Headshot of La Cieca

Cher Public

  • Ilka Saro: “gets cast only rarely” is an accurate and scary term. When contracts are signed 5... 6:55 AM
  • Ilka Saro: First good laff of the day! 6:48 AM
  • Ilka Saro: JDF can always console himself by continuing to singing with incomparable brilliance, as he has... 6:46 AM
  • Ilka Saro: That’s some very fine singing, and a very comely appearance! 6:33 AM
  • Rudolf: And I thought that Milano “Traviata 221; with Damrau was weird. Geneva gives us Alfredo in a... 6:16 AM
  • williams: Vostra Maesta, Regina delle fate, Exactly! To my taste the Benelli/Camarena style is more pleasing.... 6:11 AM
  • oedipe: When a singer is not on the Met’s radar, or gets cast only rarely by the Met, people’s... 6:11 AM
  • oedipe: http://www.vittori ogrigolo.com/sites /vgrigolo/files/im agecache/highslide _full/vittorio_... 5:51 AM
  • Feldmarschallin: http://www.hamburg ballett.de/form/vo rschau_14_15.pdf Some interesting casting…... 5:02 AM
  • Cocky Kurwenal: I saw John Osborn sign Arnold in the 5,000 seat Royal Albert Hall very convincingly, so while... 4:48 AM

Bass-barihunk

Richard Bernstein is a very good-looking guy, even with his clothes on.” An interview with the Speedo-sporting singer is the centerpiece of this Spring 1999 issue, along with gossip from La Cieca, a round-the-world revue from Enzo Bordello, a visit by Indiana Loiterer III to the Met’s premiere of Moses und Aron, a Renata Scotto discography by Leila de Lakmé and the evergreen aria parody “Ain’t it a pretty voice?” [Download Issue #36]

Une femme d’un incertain âge

On this, the anniversary of her natal day, May 15, La Cieca likes to think back to that moment, a number of years ago (but who is counting) when she was “born.” It was in little Dallas, my God, of all unlikely places, and she can remember as if it were only yesterday…. Read more »