Headshot of La Cieca

Cher Public

  • "I asked for examples of productions or new opera that addressed important..." - armerjacquino
  • "I asked for examples of productions or new opera that addressed important social..." - redbear
  • "Never saw her live unfortunately. Based on her recordings and broadcasts, I can think..." - PCally
  • "I haven’t heard that performance. JML is completely write however about Sills..." - PCally
  • "If a young Amara showed up at the Met these days, she’d own the place. They..." - danpatter
  • "Rolandi it was. Maybe it was Hale who was Cesare. Ah yes, the lovely Ashley..." - mjmacmtenor
  • "You had some nice experiences at NYCO then. The Guilio Cesare revival would..." - whiskey per tutti
  • "Working on it…. httpv://www.youtub e.com/watch?v=X2Wm _oaaCGg" - m. croche

She is a diamond

“La Cieca cannot imagine it is much fun to sing ‘Dove sono’ when you’re suffering a fresh case of the Reno jumpy-wumps.”

In the December 1998 issue of parterre box, your doyenne muses on Renée Fleming and Aprile Millo; Our Own JJ reviews a recording of the Callas master classes; Enzo Bordello, Dawn Fatale and Nakamura Akira chime in from three continents; Roy Wood gushes over Kathleen Battle; and Dr. Repertoire dissects Cinderella and Company. [Download Issue #34]

Tattoo, amore, tu!

In vintage issue #33: La Cieca gossips about Dr. Jonathan Miller, Renée Fleming‘s Lucrezia Borgia, a weekend at Glimmerglass and New York Grand Opera in Central Park; reviews by Andrew Cooper and Dawn Fatale; “La Canzone di Lydia”; the final installment of “Impossible Discs”; Act Two of “A Bitchy Class”; and offbeat recordings selected by Leila de Lakmé. [Download Issue #33]

Pick your poison

I think we’re all aware by now of the wicked libel that the French dramatist Victor Hugo concocted about the fair Lucrezia Borgia with his depiction of her as a murderous virago. History tells us she was merely a lovely pawn in the Machiavellian machinations of her family’s ambitions and most decidedly not the siren serial killer that Hugo’s play conjures.  Still, the story stuck and who could blame Gaetano Donizetti for rushing in and setting the blood-chilling tale for La Scala by the end of the very same year of the play’s premiere abetted by a libretto adapted by Felice Romani?   Read more »

guilty

Shocked disbelief

Her appearance is incongruous to this setting.

Read more »

captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

Read more »

interest

Leveraged canard

“Sing on your vocal interest, not your vocal principal!”

Read more »

ariadne_amazon

Female on the beach

Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking  form here.

Read more »

renee_blanche

Deliberate cruelty is unforgivable

André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.

Read more »

saucy

Teen spirit

La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.

Read more »

fleming_pensive

Even smiling makes my face ache

You might even call it “fun.”

Read more »