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  • 98rsd: I never know where my post is going to go. I would have responded directly to LV if there had been a... 2:28 PM
  • 98rsd: or perhaps more than a bit… 2:25 PM
  • La Valkyrietta: Oh dear, had I known that my little post would be taken so seriously I would never have... 2:10 PM
  • MontyNostry: Is that Kevin Kline on the left in the Csárdásfürstin image too? 1:41 PM
  • Feldmarschallin: Well doesn’t every production have a Regisseur? In Europe one never says it is a... 1:15 PM
  • overstimmelated: “… it would be a reggie production” And a senseless one perhaps, but that... 12:49 PM
  • Feldmarschallin: Faites attention Manou. 12:28 PM
  • SF Guy: La Cieca–I interpreted La V’s post as deadpan satire, a long and honorable tradition... 12:13 PM
  • Milady DeWinter: Thank you much for posting this, Quanto – what a kind, wise lady she is. 12:09 PM
  • bluecabochon: Klinghoffer director Tom Morris will answer questions live today at 1 PM EST at the Guardian:... 11:40 AM

Tattoo, amore, tu!

In vintage issue #33: La Cieca gossips about Dr. Jonathan Miller, Renée Fleming‘s Lucrezia Borgia, a weekend at Glimmerglass and New York Grand Opera in Central Park; reviews by Andrew Cooper and Dawn Fatale; “La Canzone di Lydia”; the final installment of “Impossible Discs”; Act Two of “A Bitchy Class”; and offbeat recordings selected by Leila de Lakmé. [Download Issue #33]

Pick your poison

I think we’re all aware by now of the wicked libel that the French dramatist Victor Hugo concocted about the fair Lucrezia Borgia with his depiction of her as a murderous virago. History tells us she was merely a lovely pawn in the Machiavellian machinations of her family’s ambitions and most decidedly not the siren serial killer that Hugo’s play conjures.  Still, the story stuck and who could blame Gaetano Donizetti for rushing in and setting the blood-chilling tale for La Scala by the end of the very same year of the play’s premiere abetted by a libretto adapted by Felice Romani?   Read more »

Shocked disbelief

“Her expression is one of shocked disbelief. Her appearance is incongruous to this setting. She is daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and a hat, looking as if she were arriving at a summer tea or cocktail party in the garden district. She is five years older than Stella. Her delicate beauty must avoid strong light. There is something about her uncertain manner, as well as her white clothes, that suggest a moth.” [New York Times]

captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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interest

Leveraged canard

“Sing on your vocal interest, not your vocal principal!”

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ariadne_amazon

Female on the beach

Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking  form here.

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renee_blanche

Deliberate cruelty is unforgivable

André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.

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saucy

Teen spirit

La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.

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fleming_pensive

Even smiling makes my face ache

You might even call it “fun.”

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renata_renee

Once in half a lifetime

Then and now: the “Dio ti giocondi, o sposo” duet from Otello.

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