except him. Read more »

isolde

Namenlos in Lieb’ umfangen

SiriusXM is broadcasting right now a 1981 performance of Tristan und Isolde featuring Gwyneth Jones (pictured) and Spas Wenkoff, with James Levine conducting the work that season for the first time in his career.

Read more »

cieca_pubie

There is something I must do, there is something I must do

Your Own La Cieca has emerged from semi-retirement to present the 2014 Pubie Awards.

Read more »

New York Philharmonic

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive.”

Read more »

Sir John and the horse

Come to the unstable

How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return?

Read more »

falstaff

He is big

Falstaff, Verdi’s final opera, is exuberantly inventive, bubbling and roiling with ideas the 79-year-old composer was too impatient to develop.

Read more »

cosi_3

‘Twas ever “Thus”

While James Levine’s name might not immediately spring to mind when pondering the great Mozart conductors, he does have a long and distinguished career leading operas by the Austrian master.

Read more »

furor

“If the headline is big enough, it makes the news big enough”

For those of you who might have overlooked the fact that James Levine is conducting tomorrow night at the Met, the New York Times will get you up to speed this morning with no fewer than four (4) features on the return of “somebody who may be the greatest opera conductor in history.”

Read more »