Cher Public

  • Donna Anna: Ivy–by terrible things, I meant more along the lines of being Statler and Waldorf at the opera. The mind reels.... 9:43 PM
  • -Ed.: It’s raining like a whore in church here in St. Petersburg at dusk, putting quite a dampener on our 4th of July festivities.... 9:17 PM
  • Batty Masetto: Be extremely careful what you initiate with that sexy vacuum cleaner, LT. 8:36 PM
  • -Ed.: Manou, I live in St. Petersburg (the sunny one with beaches) which I know for a fact is in the South. Er,.. except it isn’t,... 8:33 PM
  • Operngasse: We now know where the West ends: The western border of Arizona and Nevada, per Justice Scalia (forgive me for mentioning his... 7:52 PM
  • manou: So – not only are American people unsure of where they live, they also wash their hair with potato chips and soda. Curiouser... 7:40 PM
  • Poison Ivy: No, it does not count. You haven’t really lived until you’ve gone to Walmart to buy shampoo and left with a cart... 7:37 PM
  • LT: Does online shopping count? I recently bought a sexy vacuum cleaner for $29.99. 7:28 PM

Be my guest!

James Levine turns 72 this year. Even though his health has improved considerably in the past year and he may continue to conduct for a decade or more, it seems inevitable that he will step down as the Met’s Music Director sometime in the next few years to assume the role of Conductor Laureate.  This is why the role of Principal Conductor is so critical to the company; the person in that role serves as the unofficial successor to Maestro Levine. Read more »

Ten thousand bedrooms

The Metropolitan Opera desperately needed a new production of Le nozze di Figaro. The old Jonathan Miller production in its last revival had degenerated into a freakshow. My most vivid memory is the fingernails-on-chalkboard Susanna Mojca Erdmann simpering on the apron of the stage as the libretto called for her to be frantically shuttling Cherubino out of the Countess’s window. It was pure filth.   Read more »

Wedding bell blues

Our Own JJ (not pictured) writes in the New York Observer, “The combination of the Metropolitan Opera’s opening night—one of the most glamorous social events of the year, in theory at least—and a new production of Le Nozze di Figaro—which is, after all, about a wedding—should result in a doubly gala event. So it’s twice as disappointing that Monday night’s performance of the Mozart masterpiece turned into a four-hour fizzle.” (Photo: Ken Howard, Metropolitan Opera)

THE DOG IN THE MANGER

It’s a good career

Music Director James Levine (pictured, left) is obviously feeling well enough that he can get back to favorite pastime, i.e., making sure nobody else has a success except him.

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isolde

Namenlos in Lieb’ umfangen

SiriusXM is broadcasting right now a 1981 performance of Tristan und Isolde featuring Gwyneth Jones (pictured) and Spas Wenkoff, with James Levine conducting the work that season for the first time in his career.

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cieca_pubie

There is something I must do, there is something I must do

Your Own La Cieca has emerged from semi-retirement to present the 2014 Pubie Awards.

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New York Philharmonic

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive.”

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Sir John and the horse

Come to the unstable

How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return?

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falstaff

He is big

Falstaff, Verdi’s final opera, is exuberantly inventive, bubbling and roiling with ideas the 79-year-old composer was too impatient to develop.

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cosi_3

‘Twas ever “Thus”

While James Levine’s name might not immediately spring to mind when pondering the great Mozart conductors, he does have a long and distinguished career leading operas by the Austrian master.

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