Forget the hurricane preparations for a few hours this afternoon, cher public, and enjoy the live webcast of Les Contes d’Hoffmann from the Komische Oper Berlin, starting at 12:55 PM. Promises the company’s website, “The director himself, Barrie Kosky, will guide you through the evening!” And you can watch the whole thing right here on parterre, right after the jump! Read more »
“New York is great. Opera is great. They deserve each other. So what can we do to get them together? Who can show us how it’s done? We need to ask the Germans.” [New York Observer]
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
As is happening increasingly in opera productions today (e.g., the Rosenkavalier in Stuttgart), the action of Moses und Aron at the Komische Oper begins some minutes before the music does. In this Barrie Kosky staging, we begin by seeing what appear to be dots and slashes blinking on the black front scrim. Gradually these shapes seem to resolve themselves into characters, words, phrases, and humans being human, we are trying to find a pattern and a message among the randomness. When that message finally presents itself, it’s not at all what you might expect, at least not in connection with this opera. Read more »
Your doyenne and her faithful confidante Dawn Fatale are off later this week for a safari, seeking the wild Regie in its natural habitat.
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