Cher Public

  • mirywi: Stephanie Blythe also inexplicably ignored. 10:49 PM
  • DerLeiermann: Is english with the ocassional reference to italian/german/fre nch the only acceptable language on parterre? Is there some... 10:09 PM
  • LT: He didn’t complain. He asked what it meant. So, at least for once, quit bitchin’. 10:06 PM
  • DerLeiermann: (Both are correct!) 10:05 PM
  • Camille: Qu’est-ce que ça veut dire, — “beurrrkkk&# 8221;??? Parlez en français, s’il vous plaît!!!!!!! Les... 9:53 PM
  • Rudolf: @ schweigundtanze Well … that’s a surprising statement. :-) 9:49 PM
  • Camille: oh yes, I inherited that recording and it was my introduction to the work and remember a quote from the back of the album;,... 9:49 PM
  • Rudolf: @ Camille Not at all time challenged … after Lily Pons clad in historic sound I just had to unearth the wonderful... 9:20 PM

See the pretty diva in that mirror there

The diva must be a Diva in Adriana Lecouvreur. Fact. Certainly Cilea’s music is sumptuous if not subtle, and Colautti’s libretto colorful if not always coherent. But you absolutely need a prima donna that has captivated the audience before they even enter the theatre. If the role, more often than not, is sung by sopranos at the end of their careers, it would scarcely carry much clout for a fresher-voiced unknown.

Perhaps Angela Gheorghiu is not always a perfect vocal fit for Adriana in this Royal Opera House performance from 2010, but she wears the role like a couture gown. Read more »

Der Pelz wird fliegen

The guest soloist at the the Wiener Opernball was just introduced as “Rumäniens Antwort auf Anna Netrebko, Angela Gheorghiu.”  Read more »

Comment n’être pas coquette?

Gone (from the Met’s Faust) but not forgotten diva Angela Gheorghiu claims that Jonas Kaufmann has expressed to her his dissatisfaction with Des McAnuff‘s direction—which reportedly included an injunction to the tenor to do as he was told and not to question anything. She adds that Kaufmann has assured her she was right to cancel when she did. Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot. [WQXR]

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Good evening starshine

Now, it seems, OONY is returning to its star-driven roots.

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Dark sisters

The very brunette leading ladies of Adriana Lecouvreur, Anita Rachvelishvili and Angela Gheorghiu, flank the practically strawberry blond by comparison Jonas Kaufmann during bows last night after Opera Orchestra of New York’s season opener.

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Mite, gioconda, atroce

In preparation for tonight’s Angela Gheorghiu/Jonas Kaufmann Sternstunde at Carnegie Hall, La Cieca invites the cher public to share your favorite memories and YouTube clips of Adriana Lecouvreur performances present and past. (Photo: Alastair Muir)

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Homage girl

It would be a shame, I think, if EMI’s stunt video of Angela Gheorghiu “in duet” with Maria Callas backfired powerfully enough to prevent serious opera fans (well, okay, let’s say “enthusiastic opera fans,” that’s more like it) from listening to the Romanian diva’s new CD Homage to Maria Callas. There’s a lot on this mixed-grill disc to enjoy.

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No, after you!

The already notorious or celebrated or whatever it is version of the “Habanera” featuring (in alphabetical order) Maria Callas and Angela Gheorghiu: it’s been released, and you can experience after the jump.

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“Dispettosetto questo riccio!”

La Cieca supposes that maybe the reason Angela Gheorghiu doesn’t include any music from Manon Lescaut on her new “Homage to Callas” CD is that she can’t quite identify with the character?

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The look your heart can’t disguise

In what is without doubt the final chapter of their on-again, off-again romance, Angela Gheorghiu and Roberto Alagna are on again, she says.

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