Headshot of La Cieca

Cher Public

  • Krunoslav: Et MOI! httpv://www.youtub e.com/watch?v=BE2M AxLZUrQ 3:25 AM
  • Krunoslav: I cannot speak for Nerva, who was exploded ( yes, in a revolutionary outrage). Krunoslav, however,... 3:24 AM
  • Krunoslav: Why must Vedernikov be under 40 to have good things in his future? He just turned 51 and has had a... 3:14 AM
  • Krunoslav: Only *think* what Richard Harris at that pitch of high dudgeon could have done in the role of... 2:59 AM
  • Quanto Painy Fakor: I don’t understand. The Geistervariationen are for piano. httpv://www.you... 2:18 AM
  • guy pacifica: I have no idea where this will land but Camille, thank you so much for the Michael Powell... 2:12 AM
  • Quanto Painy Fakor: I guess she was not yet in Washington when William Friedkin’s production at thr... 1:23 AM
  • Poison Ivy: Poor Bobbi K :( 1:16 AM
  • NPW-Paris: I’d love to see Ann Hallenberg do La Grande Duchesse. Fat chance. 1:09 AM
  • mirywi: Strange that Midgette doesn’t remember the performance in March 2012 that she reviewed of... 1:08 AM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »