Headshot of La Cieca

Cher Public

  • Grane: Thanks, all. Of the women, the only voice I found truly beautiful was the Barbarina from the first... 11:42 PM
  • Camille: Haha! Bill! Although I did not feel the Barbarina outsang la Contessa, she certajnly put Susanna in... 10:03 PM
  • DeepSouthSenior: And oh, after downtown New Orleans I’m delighted to visit Parterre again, where... 9:59 PM
  • DeepSouthSenior: Well, as y’all were experiencing and discussing various onstage disasters, I had a... 9:51 PM
  • Krunoslav: Thanks, DellacasaFan. I of course meant historical Dalmatia, since time era of MEERKAT WIDOW was... 9:43 PM
  • Jungfer Marianne Leitmetzerin: Bill, will you be at the “Figaro̶ 1; at Theater an der Wien? I have... 9:34 PM
  • Lohenfal: Bill, I was at the Figaro today. I assure you that it didn’t sound any better experienced... 9:27 PM
  • Jungfer Marianne Leitmetzerin: From the Staatsoper Web site: VALENTINA NAFORNITA wurde in Glodeni (Moldawien)... 9:23 PM
  • Bill: It should be mentioned that when this Vienna Rigoletto new-production was originally scheduled with... 9:14 PM
  • Bill: Grane – Rachel Willis-Sorensen had a pleasant voice – the voice is basically attractive and... 8:54 PM

Bass-barihunk

Richard Bernstein is a very good-looking guy, even with his clothes on.” An interview with the Speedo-sporting singer is the centerpiece of this Spring 1999 issue, along with gossip from La Cieca, a round-the-world revue from Enzo Bordello, a visit by Indiana Loiterer III to the Met’s premiere of Moses und Aron, a Renata Scotto discography by Leila de Lakmé and the evergreen aria parody “Ain’t it a pretty voice?” [Download Issue #36]

Une femme d’un incertain âge

On this, the anniversary of her natal day, May 15, La Cieca likes to think back to that moment, a number of years ago (but who is counting) when she was “born.” It was in little Dallas, my God, of all unlikely places, and she can remember as if it were only yesterday…. Read more »