Headshot of La Cieca

Cher Public

  • Clita del Toro: Live Siegfried from Munich is on new—Act I 10:48 AM
  • armerjacquino: Actually, that’s not true about Vickers- I have the Solti AIDA somewhere. 10:14 AM
  • armerjacquino: I don’t have any Crespin (just an accident) or any Vickers (who I consciously avoid). 10:13 AM
  • Clita del Toro: Dumb, off-topic topic: Singers whose recordings you have never, ever bought. Mine are: Domingo,... 9:07 AM
  • Cocky Kurwenal: They did it in Seattle after Vancouver and before the recording, so it looks like they’ve... 8:50 AM
  • Cocky Kurwenal: Quite surprised the Vicar hasn’t chimed in with your enthusiasm for Carolyn Sampson. Come... 8:42 AM
  • phoenix: On this inaugural festive weekend: very best wishes to Bobensane (and all parterrianensane comrades) for... 8:18 AM
  • rysanekfreak: In addition to our regular features at Parterre (Guess the Regie and Intermission and Criticize the... 7:43 AM

Turban planning

Press release: “Lyric Opera of Chicago’s Renée Fleming Wears Her Creative Consultant Hat in Chicago and On the Road” Read more »

A star is reborn

Let’s start with some refreshing news:  ”Poèmes” is the finest thing Renée Fleming has recorded in many a season.  This is not an obvious vanity project.  A collection of 20th century French orchestral songs in which Ravel’s “Shéhérazade” is the best-known item is probably a marketing executive’s nightmare, even with a soprano as iconic as Fleming.  But the end result is a marvelous showcase for this artist.  Along the way, she shines a spotlight on neglected masters deserving of greater recognition. Read more »

Castaway

La Cieca (not pictured) would like to inform the cher public that a live webcast of Ariadne auf Naxos (starring Our Own Renée Fleming) will be transmitted from the Festspielhaus Baden-Baden Saturday afternoon starting at 2:15 PM ET. Naturally, chatting in La Casa della Cieca will be encouraged.

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She wants to be a primadonna

On Saturday I attended the premiere performance of a new production of Ariadne auf Naxos at the Festspielhaus in Baden-Baden, Germany.  It was Renée Fleming’s debut in the title role…

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Cheers, thanks a lot!

Congratulations to America’s Diva Renée Fleming, starring in the world premiere of Henri Dutilleux‘s opera buffa Absolutely Fabulous.

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Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini? 

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Unchained chat

The Handelian hilarity begins in just half an hour, cher public, so tune in to the Met’s Listen Live page and find your place in the parlor of La Casa della Cieca.

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Oud’s that woman?

Ever wonder why a free press is the cornerstone of any representative democracy? Wonder no more: “MUSCAT: Renée Fleming is called the People’s Diva for a reason. She doesn’t have any airs, and her engaging charm works its way into the hearts of anyone who sees her sing.” And it only gets more fulsome. [Times of Oman]

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