Headshot of La Cieca

Cher Public

  • armerjacquino: ‘I’ll let you off because it’s Christmas’ Seriously? That’s... 2:16 PM
  • antikitschychick: Maybe “you’l l let me off”?? Seriously? What does that even mean?? Maybe... 2:14 PM
  • Poison Ivy: “Lumi took the role of Amelia so seriously that not only did she want to look like a mother... 1:56 PM
  • kashania: :) 1:33 PM
  • armerjacquino: Janowitz has a CALM INTENSITY, dammit. 1:32 PM
  • Krunoslav: But armer, the rhetorical strategies people here advance for making the faults of their Supreme... 1:27 PM
  • armerjacquino: Hmmm. Well, maybe I’ll let you off because it’s Christmas, but I still think... 1:10 PM
  • antikitschychick: Yes I know it doesn’t strictly mean maternal armer. It’s kind of a negative... 12:47 PM
  • turings: You probably have seen this already, zinka, but the premiere of the new Vienna Rigoletto with... 12:23 PM
  • MontyNostry: That you for that Meta-data, zinka (not unconnected with Croatia yourself …) 12:07 PM

The revolution will be televised

Ah, finally a light begins to break: “60 Minutes is filming a long-planned segment on the Met, with the new production of Rigoletto providing a through line…. When [Michael] Mayer sprints down the aisles onto the stage to tweak a bit of business, he is trailed not just by a couple of staff directors with notebooks but often by a cameraman or two. A Japanese film crew has also been tailing him for its own documentary.” [New York Times]