It’s hard to come up with any sensible reason to dislike Joyce DiDonato. With performances at the Grammys, the last night of the proms, and HDs at the Met’s New Year’s gala, she’s become one of the most visible American opera singer of our time, second only to Renée Fleming. In recent years she has acquired a fan base of fierce devotion due in large part to her unprecedented and personal interactions with fans. In addition to a wonderfully detailed blog on which she recently took a stand for equal rights for the LGBT community, she has a YouTube channel dedicated to answering the questions of aspiring opera singers. Read more »
How better to launch this week’s general interest discussion than with a video of Joyce DiDonato singing “Over the Rainbow” at the Last Night of the Proms? Read more »
La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.
One startling upset catches the eye among the many winners (if that is the word) of the 2013 Parterre Box Awards.
La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.
I completely missed The Enchanted Island during the Met’s 2011-12 season, both in the house and in the HD presentation. Even on Sirius, I had only heard snippets of the performance.
True, Joyce DiDonato’s Mary spat out those fighting words in a tangy chest voice, but it was hard to believe she meant them.
It’s easiest to write reviews when there are soaring triumphs and miserable failures.
If you’re the sort who prefers his diva to be an unapproachable sphinx prone to infuriating cancellations while radiating ennui, I suspect that the sunny, hard-working, grateful persona of American mezzo soprano Joyce DiDonato will not appeal to you at all.