The Richard Tucker Music Foundation’s annual gala promises (note, promises) a particularly glittery roster this year: Jamie Barton, Javier Camarena, Joyce DiDonato, Yusif Eyvazov, Renée Fleming, Anna Netrebko, Kristine Opolais, Nadine Sierra, Bryn Terfel and of course the 2016 Richard Tucker Award Winner Tamara Wilson!
“The Met also said a new production of Bellini’s Norma with Anna Netrebko and Joyce DiDonato will open the 2017-18 season.” [AP]
La Cieca finds it difficult to imagine any more offbeat casting than the sublime Joyce DiDonato as “The Worst Singer in the World,” but she supposes that is where the acting will come in when the Yankee Diva portrays the title role in The Florence Foster Jenkins Story, a “documentary feature film” set for release in late 2016. [Facebook]
The sound of Joyce DiDonato, Lawrence Brownlee and John Osborn nailing La Donna del Lago’s thrilling second-act trio alone made worthwhile enduring one of the ugliest, most bone-headed productions seen at the Metropolitan Opera in many a year.
“Joyce DiDonato and Rufus Wainwright will discuss a variety of topics…”
Exclusively for you, the loyal parterriani, here’s a sneak preview video from Joyce and Tony: Live at Wigmore Hall.
“It was the chilliest opening night at the Met in years on Monday—barely 15 degrees when the curtain went up on the company premiere of La Donna del Lago.“
Ellen Douglas finds herself in Act II of Rossini’s La Donna del Lago in the far from unusual operatic position of having her love claimed by two impassioned tenors in the bel canto version of a macho drag race.
The key to enjoying Bellini’s I Capuleti e Montechi is to do a hard factory reset and reformat your brain to forget all other works based on Romeo and Juliet.
A young friend messaged me to ask if I knew Rossini’s Macbeth.