Cher Public

  • Camille: Caro Cocky K.— That would indeed make me very happy as -for some peculiar reason- perhaps based upon your unusual degree of... 7:19 PM
  • phoenix: Interesting sub-sub-thread. I also liked Plowright – she had her mannerisms but I still found her interpretations quite... 7:15 PM
  • phoenix: I saw Rossini’s L’italiana in Algieri at Cooperstown many years ago and it was very well done & entertaining... 6:58 PM
  • Porgy Amor: Cocky, I did not think the Principessa was a good fit for Larsson in the premiere run as seen on the DVD release either. The... 6:46 PM
  • Camille: Uh huh, phoenix. You are sounding just like me now, kvetching about the kvetching tourists. No me gusta, Papì! I just want to see... 6:43 PM
  • Cicciabella: Haroutounian has been tweeting about how she’s ready for Norma. She’s clearly applying for the job and will say... 6:39 PM
  • phoenix: Camille, Cooperstown is a vacation place: do you want to go to Cooperstown to see Rachele Gilmore in La Gazza Ladra? If so, you... 6:30 PM
  • Cocky Kurwenal: I’m not sure I agree she’s a natural for the spinto repertoire. Certainly she has the top of a spinto, but the... 6:01 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »