Headshot of La Cieca

Cher Public

  • vilbastarda: Yes, I was there, and felt the same: completely entrapped from the very first note. She is an... 12:46 AM
  • Camille: Oh dear, now I am really sorry I didn’t attend. 11:17 PM
  • Camille: Yes sir, WELL worth your time. It may require some diligence in digging up a libretto which is, I... 11:13 PM
  • Belfagor: Yes, she held us from the very first notes of the ‘Mort d’Ophelie 217;. Interesting... 11:11 PM
  • Camille: I was not there but a fairly famous parterrian correspondent had intention of attending, and may be... 11:05 PM
  • liloloperaluv: Terrific composit photo! One of your best. I’m learning photo compositing. Hadn’t... 10:58 PM
  • Belfagor: I’m sure I wasn’t the only parterre contributor present at Anna Caterina Antonacci... 10:56 PM
  • Belfagor: A great cast – the orchestra is a little recessed and not so assured. Even though the sound... 10:46 PM
  • marshiemarkII: Carisssssimo stevey you are AMAZING!!!!!!!!!!! !!!!!! wow what encyclopedia you are! OK first... 10:37 PM
  • Krunoslav: Ah, that was the publicity given out, but perhaps then it was the only time IN THE UNITED STATES... 10:37 PM

Yet another reason I’m glad I’m not Peter Gelb

You know, there’s the day-to-day stuff, like is Salvatore Licitra going to sing tonight. And then there’s the “coming soon” stuff, like getting the new Walküre up and running. And the “closely watched” stuff, like the Japan tour, with additional concerns outlined in today’s New York Times. And speaking of that article, there’s bullshit like this: Read more »

Just let her do what divas do

garden-as-salomeA century ago, Mary Garden parlayed an interview with the New York Times on the subject of her bizarre attire into blatant promotion for an upcoming tour date. Miss Garden truly was the Lady Gaga of her day. [The Awl]

Amuse-bouche

Philip Langridge as the Witch in "Hansel and Gretel". Photo:  Ken Howard/Metropolitan Opera“It’s no spoiler to reveal that, at the end of Hansel and Gretel, the kids defeat the witch. In the Met’s production of Humperdinck’s fairy-tale opera, the singers of the title roles steal the show, as well.” [NY POST] Read more »