Cher Public

  • Alex Baker: Ugh…managed not to screw up anyone’s name this time but failed to run a NornCheck (TM)… 9:34 PM
  • Krunoslav: Stoyanova does not have Lisa on the repertory list on her website. 8:49 PM
  • Betsy_Ann_Bobolink: Va, Pierce Arrow? 8:21 PM
  • actfive: My ancestors came from County Fermanagh and I think they’d be honored to be used as a musical term… 8:17 PM
  • Porgy Amor: An infamous production. Whenever the anti-Gelbites get nostalgic for the Volpe years, when, in a rosy revisionist view, all... 7:59 PM
  • Signor Bruschino: What about the final scene with him and Zajick on the crazy merry-go-round thing? That night is burned in my brain! How... 7:58 PM
  • PCally: Big big fan, particularly as Hoffmann. He could be a bit much at times and I never found the sound the most intrinsically... 7:39 PM
  • Krunoslav: Well, thanks. I rather liked “IPHIGENIA IN TAURUS”, which sounds like a former Alden AD’s elevator pitch. 7:11 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »