Headshot of La Cieca

Cher Public

  • Lohengrin: How was Piazzola yesterday? 3:52 AM
  • Feldmarschallin: Just heard a very good performance at the Schiller Theater with Ventris. He was quite good. 3:02 AM
  • La Cieca: My fault I fear as I postured this after a disturbing performance of Ariane et Barbebleu at... 2:15 AM
  • antikitschychick: evening all; just wanted to say a few words about the Cav/Pag from the Met which I saw the... 1:22 AM
  • RobNYNY: The Mad Scene from “The Barber of Seville.” Peters is very accurate in pitch and... 12:32 AM
  • steveac10: I can’t but admire Peters’ upper extension, but she has always left me cold... 11:58 PM
  • Sanford: I will say this about the Peters Una Voce Poco Fa. It is a very well sung example of a type I find... 11:41 PM
  • m. croche: Never attribute to oddity what can be explained by laziness. http://www.youtube .com/watch?v=xh... 11:35 PM
  • rossifigaro: certainly enjoyed the pag far more than the cav. did the cav really have to be sooo bleak.... 11:22 PM
  • Quanto Painy Fakor: L’enfant prodigue is certainly NOT forgotten. It’s required listening for... 10:59 PM

Bass-barihunk

Richard Bernstein is a very good-looking guy, even with his clothes on.” An interview with the Speedo-sporting singer is the centerpiece of this Spring 1999 issue, along with gossip from La Cieca, a round-the-world revue from Enzo Bordello, a visit by Indiana Loiterer III to the Met’s premiere of Moses und Aron, a Renata Scotto discography by Leila de Lakmé and the evergreen aria parody “Ain’t it a pretty voice?” [Download Issue #36]

Une femme d’un incertain âge

On this, the anniversary of her natal day, May 15, La Cieca likes to think back to that moment, a number of years ago (but who is counting) when she was “born.” It was in little Dallas, my God, of all unlikely places, and she can remember as if it were only yesterday…. Read more »