Remember that time you went to the opera and the entire evening was perfection? Yeah, me neither: you get so close but there’s always something that detracts from total glory. My remembrances of LA Opera’s production of Bellini’s Norma will have no such detractions since the flaws in the performance where so minor compared to the whole I can easily dismiss them. Read more »
At the conclusion of LA Opera’s revival of Mozart’s Le Nozze di Figaro I was taking the early opportunity to stand before the curtain calls since I knew we’d all be on our feet presently. As I leaned forward the woman in front of me turned to her seatmate and very quietly, in a voice thick with emotion and not a few tears, said, “it’s so beautiful.” I couldn’t have agreed more. Read more »
James Conlon, Music Director for the LA Opera, often does the pre-game lecture in the huge open space on the second floor lobby of the Dorothy Chandler Pavillion and it’s almost always a standing room only crowd. Before opening night on Saturday he related how a performance of Gioachino Rossini’s Il Barbiere di Siviglia by a fledgling local company lit the fire in him to be a conductor at the tender age of 11. Read more »
As part of its “Figaro Unbound: Culture, Power and Revolution at Play” series, Los Angeles Opera next season will present John Corigliano‘s The Ghosts of Versailles featuring soprano Patricia Racette as Marie Antoinette and Broadway legend Patti LuPone as the Turkish entertainer Samira.
Being an opera lover in Los Angeles is a lot like being a Red Sox fan. As hard as they try we never make it to the World Series, let alone the playoffs.
“…LA Opera’s 2010/11 25th Anniversary Season will continue with Benjamin Britten’s suspenseful masterpiece The Turn of the Screw, opening at 7:30pm on Saturday, March 12, 2011 . . . . Irish mezzo-soprano Anne Murray makes her Company debut as the housekeeper Mrs. Grose, the governess’ only ally.” (Los Angeles Opera press release)