Headshot of La Cieca

Cher Public

  • thenoctambulist: I was replying to these comments in the article but somehow they could not be quoted:... 5:04 AM
  • thenoctambulist: I beg to differ. Pretty much the in the entire nineteenth century, Rigoletto was not... 5:02 AM
  • thenoctambulist: How did the Borgia go? 4:50 AM
  • manou: Yes, but are American woman you’d see at a state fair in a fair state? 4:14 AM
  • steveac10: From what I can see Friend has a huge blind spot when it comes to American singers who lack... 3:59 AM
  • MontyNostry: Indeed. I was thinking about singers of the role at Covent Garden, but ENO have at least latched... 3:06 AM
  • Rackon: I’m SO happy to hear all the praise for Stephen Powell! I heard him in ’06 or ’07... 12:53 AM
  • coloraturafan: First time I heard Powell live, I was very impressed. It was a May Festival performance of... 12:08 AM
  • la vociaccia: And I’d like to add that in spite of her flaws, Meade is still a seriously major talent,... 11:00 PM
  • la vociaccia: I hear what you are saying, but it really isn’t her fault that those who sing better... 10:37 PM

No limits

The scene: a vocal audition, sometime in the past. A young, blond soprano approaches the podium. Her aria: “Un bel di.” She sings. Before she gets to the second “Chi sara” she’s rudely interrupted. Read more »

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

The girl on the moon

“In Kristine Opolais, who gave her first Met performance in the title role on Friday night, the company has a Butterfly with the soaring voice and penetrating theatrical presence to meet Minghella’s elegant dramaturgy head on. In fact, she is the most compelling Met Cio-Cio-San since Diana Soviero last sang the role here nearly 20 years ago.” [New York Observer] (Photo: Marty Sohl/Metropolitan Opera)

opolais

Una donna!

As if you needed an even more exciting reason to drop in for La Casa della Cieca this afternoon: last night’s Butterfly Kristine Opolais is jumping into the role of Mimi, subbing for an ill Anita Hartig for the broadcast and the HD.

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angelica_amazon

Habit, forming

I’ve always had a fondness for Giacomo Puccini’s Suor Angelica and apparently so did he since he often referred to it as, “among the finest of my children.”

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wozzeck

Bean counter

Another season opens this weekend, the much-admired series of livestreams from the Bayerische Staatsoper.

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ghost_machine

Plank your lucky stars

The next scheduled appearance of the Met’s Ring production has been canceled, as irrevocably as these things can ever be.

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woolfe_opolais

Chiedi all’aura lusinghiera

La Rondine, which began as a light Viennese operetta before being transformed into an Italian tearjerker, is not a natural diva vehicle…

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jj_post

Winged victory

A wayward bouquet conked Kristine Opolais on her noggin during the ovation Friday night in La Rondine—but that was the only mishap in the Latvian soprano’s spectacular Met debut.

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jj_post

I am missing the winter now

One quick way to warm up: Watching tenor heartthrob Roberto Alagna.

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