Although the season is less than three weeks old, Metropolitan Opera audiences may hear nothing else this season as beautiful as Peter Mattei’s “Song to the Evening Star.” The Swedish baritone’s slightly eccentric, always meltingly lovely Wolfram was the shining highlight of the return Thursday evening of Wagner’s Tannhaüser after an absence of 11 years. Read more »
It is one of the most basic truths of the gay male experience that any life situation imaginable can be summed up with a line from All About Eve. And, as you see from the headline above, that’s how La Cieca (pictured, artist’s conception) is reacting to this utter balderdash about James Levine‘s cancellation of Lulu at the Met. Read more »
Or should La Cieca say “in extremis?” From the Met press office, dated 5:30 PM Friday: “Faced with the demands of rehearsing and performing two large-scale operas simultaneously this fall, Met Music Director James Levine has decided to lighten his workload by removing the new production of Berg’s Lulu from his schedule so that he may focus his energies completely on Wagner’s epic drama Tannhäuser. . . .” Read more »
James Levine turns 72 this year. Even though his health has improved considerably in the past year and he may continue to conduct for a decade or more, it seems inevitable that he will step down as the Met’s Music Director sometime in the next few years to assume the role of Conductor Laureate.
The Metropolitan Opera desperately needed a new production of Le nozze di Figaro.
“So it’s twice as disappointing that Monday night’s performance of the Mozart masterpiece turned into a four-hour fizzle.”
Music Director James Levine (pictured, left) is obviously feeling well enough that he can get back to favorite pastime, i.e., making sure nobody else has a success except him.
SiriusXM is broadcasting right now a 1981 performance of Tristan und Isolde featuring Gwyneth Jones (pictured) and Spas Wenkoff, with James Levine conducting the work that season for the first time in his career.
Your Own La Cieca has emerged from semi-retirement to present the 2014 Pubie Awards.
“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive.”