Cher Public

Something Aten!

akhnaten-1Sometimes, as with last week’s upending election, history seems to jump to an entirely different, unimagined timeline. The individuals who cause these disruptive changes have been a fascination for Philip Glass, whose first three operas form the so-called “Portrait Trilogy” about visionaries who transformed their respective eras.   Read more »

Comeback thane

macbeth-1Macbeth has always been my favorite of Shakespeare’s plays. One of the many reasons for this is that it is his most succinct (read: shortest) of all his works. The characters get right down to work immediately with their foul deeds.  Read more »

Snow business

bohemeLos Angeles saw the first U.S. performance of Giacomo Puccini’s snow-dusted weeper in 1897 just a year after the young Toscanini led the prima in Turin. LA Opera in its unending, some might say hellbent, quest to engage the company town in the art of the lyric theatre invited film director, former Broadway choreographer and perennial Academy Award nominee Herbert Ross, of Turning Point and Steel Magnolias fame, to stage our latest production of La Bohème way back in 1993.  Read more »

To live and die (with honor) in L.A.

Los Angeles first saw Giacomo Puccini’s Madama Butterfly presented at the Mason Opera House downtown in 1908 by the English Grand Opera Company. Rumors that LA Opera Artistic Director Placido Domingo portrayed Cio-Cio San’s little boy in that production remain unsubstantiated. 

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Out there in the dark

The revival of Mozart’s The Magic Flute at the Music Center downtown, last seen at LA Opera in 2013, is reason for jubilation for everyone except perhaps the singers engaged.

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The rite stuff

Remember that time you went to the opera and the entire evening was perfection?

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Fireworks

As I leaned forward the woman in front of me turned to her seatmate and very quietly, in a voice thick with emotion and not a few tears, said, “it’s so beautiful.”

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My name is Barbiere

James Conlon, Music Director for the LA Opera, often does the pre-game lecture in the huge open space on the second floor lobby of the Dorothy Chandler Pavillion and it’s almost always a standing room only crowd.

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Male fraud

Has Los Angeles Opera mentioned lately that Billy Budd has an all-male cast?

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When Pats collide

As part of its “Figaro Unbound: Culture, Power and Revolution at Play” series, Los Angeles Opera next season will present John Corigliano‘s The Ghosts of Versailles featuring soprano Patricia Racette as Marie Antoinette and Broadway legend Patti LuPone as the Turkish entertainer Samira.

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