Headshot of La Cieca

Cher Public

  • zinka: YOU need to run the MET..La Cieca can be an usher….. you write (like James) so beautifullyR... 6:58 PM
  • zinka: Hi>>I am not saying that singers today cannot be superb..BUT who has the “Muzio... 6:56 PM
  • antikitschychick: Don’t know that she necessarily chose him…perhaps he was the most qualified to... 6:40 PM
  • antikitschychick: How wonderful to hear she was so nice and down to earth :-) thanks for sharing your lovely... 6:35 PM
  • antikitschychick: Ivy you’re probably right about the total devotion thing (as you’ve... 6:30 PM
  • SilvestriWoman: I only met her briefly, but Freni was as down to earth as can be. As I waited for a coaching... 6:24 PM
  • Camille: Gracias, NPW. Very interesting to hear Mo. Biondi had this to say in re Vivaldi and helps me a... 6:19 PM
  • veal seduttore: The Kaufmann Ferrando is astonishing, not only for how good it is, but how unrecognizable his... 6:19 PM
  • La Cieca: He sings Otello, Canio and some other heavy, hard-to-cast parts, so he likely can get plenty of... 6:18 PM
  • LogeLizard: Yikes. Verdi baritones, I meant. 6:10 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »