Headshot of La Cieca

Cher Public

  • Bill: Zinka – well Gertrude Grob-Prandl did not make alot of commercial recordings and was a fine... 9:43 PM
  • uwsinnyc: Just read the insert from the daughters in the Playbill. Very thoughtfully and well written. Also... 9:28 PM
  • brahseph: The booing was louder for Wilson’s Lohengrin :) Btw it sounded like the disruptor tonight was... 9:08 PM
  • Satisfied: Surpassingly, very little ruckus so far. Some shouts during musical pauses, but nothing... 9:01 PM
  • Jungfer Marianne Leitmetzerin: Just to put that in context, this was just published by the Wall Street... 8:59 PM
  • philomel: And there it is. A man is yelling “The murderer of Klinghoffer will never be forgiven!R... 8:45 PM
  • kashania: In later years, Sutherland would transpose “Dove Sono” down just so she could end it... 8:32 PM
  • kashania: HH: Thanks for discussing the musical/dramatic of this work, which has been absent among all the... 8:27 PM
  • mirywi: I always finished off my Dove Sono that way. Then the conductors took over and spoiled opera. 8:11 PM
  • CwbyLA: damekenneth, in many interviews Peter Gelb said as a Jew himself, he doesn’t find the work... 7:59 PM

The revolution will be televised

Ah, finally a light begins to break: “60 Minutes is filming a long-planned segment on the Met, with the new production of Rigoletto providing a through line…. When [Michael] Mayer sprints down the aisles onto the stage to tweak a bit of business, he is trailed not just by a couple of staff directors with notebooks but often by a cameraman or two. A Japanese film crew has also been tailing him for its own documentary.” [New York Times]