Headshot of La Cieca

Cher Public

  • NPW-Paris: I’ve published a write-up, but it was tough going and the result is nothing special, though... 5:22 AM
  • Arabella: Try here? http://www.operapa ssion.com/cdpestma ab19.html 4:14 AM
  • m. croche: Nice to be reminded that critics for the German dailies can be just as goofy as their... 3:56 AM
  • Feldmarschallin: http://www.nzz.ch/ feuilleton/buehne/ ein-rosenkavalier- ohne-lebenstiefe-1 .18512522 3:41 AM
  • Feldmarschallin: http://www.sueddeu tsche.de/kultur/dr ei-festpremieren-v om-wochenende-bunt es-opernosterf... 2:01 AM
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  • marshiemarkII: Stutzmann, now that is a voice from the past, she was really wonderful and I really like the... 12:24 AM
  • DeepSouthSenior: I have a special fondness for the Pergolesi Stabat Mater with Nathalie Stutzmann and Roy... 12:11 AM
  • DeepSouthSenior: Thank, everyone, for the Don Carlo recommendations. Met on Demand video has only 1980 and... 11:39 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »