Cher Public

  • aulus agerius: I am currently rereading The Count of Monte Cristo for a book group. It remains probably the best book I’ve ever... 12:06 PM
  • kashania: I’d never heard the Berganza recording. Beautiful, sensitive stuff, if a bit too precious on the climactic... 12:04 PM
  • Cocky Kurwenal: I was actually at this concert, having just started a contract in Brussels. How lovely to have the opportunity to hear... 12:02 PM
  • kashania: Her speaking voice may sound like she’s a Brit, but… I’ve always loved the hushed the delivery on... 11:54 AM
  • Camille: I walked after “Sogno talor” and il Consorte discovered her in her illicit Freudian dream state. By then, I was... 11:48 AM
  • phoenix: ‘No reason for the changes are given.’ Could Algana have wanted to keep it all in the family? – If I’m... 11:40 AM
  • Camille: No sir, I was scoping out the cutie during the first half. As is my custom, I WALKED. I walked up to the MET where I watched... 11:38 AM
  • Camille: There is a fun chapter from The Count of Monte Cristo involving the opera Parisina d’Este, situated at the Teatro... 11:30 AM

The burning Ghars, or Ghats, or whatever they are

Lots of chatter in the British press about the Rowley rowdydow at the Garden, but what interests La Cieca the most is the pictorial evidence that Laurent Pelly‘s production of Robert le Diable looks exactly like a biscuit box.