“Beefcake and hamantaschen may seem an odd menu, but in the New York City Opera’s first season in two years, they somehow make a balanced meal.” [NY Post]
“Since its 1987 premiere, this Franco Zeffirelli production has transitioned from breathtaking to tasteless to endearingly camp.” [JJ in NYP]
La Cieca invites the newly reunited cher public to participate in an archeological dig scavenger hunt puzzle quiz promoting the new “Sacrificium” CD from Cecilia Bartoli. Ready to play? Well, first you have to answer this question: Farinelli’s remains were exhumed in 2006 from this cemetery in Bologna? Most of you surely know the answer, of course, and those of you who don’t certainly know how to google. So, anyway, once you’ve identified the cemetery, you go to the puzzle site, enter that name, and get a piece of the puzzle. Whee! After that, you may ask Daniel Stephen Johnson for the [...]
“She was pretty but blank onstage back then, but Tuesday night’s opening performance found her too far the other direction, transforming the ironic, moody aristocrat into a Lifetime movie drama queen.” [NYP]
JJ reviews the Met’s current revivals of Aïda and Il barbiere di Siviglia in the New York Post. Meanwhile, the Times leads with the boos.
Our JJ‘s review of the Met’s revival of Le nozze di Figaro didn’t make it into today’s New York Post for reasons that you should be able to figure out once you’ve read the piece. At the suggestion of his editor, La Cieca is publishing it here.
“Tosca is no highbrow psychological study — it’s an operatic slasher movie.” [NYP]