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  • Bill: Mrs.jc – Sciutti was very fine as Susanna -her sound was not as full as Seefried’s or... 11:59 AM
  • Cocky Kurwenal: Yes, Regina must have seen Roschmann’s Susanna on his travels somewhere, she has only... 11:48 AM
  • redbear: Warning! Excessive consumption could be hazardous to your health and irritate those whom you are... 11:37 AM
  • Milady DeWinter: Wonderful critique, Rowna – thank you. (I liked the fast recits too, a real time... 11:35 AM
  • Rowna: The chat last night was a lot of fun. We all tried to help each other as the feed on some browsers... 11:04 AM
  • Feldmarschallin: Mrs Claggart it is so nice to have you back here. Hope you stay. 11:00 AM
  • Bill: MMII – yes listen to Schwarzkopf as the Countess and there are many renditions of her meltingly... 10:58 AM
  • uwsinnyc: Yes – much as I love Levine, I agree- this seemed a bit inconsistent. Parts too heavy, parts... 10:51 AM
  • Chester: Loved Mattei too; liked Peteresen after Act 1. I expected more for Ildar and thought Leonard was... 10:48 AM
  • Bill: Rowna – on the contrary I found Upshaw vocally unalluring as Susanna – hardly one of my... 10:45 AM

Listen like a pirate day

In honor of “Talk Like a Pirate Day” La Cieca invites you, the cher public, to share reminiscences (and, where applicable, YouTube clips) of your favorite pirate recordings. These need not necessarily include the appearance of Maria Callas. Read more »

Divina, deconstructed

“The sensation is that you are actually right there in the studio with Callas herself. In comparison to earlier masters of this material, she sounds less abstractly ‘divine’ and more approachably human.” Our Own JJ reviews the massive collection Maria Callas Remastered: The Complete Studio Recordings (1949-1969) for his regular column in the New York Observer.

Voce di donna o d’angelina

With all due respect to Meryl Streep, there is only one actress currently active in film qualified to play Maria Callas.

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The winner takes it all

It had to happen sooner or later: Meryl Streep will play Maria Callas.

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Stairway to heaven

Once again, beloveds, we approach the Milanese shrine that simultaneously attempted to  cultivate and destroy the career of Maria Meneghini Callas.

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Their master’s voice

One of Mike Richter‘s most spectacular achievements was the remastering and digitization of the complete master classes conducted by Maria Callas at the Juilliard School in 1971-1972.

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Il sacro fuoco

Here’s recent Met debutante Liudmyla Monastyrska in that ultimate “furibonda” role, Abigaille in Nabucco.

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Hurling

It shouldn’t take you but a moment to find the great huge clunking error of fact in this Vanity Fair profile of Joyce DiDonato.

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The anniverary

It’s that date that rolls around once a year, cher public, the date we celebrate the 1993 founding of parterre box and the 1923 birth of Maria Callas.

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Crowning glory

To imagine that I have anything new to say about Maria Callas’ 1957 performance of Anna Bolena at La Scala is sheer pomposity.

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