Headshot of La Cieca

Cher Public

  • WindyCityOperaman: Just got it. LMFAO! 3:22 PM
  • m. croche: The Japanese Arthur Farwell! 3:07 PM
  • kashania: AJ: I think that was one of the best tracks of his French & Italian Arias album. He’s... 3:02 PM
  • FaustinaBordoni: Camerana’s timbre is “sweeterR 21; than Owens’s̵ 1;softer around... 2:59 PM
  • kashania: ROBERTO DEVEREUX update For those interested, here are Radvanovsky and Capalbo in the final two... 2:50 PM
  • Olivero is my Drug of Choice: I find Camarena has a much “sweeterR 21; sounding voice than... 2:39 PM
  • actfive: Jeanette’s Italian could use some work. 2:34 PM
  • armerjacquino: I’m guessing that this was part of a trilogy of films with ‘The Coffee Cup’... 2:25 PM
  • Gualtier M: Jeanette MacDonald sang a cut and somewhat unsubstantial “Liebestod&# 8221; in this... 2:21 PM
  • Cicciabella: I think De Nationale Opera makes the most of its state subsidies and corporate sponsorship... 2:17 PM

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive. If only the Met could get similarly revved for its production of Wozzeck. On Thursday night, the opera, whose graphic violence quotient is small potatoes compared to the Sweeney Todd bloodbath, played to a listless half-empty house.” [New York Observer] (Photo: Chris Lee)

Come to the unstable

“How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return? Nothing went wrong exactly, but nothing went quite right either. Conducting this final masterpiece of Verdi—a Levine specialty at the Met since 1972, his second season with the company—the maestro was off his game.” [New York Observer] (Photo: Ken Howard)

He is big

Falstaff, Verdi’s final opera, is exuberantly inventive, bubbling and roiling with ideas the 79-year-old composer was too impatient to develop. It’s a work bursting with miraculously youthful vigor, which the newly invigorated James Levine brought to the Metropolitan Opera on December 6. Levine rightfully reveres Falstaff, and his light, deft touch and detailed musical ear were matched in Robert Carsen’s witty, visually stunning production, where Shakespeare’s Merry Wives live in 1950’s Windsor, leaving their bright kitchens to lunch at smart restaurants.   Read more »

cosi_3

‘Twas ever “Thus”

While James Levine’s name might not immediately spring to mind when pondering the great Mozart conductors, he does have a long and distinguished career leading operas by the Austrian master.

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furor

“If the headline is big enough, it makes the news big enough”

For those of you who might have overlooked the fact that James Levine is conducting tomorrow night at the Met, the New York Times will get you up to speed this morning with no fewer than four (4) features on the return of “somebody who may be the greatest opera conductor in history.”

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jj_post

Man in chair

The question on everyone’s lips at Carnegie Hall was, “Is Jimmy back in form?”

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saucy

Teen spirit

La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.

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new_puritans

Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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James Levine at the MET

Out of the past

James Levine, the Metropolitan Opera’s Music Director, will return to conducting on May 19, 2013 with the MET Orchestra at Carnegie Hall.

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odorama

Scent of mystery

La Cieca has been sniffing around her generally reliable (and fragrant) sources, and she thinks she has pieced together a list of the dozen operas to be featured in the 2013-2014 season of “The Met: Live in HD.”

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