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Cher Public

  • aulus agerius: IMO the ‘Timor’ ; is just too slow. It lacks shape from odd phrasing. There are a... 9:27 AM
  • Dabrowski: “Stage directors, if you can inspire this much ferocity in your singers, your job is 90%... 9:20 AM
  • Krunoslav: But WHY, you ask again? http://tinyurl.com /lgxm9eq 9:09 AM
  • Krunoslav: #9 needs to be amended, this sentence cut: “And for God’s sake, stop sniping at that poor... 9:06 AM
  • WindyCityOperaman: Born on this day in 1862 composer Claude Debussy httpv://www.youtub e.com/watch?v=w... 8:26 AM
  • tiger1: I finally saw and heard the Salzburg Trovatore, albeit on youtube so in somewhat sub-standard sound.... 7:37 AM
  • Lohengrin: Therefor Kaufmann only sings in linguages he is well speaking. The very nice Marschallin... 7:05 AM
  • spiderman: I’ve been there yesterday and Netrebkos technical mastery was astonishing. The voice was... 7:02 AM
  • Will: So, one of the great secrets of the theater world is exposed–a huge, elaborate production... 7:00 AM
  • mercadante: I’ve always been kind of ‘meh’ about Netrebko, but this was some of the... 6:58 AM

The burning Ghars, or Ghats, or whatever they are

Lots of chatter in the British press about the Rowley rowdydow at the Garden, but what interests La Cieca the most is the pictorial evidence that Laurent Pelly‘s production of Robert le Diable looks exactly like a biscuit box.