Headshot of La Cieca

Cher Public

  • zinka: How did that dude get on the Met stage last night with a protest sign??SCARY!!!! However, since a... 8:55 AM
  • Dabrowski: Just when you think that the world can’t give you any more reasons to hate Eastern European... 8:45 AM
  • Dabrowski: “I found Trebs to be fine. I think the voice has changed and the first aria is much lovelier... 8:44 AM
  • Feldmarschallin: Nein Sushi ist nicht mein Ding. Bin Ostersamstag in Elektra und Sonntag im Parsifal dann... 8:40 AM
  • spiderman: I am austrian and have no idea what building “Liesl” ; is supposed to be. 8:28 AM
  • alejandro: I had the opposite reaction. Loved IOLANTA and wished BLUEBEARD had been something else. I... 8:26 AM
  • tiger1: Great review! Thanks. 8:21 AM
  • NPW-Paris: Super, thank you very much. 8:17 AM
  • Jungfer Marianne Leitmetzerin: (FORMER) DIVA WATCH: Cheryl Studer is out of “Dialogues des... 7:36 AM
  • Jungfer Marianne Leitmetzerin: Wenn du ernsthaft über authentische Wiener Küche bist, versuchst Stehman am... 7:18 AM

The revolution will be televised

Ah, finally a light begins to break: “60 Minutes is filming a long-planned segment on the Met, with the new production of Rigoletto providing a through line…. When [Michael] Mayer sprints down the aisles onto the stage to tweak a bit of business, he is trailed not just by a couple of staff directors with notebooks but often by a cameraman or two. A Japanese film crew has also been tailing him for its own documentary.” [New York Times]