Headshot of La Cieca

Cher Public

  • Feldmarschallin: Camille I adore Audrey and one day when you come to visit I will show you some pictures of... 7:26 AM
  • Feldmarschallin: Actually she is not against singing in London again and there are always still talks. I am... 7:24 AM
  • Feldmarschallin: And there is not a difference if one person booes a singer or half the galery? I suppose you... 7:21 AM
  • Feldmarschallin: Well I can only recommend that both Kaufmann and Harteros hardly ever cancel here. Alone the... 7:12 AM
  • ipomoea: Thank you, Sci and Camille, You are always so helpful and informative. Although I have not heard Lee... 6:04 AM
  • spiderman: “The Tosca got booed” … you take this as the first and most of all facts, why do... 3:47 AM
  • Krunoslav: Nadja’s best option at this point? JOSEPHSLEGENDE. 2:15 AM
  • Lohengrin: The points for her decicion, to do Aida in London cond be “the conductor and the... 1:26 AM
  • Buster: 2019 – and she wll be just in it, it is not composed for her, I see. More details, including a... 12:55 AM
  • Buster: Nadja returns to the Met in an opera composed especially for her by Osvaldo Golijov. 12:50 AM

Bass-barihunk

Richard Bernstein is a very good-looking guy, even with his clothes on.” An interview with the Speedo-sporting singer is the centerpiece of this Spring 1999 issue, along with gossip from La Cieca, a round-the-world revue from Enzo Bordello, a visit by Indiana Loiterer III to the Met’s premiere of Moses und Aron, a Renata Scotto discography by Leila de Lakmé and the evergreen aria parody “Ain’t it a pretty voice?” [Download Issue #36]

Une femme d’un incertain âge

On this, the anniversary of her natal day, May 15, La Cieca likes to think back to that moment, a number of years ago (but who is counting) when she was “born.” It was in little Dallas, my God, of all unlikely places, and she can remember as if it were only yesterday…. Read more »