Headshot of La Cieca

Cher Public

  • Milady DeWinter: I tell you DellaCasa and Peter, I was conflicted about #16 earlier on in the process, but... 7:48 PM
  • Lohenfal: Anti, I was at the Nov. 1 performance, which you saw on video. The Eyre production works very well... 7:40 PM
  • semira mide: Nothing like a re-post to make it work. Oops. 7:26 PM
  • semira mide: Sorry, that didn’t work. I’ll post the link again. https://www.you... 7:26 PM
  • semira mide: I totally agree about Nelly , Zinka. Coloraturafan posted this clip with Nelly, which I think is... 7:25 PM
  • Semiotic: Can you please explain what “visually overdeterminedR 21; means? What are some other... 7:14 PM
  • mirywi: Dear FeldMarschellin: if you speak to Herr Kaufmann and find that the barrier to his coming to the... 6:52 PM
  • springspring: Angela looks GORGEOUS! Visually she is Charlotte. Let’s hear the live streaming on Monday! 6:38 PM
  • armerjacquino: Your sarcasmometer is a little faulty, alas. 6:28 PM
  • turings: Here’s an effort to improve on Google for the Standard and Neue Merker – basically saying it... 6:14 PM

The burning Ghars, or Ghats, or whatever they are

Lots of chatter in the British press about the Rowley rowdydow at the Garden, but what interests La Cieca the most is the pictorial evidence that Laurent Pelly‘s production of Robert le Diable looks exactly like a biscuit box.