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  • m. croche: Cenerentola doesn’t feel like a comedy to me because of its underlying melancholy. Though it... 2:19 PM
  • Regina delle fate: Erzsebet Hazy – there’s a blast from the past! Thanks for the reminder, Buster. 2:15 PM
  • Regina delle fate: Fair enough, Oedipe. No-one is saying you’re wrong. Chacun à son goût as they say. I... 2:13 PM
  • kashania: Cocky: I always assumed it was an E-flat at the end but you’re right that it’s a D.... 2:11 PM
  • luvtennis: Wow, postus interruptis! I was going to conclude that Gruberova’s basic timbre and technique... 1:55 PM
  • Camille: I would gladly give my shriveled old right teat to go to Pesaro, especially to hear that great... 1:53 PM
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  • Guestoria Unpopularenka: Es que cuando tu tenias 7 años, California todavia era parte de Mexico?! :O 1:37 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »