“Due to health reasons, Natalie Dessay has withdrawn from the performances of Massenet’s Manon. The role of Manon Lescaut will be sung by Anna Netrebko on 19 and 22 June and by Ermonela Jaho on 25, 29 June and 2, 5, 7 July.” [Teatro alla Scala]
It was indeed a curious sensation making a late morning trek to East 59th Street, a block devoted to showro0ms for bizarre upscale furniture and lighting fixtures, and then to enter a boutique cinema specializing in Hindi films (the big coming attraction right now is Desi Boyz) — and all this before sitting down in an auditiorium half- full of retirees to see a live performance of Don Giovanni from La Scala. That it worked as a Mozart experience I think can be chalked up to two factors: Robert Carsen‘s production and the constantly improving (if still imperfect) HD technology. Read more »
La Cieca is just back from the HD of Don Giovanni from La Scala: excellent singing through the whole cast, strong conducting (if tending to the slow side) by Daniel Barenboim, and a smart, chic production from Robert Carsen that frankly makes Michael Grandage look like an utter bumpkin. The presentation will repeat here in New York (and elsewhere) in coming days. Read more »
La Scala will announce its 2011-2012 season perhaps as early as tomorrow, but in the meantime La Cieca has discovered that the Milan season will open with a gala new production of Don Giovanni, conducted by Daniel Barenboim and directed by Robert Carsen. The delectable cast is scheduled to include Anna Netrebko (Donna Anna), Elina Garanca (Donna Elvira), Bryn Terfel (Leporello), Peter Mattei (Don Giovanni) and Giuseppe Filianoti (Don Ottavio).
René Pape has withdrawn from La Scala’s season-opening new production of Die Walküre, in what was to have been his role debut as Wotan. Vitalij Kowaljow will substitute. Pape is still scheduled to sing this role at the Berlin Staatsoper in April 2011. It is not clear at this point if Pape’s decision was based on vocal issues or a very reasonable unwillingness to spend five hours of stage time cavorting with mimes.
Everything I need to know about Bizet I learned at a Judy Chicago exhibit in 1996. Brutality against women is pervasive, and society is culpable by permitting it. Such grievances were aired at the expense of the composer’s chef d’oeuvre Carmen yesterday at La Scala’s Gala opening, viewed dal vivo at Symphony Space on 95th and Broadway.
Extended clips of the La Scala Don Carlo as telecast on Sunday night — after the jump.
Cher Public