Headshot of La Cieca

Cher Public

  • Signor Bruschino: Speaking of Gergiev, Netrebko & War and Peace, was the production ever videotaped in... 9:00 AM
  • quoth the maven: In what universe is the Met “heavily subsidized”? ? 8:56 AM
  • manou: I refuse to call you a fun guy (because there will me more(l)shiitake). 8:09 AM
  • m. croche: I doff my cap, 7:57 AM
  • manou: That must be why Chanterelle commented… 7:43 AM
  • m. croche: Overall, the orchestra sounded beautiful, if consistently rushed by right tempos that did not... 7:11 AM
  • manou: Libretto here: http://t.co/xEOlI1 hOoW 6:39 AM
  • tiger1: Thanks a lot, Jungfer. I am happy to say that now I have at least heard it. I did not listen... 6:30 AM
  • Dabrowski: Don’t give him any ideas. 4:41 AM
  • Dabrowski: Phyllis Chesler is a joke, one of those hacks that the far right likes to trot out as a convert to... 4:40 AM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »