Headshot of La Cieca

Cher Public

  • phoenix: Best comment I’ve ever read re the present-day situation at the Met. If only they would close... 11:01 AM
  • GaGa: What seems to have led to this contretemps was a desire “to bring the action as far downstage as... 10:55 AM
  • kashania: The COC never has a prompter and the singers seem to do just fine. 10:50 AM
  • DeepSouthSenior: I thought I knew the Naxos catalog well, but “Music For Glass Harmonica” was... 10:49 AM
  • Quanto Painy Fakor: See also httpv://www.youtub e.com/watch?v=-CXS 7j1pH0g http://www.oper... 10:46 AM
  • peter: Could it just be that the distance between the conductor and the singers on the vast Met stage... 10:45 AM
  • Cocky Kurwenal: That’s just a repetition of the assertion. I know what a prompter does. 10:43 AM
  • mandryka: Very good question. 10:43 AM
  • Buster: Frau ohne Schatten. 10:37 AM
  • ML: Fundamental needs = timing, cueing, recalling 10:32 AM

Bass-barihunk

Richard Bernstein is a very good-looking guy, even with his clothes on.” An interview with the Speedo-sporting singer is the centerpiece of this Spring 1999 issue, along with gossip from La Cieca, a round-the-world revue from Enzo Bordello, a visit by Indiana Loiterer III to the Met’s premiere of Moses und Aron, a Renata Scotto discography by Leila de Lakmé and the evergreen aria parody “Ain’t it a pretty voice?” [Download Issue #36]

Une femme d’un incertain âge

On this, the anniversary of her natal day, May 15, La Cieca likes to think back to that moment, a number of years ago (but who is counting) when she was “born.” It was in little Dallas, my God, of all unlikely places, and she can remember as if it were only yesterday…. Read more »