Headshot of La Cieca

Cher Public

  • semira mide: Totally OT, sorry. Live stream of first performance of critical edition of Rossini’s... 5:14 AM
  • PushedUpMezzo: I know Spanish rake is a Don G reference, rhyming neatly with mannish fake; but Ildebrando is... 4:09 AM
  • steveac10: Hah! Good catch! Oddly, D’Arcangelo is one of my imaginary boyfriends (I have a virtual... 12:45 AM
  • mia apulia: indeed, lovely; in a period when recordings were left so much closer to what the singing... 12:34 AM
  • Krunoslav: Sylvia Sass under-recorded? MACBETH, ATTILA, BELFAGOR, BLUEBEARD’S CASTLE, DON GIOVANNI,... 11:59 PM
  • RobNYNY: Of course, Troyanos was a mezzo soprano, 11:22 PM
  • bluecabochon: The Oracle HAS SPOKEN. 11:19 PM
  • RobNYNY: Brooks. 11:17 PM
  • RobNYNY: I am not disappointed. It is just what I have come to expect of Freni. Beautiful voice, great stage... 11:16 PM
  • RobNYNY: I am not disappointed. It is just what I have come to expect of Freni. Beautiful voice, great stage... 11:15 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »