Cher Public

  • redbear: It was a continuing chapter in the French rediscovering their own musical history and it is one of the great stories of my... 4:39 AM
  • manou: Kurzak has this pronounced widow’s peak (think evil Queen in Snow White) and they did replicate it quite well with the wig,... 4:22 AM
  • NPW-Paris: It was in February 2007 at the Bastille, with Anick Massis, Anna-Caterina Antonacci and Chris Merritt, and yes, the blog has a... 1:33 AM
  • zinka: 26:52 is the duet….. 12:38 AM
  • zinka: httpv://www.youtub e.com/watch?v=a7kN -KxKL7w LEYLA!!!!!!!!!!!!! !!!!!! Papian was chest-less when I saw her..She is... 12:37 AM
  • Batty Masetto: Definitely a wig, though unusually for BSO, a pretty good one. I noticed a major change in her hair before her scene in... 11:31 PM
  • Krunoslav: I read one that was scathing, and he deserved it. But a lot of mainstream critics seem to like Silvestrelli. 11:19 PM
  • Krunoslav: ” I had seen the opera performed years ago with Anja Silja as the Kostelnicka and Elisabeth Soderstrom as Jehufa,”... 11:15 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »