Headshot of La Cieca

Cher Public

  • Camille: Thanks so much, Feldmarschallin!! My prayers have been answered for my wish to hear this work and... 9:48 PM
  • Lindoro Almaviva: Wouldn’t it? i am in Chicago often enough, i am but less than  miles away from Chicago 9:01 PM
  • Clita del Toro: Lindoro, that would be fun! 8:42 PM
  • Grane: Can’t get this in the right place, but thanks, Cicciabella, for the review of Anna’s Four... 8:10 PM
  • phoenix: dan, I can’t find the exact casts for the last 2 operas, but today I found a site that claims... 8:04 PM
  • manou: Yes marshie – but before the supine bit there should be a more vertical phase. 7:18 PM
  • Cicciabella: Any singer who appears “freshly engaged”, “majestic 221;, “unsuppor... 7:04 PM
  • Gualtier M: I also heard several performances by Goerke that were disappointing. The Mme. Lidoine at the Met... 6:43 PM
  • DonCarloFanatic: The garbled Google Translate was a poem of sheer beauty. They liked her, they really liked... 6:25 PM
  • danpatter: I’m glad to know about this. Thanks, Phoenix. 6:22 PM

“I felt the hand of Death”

Oddly enough, Eva Marton‘s interpretation of the Kostelnicka (pictured) goes unmentioned in Issue #38, perhaps because this time around, parterre box the queer opera zine is stuffed to the gills with some of the edgiest content in its history. After leading off with a completely inaccurate gossip item about Sam Ramey, your doyenne discusses Glimmerglass Opera; Gertie Dammerung travels to Munich and Bayreuth; Dr. Repertoire muses on Marta Eggerth, MTV and Carlo Bergonzi; Leila de Lakmé appreciates Leyla Gencer; and, bestest of all, Opera Snooze! [Download Issue #38]

Normative

La Cieca is sort of out of words trying to describe what makes a great performance of the role of Norma, as opposed to the conscientious traversal of the notes that, curiously, seems to inspire such absurdly hyperbolic statements as “The role has been a magnet for many great sopranos—Ponselle, Milanov, Callas, Sutherland, to name a few—and after last night Radvanovksy can add her name to the list.”

Thus your doyenne now graciously offers an audio example of “greatness,” including ferocity of attack, nobility of fraseggio, crisp rhythm and expressive use of the text… following the jump.   Read more »

double dip of donizetti

On tonight’s episode of Unnatural Acts of Opera, we hear the second act of Donizetti’s Belisario. But we won’t hear Leyla Gencer during this act, as her character remains offstage for the duration. However, La Cieca has added an extra act of Donizetti (with la Gencer onstage the whole time!) as bonus.

Hear it after the jump. Read more »