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Cher Public

  • Will: Funny, what the Archbishop says of Swing is very close to the moral condemnation of the waltz when it... 10:23 AM
  • Lindoro Almaviva: Sometime ago, we were discussing the differences on the Myuto vs the La Scala release of... 10:22 AM
  • Bill: In general at the Met singers do not take solo bows after an aria (unless it ends the act) and in... 10:05 AM
  • Bill: Quanto – None of the cars shown in this video seem to be of 1938 vintage but older by at least 5... 9:53 AM
  • Bill: Monday Nights at the old Met were always dress nights as the regular box holders kept their traditions... 9:45 AM
  • Jungfer Marianne Leitmetzerin: From a review of “Don Carlo” at the Met in 1922 at which Chaliapin... 9:20 AM
  • Krunoslav: Gwyneth Jones returned to the stage for a bow after “Abscheulicher!” at the Met in 1976. And... 7:24 AM
  • The Conte: If there’s one thing that a chap doesn’t need reminding of on a Saturday morning,... 7:15 AM
  • Olivero is my Drug of Choice: I didn’t know she had recorded these. Netrebko/Barenboim in Four Last... 5:37 AM
  • SF Guy: SFO has done Tosca so often lately, there are now four clipfest previews on YouTube; Jagde has been... 5:33 AM

Danielle fires back

The leading lady of the Bayerische Staatsoper’s production of La Calisto has taken to the Twitters to respond to the recent discussion of her comments about Miley Cyrus. Read more »

Hurling

It shouldn’t take you but a moment to find the great huge clunking error of fact in this Vanity Fair profile of Joyce DiDonato. And that publication is usually at its best when discussing dead rich people!

Time, after time

In breaking news today, Margaret Thatcher announces her resignation as British Prime Minister, South African activist Nelson Mandela is released from prison, and, on television, a new animated series called The Simpsons premieres. All this, and more news of today, 1990, in the current issue of Time magazine.

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Not bad for a human

Cher public, La Cieca must inform you that the president of the John F. Kennedy Center for the Performing Arts, Michael Kaiser (right), is afraid of you (left). “This is a scary trend,”  says he. [via Huffington Post, of all places to climb on your soapbox about "serious arts criticism."]

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Graeae lady

Bloomberg’s Zinta Lundborg, best known for sharing a single eye and a single tooth with Manuela Hoelterhoff, overlooked the opera on Wednesday night and instead reviewed the PR for Dark Sisters. When a man writes like this, we call it “bitchy,” so when a woman does it, can’t we call her “dickish?”  

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Vivremo insiem, e morremo insiem!

The truth, at last: “By Manuela Hoelterhoff and Zinta Lundborg” [Bloomberg]

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Tales of the Dresden version

“As the flirtatious Musetta, American soprano Takesha Meshe Kizart won the audience’s hearts with the charm and flair of her personality and a potent upper register, including some formidable high C’s for her Waltz Song.” [AP]

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No cure for the common scold

Every time La Cieca says she’s through once and for all reading Norman Lebrecht, that middlebrow minstrel of the maestro myth soars to new heights of noisomeness. This time (yet again) it’s about how utterly callous those silly opera singers are for canceling (imagine!) when they’re too sick to sing.  

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Together wherever we go

La Cieca must say that, for a chick, Katharina Wagner sure doesn’t talk much. But perhaps her reticence is something of a blessing, since it prevents her from spouting such facile generalizations as “…’Die Meistersinger,’ Hitler’s favorite Wagner opera.”  

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Close reading

It may seem quixotic that La Cieca subscribes to Opera News, and the print version at that, but, after all, the dear people there were kind enough to interview Our Own JJ last summer on the subject of this very cum-blog, so, well, noblesse oblige and all that, you know. Since the mag is showing up on her doorstep more or less monthly now, your doyenne thought she might as well get some multipurposing out it, so here goes a new feature provisionally called “Opera News Watch.” 

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