Headshot of La Cieca

Cher Public

  • Quanto Painy Fakor: Interesting interview with LA Opera Christopher Koelsch in FORTUNE Magazine. He has a... 11:51 AM
  • DeepSouthSenior: Nor the utter, forsaken desolation of the end of Michael Corleone, as great an operatic... 11:35 AM
  • Milady DeWinter: P.S. Sorry about the repetitive adverb usage – guess my ‘mot du jour’ is... 10:55 AM
  • Quanto Painy Fakor: But I don’t think the NYT cares much what Santuzza has to say or sing about. 10:52 AM
  • Quanto Painy Fakor: JJ’s review is admirable and enjoyable to read. Now that the NYT has made heads... 10:51 AM
  • Milady DeWinter: Anyone listen or attend last night’s opening of Hansel and Gretel? I listened via... 10:38 AM
  • tatiana: Nor the messy and bullet-ridden end of Sonny Corleone! 10:32 AM
  • DeepSouthSenior: Tenor Fabiano “is a tall, slim young man with the sort of brooding good looks you’d... 10:09 AM
  • kennedet: Agreed. Also, all praises due to Christopher Macatsoris of AVA,who had training from Serafin, Cleva... 9:53 AM
  • pasavant: Thanks for the help. I see that Mr. Costello is scheduled to sing in Traviata on December 27th. In... 8:34 AM

Our retrospection will now be all to the future


La Cieca predicts you will be seeing more of the same old puritans at the Met next season, and she’s not just talking about the ones who slouch around during intermission hissing, “You call that a trill?” But uou will also see six new productions (including a Met premiere of a 21st century work) and the local debut of one of opera’s most controversial stage directors. Read more »