Last night at The Academy of Music, one butterfly was crushed upon the proverbial wheel. Another fared much better. Cocooned in an amiable production of Theo Morrison‘s revised Oscar, David Daniels flew to new heights in the congenial title role. Read more »
Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art. Read more »
David Daniels and Whitney Walters will be married on June 21st in Washington, DC by none other than Supreme Court Justice Ruth Bader Ginsburg. La Cieca extends her best wishes to the happy pair, and, what the hell, to Justice Ginsburg too. [Facebook]
After Heart of a Soldier, The Perfect American, The Gospel According to Mary Magdalene, et al., the premiere of Theodore Morrison’s Oscar in Santa Fe last Saturday came as a welcome relief.
Giulio Cesare at the Met proved an evening that added up to much more than the sum of its uneven parts.
Nearly 30 years after a Handel opera last played there, Carnegie Hall presented The English Concert opening a three-year opera-oratorio project on Sunday afternoon with Radamisto.
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
David Daniels (left) headlines a special sneak preview of The Enchanted Island on Wednesday, December 7 at The Jerome L. Greene Performance Space. Also on hand will be Danielle de Niese, Lisette Oropesa and Luca Pisaroni, plus the pasticcio’s creative team, writer Jeremy Sams and director-designer team Phelim McDermott and Julian Crouch. Midge Woolsey hosts. Tickets are $25.oo, but a very clever parterrrian has the chance to attend gratis, as detailed after the jump.
La Cieca hears that parterre fave David Daniels will get all eponymous and stuff for a world premiere opera entitled Oscar, based on the life of Oscar Wilde, for Santa Fe Opera in 2013, with Opera Company of Philadelphia to follow. The work is to boast music by Theodore Morrison and a libretto and stage direction by John Cox.
Among symbolic classical tropes, one of my favorites (perhaps because only another classicist will understand it) is Nessus’ Shirt, an emblem of glory (a promotion, say, or an expensive luxury) that destroys you.