Headshot of La Cieca

Cher Public

  • Porgy Amor: How do you know it’s from 1962, though? If one of the names is wrong, the date could be as... 3:51 AM
  • Ouf: Pews. 3:28 AM
  • Cicciabella: The 100,000 euro fee was quoted in relation to normal-sized, unamplified concert halls, not pop... 3:19 AM
  • Ouf: Karajan only led two Fidelio performances in 1962, one with Vickers, the other with Zampieri. See links... 3:15 AM
  • antikitschychick: Completely agree with you Porgy. Also, she has, what 2-3 years of experience singing on an... 2:54 AM
  • antikitschychick: “However, it was quickly apparent that despite all these natural endowments,... 2:41 AM
  • Porgy Amor: Vickers’s son (or one of them, if more than one) is adamant that this is not his father... 2:19 AM
  • Buster: Sad how such a production is allowed to go on without much to redeem it musically.But Dmitry... 2:17 AM
  • Porgy Amor: In Monastyrska’ s defense, while she’s not exactly a born stage animal, she can be... 1:57 AM
  • antikitschychick: Dawbrowski, this is a very cogent and thought-provoking post (and in my defense I did... 1:46 AM

She is a diamond

“La Cieca cannot imagine it is much fun to sing ‘Dove sono’ when you’re suffering a fresh case of the Reno jumpy-wumps.”

In the December 1998 issue of parterre box, your doyenne muses on Renée Fleming and Aprile Millo; Our Own JJ reviews a recording of the Callas master classes; Enzo Bordello, Dawn Fatale and Nakamura Akira chime in from three continents; Roy Wood gushes over Kathleen Battle; and Dr. Repertoire dissects Cinderella and Company. [Download Issue #34]

Tattoo, amore, tu!

In vintage issue #33: La Cieca gossips about Dr. Jonathan Miller, Renée Fleming‘s Lucrezia Borgia, a weekend at Glimmerglass and New York Grand Opera in Central Park; reviews by Andrew Cooper and Dawn Fatale; “La Canzone di Lydia”; the final installment of “Impossible Discs”; Act Two of “A Bitchy Class”; and offbeat recordings selected by Leila de Lakmé. [Download Issue #33]

Pick your poison

I think we’re all aware by now of the wicked libel that the French dramatist Victor Hugo concocted about the fair Lucrezia Borgia with his depiction of her as a murderous virago. History tells us she was merely a lovely pawn in the Machiavellian machinations of her family’s ambitions and most decidedly not the siren serial killer that Hugo’s play conjures.  Still, the story stuck and who could blame Gaetano Donizetti for rushing in and setting the blood-chilling tale for La Scala by the end of the very same year of the play’s premiere abetted by a libretto adapted by Felice Romani?   Read more »

guilty

Shocked disbelief

Her appearance is incongruous to this setting.

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captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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interest

Leveraged canard

“Sing on your vocal interest, not your vocal principal!”

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ariadne_amazon

Female on the beach

Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking  form here.

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renee_blanche

Deliberate cruelty is unforgivable

André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.

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saucy

Teen spirit

La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.

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fleming_pensive

Even smiling makes my face ache

You might even call it “fun.”

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