Of all films to be adapted into operas, 1967’s Berserk! seems a most unlikely choice, particularly with Juan Diego Flórez in the role of tough-as-nails ringmistress Monica Rivers. Read more »
“It was the chilliest opening night at the Met in years on Monday—barely 15 degrees when the curtain went up on the company premiere of La Donna del Lago. But you can’t blame the polar vortex for the audience’s cool reception of this tuneful but dramatically inert Rossini melodrama.” [New York Observer] (Photo: Ken Howard/ Metropolitan Opera)
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
Ellen Douglas—Elena, if you will; the Lady of the Lake—finds herself in Act II of Rossini’s La Donna del Lago in the far from unusual operatic position of having her love claimed by two impassioned tenors in the bel canto version of a macho drag race. What is curious about this is her solution: She runs off with the mezzo-soprano. Well, wouldn’t you? The story of the opera’s a bit like Ernani (one of the suitors is a lecherous king in disguise, just as you’d expect), but only if Ernani ended happily, at the end of Act III, say. Read more »
Last night’s complete concert version of Die Csárdásfürstin from Dresden is viewable, after the jump.
Your Own La Cieca has emerged from semi-retirement to present the 2014 Pubie Awards.
“Javier Camarena will sing the role of Prince Ramiro in the season’s three initial performances of Rossini’s La Cenerentola on April 21, 25, and 28, replacing Juan Diego Flórez, who is ill.”
When Norman Lebrecht is declaring on an almost daily basis that classical music is dead, it’s perhaps heartening that four of today’s prominent tenors have recently released what might be called fluff/vanity albums.
The winners of the ninth annual F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence (or, as they are colloquially known, the “Opera News Awards”) have been revealed.