Cher Public

  • moritz: I was about to write “I’ve never heard or read that someone used the verb “fistelnR 21; although... 3:25 AM
  • siegmund: I believe she sang almost all of the big wagner roles including brunnhilde and isolde in places like London and Vienna. 1:43 AM
  • Bluebeard: A pivotal scene features that image, plus it’s the poster used by other companies, such as the ROH. It’s a... 12:38 AM
  • Poison Ivy: I saw the livestream. Opolais is a great actress, and a decent musician, but her voice really lacks any bloom. It kind of... 11:19 PM
  • WindyCityOperaman: RIP singer Lynn Anderson httpvh://www.youtu be.com/watch?v=2g0 f3_Gke84 8:59 PM
  • aulus agerius: Why do the WRITTEN ON SKIN ads feature tats? It’s not about that is it? I decided not to go, BTW, affer viewing the... 7:46 PM
  • Bill: I liked Ludmila Dvorakova a great deal – she had a Flagstad like warmth to her voice – very rich in the middle. She sang... 6:37 PM
  • luvtennis: I would have a hard time suspending my disbelief too. How can you kill nuns to music that’s this much FUN!... 5:49 PM

Married to the mobcap

I have an idea (soon to be angrily debunked in the comments section) that Le nozze di Figaro is rarely a source of unalloyed bliss to the chronic operagoer. Read more »

Our retrospection will now be all to the future


La Cieca predicts you will be seeing more of the same old puritans at the Met next season, and she’s not just talking about the ones who slouch around during intermission hissing, “You call that a trill?” But uou will also see six new productions (including a Met premiere of a 21st century work) and the local debut of one of opera’s most controversial stage directors. Read more »