Headshot of La Cieca

Cher Public

  • danpatter: I loved Italo Tajo’s singing. I only got to see him a few times, as Don Pasquale in... 12:03 AM
  • PCally: She’s actually very good in the tcherniakov Carmelites, dramatically as well, and I liked her... 8:12 PM
  • manou: …another “s” ablation. 8:10 PM
  • Betsy_Ann_Bobolink: I know it needs to be corrected, but for the life of me I can’t remember whether I... 8:08 PM
  • Betsy_Ann_Bobolink: I’ve been sort of interested in Lucas Meacham ever ince he surfaced on a... 8:07 PM
  • m. croche: Heaven knows my “s” needs ablating. 8:01 PM
  • armerjacquino: PCally- I agree. I saw Isokoski as Countess Madeleine and some extraordinarily good singing... 7:53 PM
  • manou: …or an “s” ablation? 7:27 PM
  • m. croche: An Auline conversion? 7:03 PM
  • Rosemont: Thank you laddie for the kind welcome. My positive reaction to Meachem is probably partly due to an... 7:01 PM

Dog bites man, part infinity

“The soup is hot; the soup is cold; Norman Lebrecht got it wrong again.” Read more »

Danielle fires back

The leading lady of the Bayerische Staatsoper’s production of La Calisto has taken to the Twitters to respond to the recent discussion of her comments about Miley Cyrus. Read more »

Hurling

It shouldn’t take you but a moment to find the great huge clunking error of fact in this Vanity Fair profile of Joyce DiDonato. And that publication is usually at its best when discussing dead rich people!

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Time, after time

In breaking news today, Margaret Thatcher announces her resignation as British Prime Minister…

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Not bad for a human

Cher public, La Cieca must inform you that the president of the John F. Kennedy Center for the Performing Arts, Michael Kaiser (right), is afraid of you (left). “This is a scary trend,”  says he. [via Huffington Post, of all places to climb on your soapbox about "serious arts criticism."]

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Graeae lady

Bloomberg’s Zinta Lundborg, best known for sharing a single eye and a single tooth with Manuela Hoelterhoff, overlooked the opera on Wednesday night and instead reviewed the PR for Dark Sisters. When a man writes like this, we call it “bitchy,” so when a woman does it, can’t we call her “dickish?”  

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Vivremo insiem, e morremo insiem!

The truth, at last: “By Manuela Hoelterhoff and Zinta Lundborg” [Bloomberg]

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Tales of the Dresden version

“As the flirtatious Musetta, American soprano Takesha Meshe Kizart won the audience’s hearts with the charm and flair of her personality and a potent upper register, including some formidable high C’s for her Waltz Song.” [AP]

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No cure for the common scold

Every time La Cieca says she’s through once and for all reading Norman Lebrecht, that middlebrow minstrel of the maestro myth soars to new heights of noisomeness. This time (yet again) it’s about how utterly callous those silly opera singers are for canceling (imagine!) when they’re too sick to sing.  

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Together wherever we go

La Cieca must say that, for a chick, Katharina Wagner sure doesn’t talk much. But perhaps her reticence is something of a blessing, since it prevents her from spouting such facile generalizations as “…’Die Meistersinger,’ Hitler’s favorite Wagner opera.”  

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