Headshot of La Cieca

Cher Public

  • m. croche: Stolthet och Foerdom (2011) httpv://www.youtub e.com/watch?v=MsgN DGkFGaI httpv://www.you... 3:10 PM
  • zinka: We have a HUGE number of wonderful essentially LYRIC tenors today….Rarel y do they sing dramatic... 2:50 PM
  • zinka: Siepi,Treigle,Hine s,Pape,etc…. what is he doing in all the big roles?????? 2:48 PM
  • Feldmarschallin: She managed to bring something special to every role which she sang. I miss her as well and... 2:48 PM
  • moritz: Yes, that’s how I remember her as well: An amazing dynamic range, the ability to turn a forte... 2:38 PM
  • Milady DeWinter: Ah! That’s true FeldM – I had forgotten; of course, she gave up that “exit... 2:36 PM
  • Feldmarschallin: In March usually. Feuriger Engel Maskenball Benedikt von Peter, Harteros, Beczala,... 2:20 PM
  • moritz: I’ve heard Zampieri quite frequently from 1980 on, mostly in Vienna and Zurich, but also at the... 2:15 PM
  • aulus agerius: Too bad there doesn’t seem to be a cabaletta for Pavarotti’s aria. 2:09 PM
  • Satisfied: I guess its that time of year for season announcements. Feld, when does Munich generally release... 2:06 PM

Bass-barihunk

Richard Bernstein is a very good-looking guy, even with his clothes on.” An interview with the Speedo-sporting singer is the centerpiece of this Spring 1999 issue, along with gossip from La Cieca, a round-the-world revue from Enzo Bordello, a visit by Indiana Loiterer III to the Met’s premiere of Moses und Aron, a Renata Scotto discography by Leila de Lakmé and the evergreen aria parody “Ain’t it a pretty voice?” [Download Issue #36]

Une femme d’un incertain âge

On this, the anniversary of her natal day, May 15, La Cieca likes to think back to that moment, a number of years ago (but who is counting) when she was “born.” It was in little Dallas, my God, of all unlikely places, and she can remember as if it were only yesterday…. Read more »