Headshot of La Cieca

Cher Public

  • spiderman: So if somebody has stolen your car, you hope that the police has seen it? Or do you call them to... 5:11 PM
  • irontongue: She sounds like crap in the video. Too bad, it does look like an interesting production. 5:03 PM
  • almavivante: What cruel costume designer compelled that poor woman to wear that thing? It’s almost as... 5:03 PM
  • Jamie01: That’s some impressive side boob at 0:34. 5:02 PM
  • overstimmelated: But wasn’t Netrebko at one point expected to sing the Countess in the opening night... 4:50 PM
  • Buster: And Michael gets great reviews – a warm, well-focussed soprano, soaring over the orchestra,... 4:37 PM
  • uwsinnyc: True- but nowhere as sparky as it is now, especially given the escalating turmoil in the region and... 4:33 PM
  • mountmccabe: The topic was controversial when they were creating the opera. I can’t imagine that he... 4:29 PM
  • uwsinnyc: They say hindsight is 20/20. Ignoring the merits of the opera for a minute, I wonder if Adams knew... 4:04 PM
  • tiger1: Wow, it looks great! Pity it will not be filmed. 3:47 PM

Bass-barihunk

Richard Bernstein is a very good-looking guy, even with his clothes on.” An interview with the Speedo-sporting singer is the centerpiece of this Spring 1999 issue, along with gossip from La Cieca, a round-the-world revue from Enzo Bordello, a visit by Indiana Loiterer III to the Met’s premiere of Moses und Aron, a Renata Scotto discography by Leila de Lakmé and the evergreen aria parody “Ain’t it a pretty voice?” [Download Issue #36]

Une femme d’un incertain âge

On this, the anniversary of her natal day, May 15, La Cieca likes to think back to that moment, a number of years ago (but who is counting) when she was “born.” It was in little Dallas, my God, of all unlikely places, and she can remember as if it were only yesterday…. Read more »