Headshot of La Cieca

Cher Public

  • Cicciabella: A big thank you to everyone who reported on Klinghoffer and reviewed the performance. This... 4:37 AM
  • Walther von Holzhaufen: Ivy, I just read your blog on Klinghoffer. I found your review and reflections to be... 4:33 AM
  • Often admonished: more http://leplus.nouv elobs.com/contribu tion/1251812-une-f emme-voilee-exp... 4:15 AM
  • Often admonished: Some kind of Intolerance Index considering all forms of censorship, artistic and aesthetic... 4:12 AM
  • tiger1: Dear Ms Ivy, Just read your review. Really really great. About giving the terrorists a back story,... 3:47 AM
  • Cicciabella: Nadja Michael is one hot 300-year old cougar in that trailer! I don’t know this opera very... 3:45 AM
  • tiger1: In my view, it is an error of the people who do not like DoK, who thinks it spends to much of an... 3:16 AM
  • Feldmarschallin: I had previously seen Behrens in 1988. It certainly is a diva role and she has by far the... 3:15 AM
  • tiger1: Actually, having now read the libretto and listened to the music, I think it is incorrectly to say... 3:12 AM
  • Buster: Thanks! I’ll definitely watch it next week. My Emilias thus far have been Catherine Malfitano,... 3:06 AM

No limits

The scene: a vocal audition, sometime in the past. A young, blond soprano approaches the podium. Her aria: “Un bel di.” She sings. Before she gets to the second “Chi sara” she’s rudely interrupted. Read more »

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

The girl on the moon

“In Kristine Opolais, who gave her first Met performance in the title role on Friday night, the company has a Butterfly with the soaring voice and penetrating theatrical presence to meet Minghella’s elegant dramaturgy head on. In fact, she is the most compelling Met Cio-Cio-San since Diana Soviero last sang the role here nearly 20 years ago.” [New York Observer] (Photo: Marty Sohl/Metropolitan Opera)

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Una donna!

As if you needed an even more exciting reason to drop in for La Casa della Cieca this afternoon: last night’s Butterfly Kristine Opolais is jumping into the role of Mimi, subbing for an ill Anita Hartig for the broadcast and the HD.

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Habit, forming

I’ve always had a fondness for Giacomo Puccini’s Suor Angelica and apparently so did he since he often referred to it as, “among the finest of my children.”

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Bean counter

Another season opens this weekend, the much-admired series of livestreams from the Bayerische Staatsoper.

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Plank your lucky stars

The next scheduled appearance of the Met’s Ring production has been canceled, as irrevocably as these things can ever be.

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Chiedi all’aura lusinghiera

La Rondine, which began as a light Viennese operetta before being transformed into an Italian tearjerker, is not a natural diva vehicle…

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Winged victory

A wayward bouquet conked Kristine Opolais on her noggin during the ovation Friday night in La Rondine—but that was the only mishap in the Latvian soprano’s spectacular Met debut.

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I am missing the winter now

One quick way to warm up: Watching tenor heartthrob Roberto Alagna.

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