Cher Public

  • Ilka Saro: Thanks for confirming that! My recollection was that it was in color, and I was thrown by the b/w clip. I don’t object to... 9:48 PM
  • aulus agerius: Operanews.com now has ‘The Year in Opera’ available which is very helpful. I’ve planned a trip to FL for... 8:48 PM
  • vilbastarda: Did any parterrian attend dell’Arte Opera’s Rosina by Hiram Titus, and care to share their thoughts? I went last... 8:47 PM
  • vilbastarda: So dark, so beautiful. My preference is the darker, the better. The hand gestures reminded me of this diva: httpv://youtu.b... 8:22 PM
  • Lady Abbado: The video from Grafenegg Festival is for a few hours available here: http://tvthek.orf. at/topic/Festspiel sommer/10166040... 7:56 PM
  • phillyoperalover: oh how nice. 7:28 PM
  • Porgy Amor: I was rooting for Nick Nolte for Affliction among that crop, but Edward Norton (American History X or McKellen would have been... 5:27 PM
  • Porgy Amor: I copied one other line from the SJT Anna Nicole review, when I linked to it for someone elsewhere: “We also have a wild... 5:14 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »