Headshot of La Cieca

Cher Public

  • Orlando Furioso: How curious that Rose Bampton and Helen Jepson share a birthday. They occupy the same niche... 8:15 AM
  • toitoitoi: Amen, armer and anti. “Sell their gifts”? Are you kidding me? No wonder you call... 8:11 AM
  • Ilka Saro: Title should be “Secret Woid” 7:56 AM
  • Krunoslav: Ingpen had many artistic crimes, but I personally would not place Shirley-Quirk̵ 7;s... 7:20 AM
  • armerjacquino: She’s not the keeper of a sacred flame. She’s a woman with a job. Maybe sometimes... 7:19 AM
  • Feldmarschallin: Well Fleming sounds gross there but better for this kind of venue that suits her personality... 7:14 AM
  • armerjacquino: Operadunce, parterre is a great place to be so long as you remember never to speak in favour... 7:08 AM
  • Feldmarschallin: Anti I am not sure about Yoncheva and those roles. Every soprano is different and some who... 5:44 AM
  • RobNYNY: Joan Ingpen has ruined more evenings at the Met than any cougher in the Tubercular Circle. John... 5:02 AM
  • mia apulia: will someone please explain how this happened? it is so awful it is almost wonderful 12:37 AM

Bass-barihunk

Richard Bernstein is a very good-looking guy, even with his clothes on.” An interview with the Speedo-sporting singer is the centerpiece of this Spring 1999 issue, along with gossip from La Cieca, a round-the-world revue from Enzo Bordello, a visit by Indiana Loiterer III to the Met’s premiere of Moses und Aron, a Renata Scotto discography by Leila de Lakmé and the evergreen aria parody “Ain’t it a pretty voice?” [Download Issue #36]

Une femme d’un incertain âge

On this, the anniversary of her natal day, May 15, La Cieca likes to think back to that moment, a number of years ago (but who is counting) when she was “born.” It was in little Dallas, my God, of all unlikely places, and she can remember as if it were only yesterday…. Read more »