Cher Public

  • antikitschychick: Evening Everyone, First of all I apologize for taking so long to report back about my recent quadruple dose of operas... 12:34 AM
  • DerLeiermann: I fear Miss Netrebko might not be as photogenic as I first thought. On camera she can look a bit plump and,ocasionally, too... 11:47 PM
  • DeepSouthSenior: I’ve said here several times that I’m not a big fan of opera in audio only (except for Baroque). Opera is... 11:31 PM
  • DerLeiermann: Thank you for this info , Donna Anna. I’ll see if my theater has the encores. I suppose I should also consider... 11:26 PM
  • DerLeiermann: Wow, this is pure TRASH. I can’t believe it won 4Tonys. (Though know that I know against they were won to it makes... 11:18 PM
  • Batty Masetto: Surprising to read here about the production being dark in HD – it looked very good in our theater, no problems with... 11:11 PM
  • Krunoslav: When I see those COCO clips, I have always wanted to throw things. Everyone knew she could neither sing nor dance, but to me... 10:48 PM
  • Camille: Uebermächte, dammit! Now goodnite, mother! 10:47 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »