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Cher Public

  • MontyNostry: Talking of Cotrubas, whom I saw on stage as Violetta, Elisabetta and Tatyana, and in... 10:33 PM
  • NPW-Paris: (Just to be clear: the opening night reviews had thus not prepared me for what I heard when I was... 10:33 PM
  • NPW-Paris: I heard her only once, in Boccanegra: “Ana Maria Martinez was, it seems, petrified on the... 10:31 PM
  • Operngasse: Jungfer – Thank you so much for mentioning Martine van Hamel. One of the great American... 10:31 PM
  • MontyNostry: Camille, dear, I find that very reassuring! Thank you. 10:30 PM
  • Camille: Thanks, armerjay, for I had this home from the library but hadn’t the time to listen. I got... 10:21 PM
  • Camille: MontyN. You have volleyed on back my exact sentiments re all three sopranos spoken of above, not... 10:18 PM
  • Camille: How is that ending different, please? Is that in the UE score? Have only heard the the usually done... 10:10 PM
  • Camille: It’s very interesting to hear what you have to say about the Cotrubas Traviata. She was so... 10:02 PM
  • NPW-Paris: Damn. “… from natural causes”. Sorry. 9:56 PM

Steel me, sweet thief

La Cieca’s spies tell her that the New York City Opera plans an extremely ambitious season for 2011-2012, with vast expansions of repertory and number of performances. Read more »