I’m giving my age away here by saying that I am unfortunate enough to remember how Rudy Giuliani would sometimes drop by the Met airwaves and claim he was a “huge” opera fan. The most mild inquiries revealed that his knowledge of opera started at La traviata and ended at La bohème. But there is a sizable portion of opera audiences who only like the bread and butter Italian operas, and the annual Richard Tucker Gala is probably the event of the year to indulge your love of verismo staples and can belto screaming. Read more »
Since the Metropolitan Opera published its ’15-‘16 calendar, Thursday night’s Tosca lost its conductor, tenor and baritone. Who could ever have imagined that the one principal who did show up would be the often elusive Romanian soprano Angela Gheorghiu? Her idiosyncratically alluring, sometimes maddening, always fascinating Floria Tosca inevitably became the evening’s unmissable raison d’être! Read more »
La Cieca has heard from a very reliable source inside the Met that Angela Gheorghiu is physically in New York and is rehearsing and being fitted for costumes (not pictured) for her impending brace of Tosca performances.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
No tracks available yet, but the Angela Gheorghiu Christmas album looks very, well, seasonal.
The Metropolitan Opera desperately needed a new production of Le nozze di Figaro.
Some interesting programming in Avignon next season.
With the well-known guitar player Milos Karadaglic, celebrating the decission of working together on a new, surprising and innovative project.
“Gheorghiu has admitted a romance with Cézar, a flamboyant Romanian counter-tenor…”