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  • La Valkyrietta: Magicien magnifique. httpv://www.youtub e.com/watch?v=TAWk rNoEfUE 10:36 PM
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  • luvtennis: THere are numerous articles if you google them. Some would argue that the novel as a whole is a vast... 9:53 PM
  • Bianca Castafiore: manouelita, As they say, a waist is a terrible thing to mind!!!!!! 9:51 PM
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  • oedipe: Proust is first and foremost Bergsonian. His writing style, his perception, his implied philosophy of the... 9:34 PM
  • Regina delle fate: Hamburg Srate Opera has just announced a three early Verdi mini- feat for November including La... 9:32 PM

A star is reborn

Let’s start with some refreshing news:  ”Poèmes” is the finest thing Renée Fleming has recorded in many a season.  This is not an obvious vanity project.  A collection of 20th century French orchestral songs in which Ravel’s “Shéhérazade” is the best-known item is probably a marketing executive’s nightmare, even with a soprano as iconic as Fleming.  But the end result is a marvelous showcase for this artist.  Along the way, she shines a spotlight on neglected masters deserving of greater recognition. Read more »

Castaway

La Cieca (not pictured) would like to inform the cher public that a live webcast of Ariadne auf Naxos (starring Our Own Renée Fleming) will be transmitted from the Festspielhaus Baden-Baden Saturday afternoon starting at 2:15 PM ET. Naturally, chatting in La Casa della Cieca will be encouraged.

She wants to be a primadonna

On Saturday I attended the premiere performance of a new production of Ariadne auf Naxos at the Festspielhaus in Baden-Baden, Germany.  It was Renée Fleming’s debut in the title role, and this three-performance run is the only plan she currently has to perform it.

I have a high opinion of Fleming, especially in Strauss.  There are historical reasons for this, and they begin with a 1995 performance of Rosenkavalier at the Houston Grand Opera, conducted by Christoph Eschenbach and starring Fleming, Dawn Upshaw, and Suzanne Mentzer.  It was my first Strauss opera and the first time I had heard any of these singers live.   Read more »

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Cheers, thanks a lot!

Congratulations to America’s Diva Renée Fleming, starring in the world premiere of Henri Dutilleux‘s opera buffa Absolutely Fabulous.

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Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini? 

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Unchained chat

The Handelian hilarity begins in just half an hour, cher public, so tune in to the Met’s Listen Live page and find your place in the parlor of La Casa della Cieca.

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Oud’s that woman?

Ever wonder why a free press is the cornerstone of any representative democracy? Wonder no more: “MUSCAT: Renée Fleming is called the People’s Diva for a reason. She doesn’t have any airs, and her engaging charm works its way into the hearts of anyone who sees her sing.” And it only gets more fulsome. [Times of Oman]

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Sun turns black as sackcloth; moon red as blood

“On Thursday, November 17 at 7:30 p.m. in Zankel Hall, the Carnegie Hall Notables—a membership and ticket program for music enthusiasts in their 20s and 30s—will host Love Letters, a performance of contemporary American playwright A. R. Gurney’s work. Celebrated soprano Renée Fleming and award-winning actor Alec Baldwin will perform the piece as directed by Mark Lamos with executive producer Susan Q. Gallin. After the exclusive event, the Notables will gather at Providence for cocktails and hors d’oeuvres, with music by Paul D. Miller, aka DJ Spooky.”

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