Headshot of La Cieca

Cher Public

  • Feldmarschallin: Good top but Tézier was missed by me. Perhaps he will get better over the run. In every run... 4:59 AM
  • Lohengrin: How was Piazzola yesterday? 3:52 AM
  • Feldmarschallin: Just heard a very good performance at the Schiller Theater with Ventris. He was quite good. 3:02 AM
  • La Cieca: My fault I fear as I postured this after a disturbing performance of Ariane et Barbebleu at... 2:15 AM
  • antikitschychick: evening all; just wanted to say a few words about the Cav/Pag from the Met which I saw the... 1:22 AM
  • RobNYNY: The Mad Scene from “The Barber of Seville.” Peters is very accurate in pitch and... 12:32 AM
  • steveac10: I can’t but admire Peters’ upper extension, but she has always left me cold... 11:58 PM
  • Sanford: I will say this about the Peters Una Voce Poco Fa. It is a very well sung example of a type I find... 11:41 PM
  • m. croche: Never attribute to oddity what can be explained by laziness. http://www.youtube .com/watch?v=xh... 11:35 PM
  • rossifigaro: certainly enjoyed the pag far more than the cav. did the cav really have to be sooo bleak.... 11:22 PM

The winner’s tale

In a decision La Cieca doesn’t think anybody is going to dispute, the Richard Tucker Foundation has named mezzo-soprano Jamie Barton their 2015 award winner. Read more »

Let’s make it regal

Having heard a bit of the opening night broadcast and read some decidedly mixed reviews, I was totally unprepared for the remarkable performance of Donizetti’s Anna Bolena that I attended on December 15 at Chicago Lyric Opera.  Read more »

Running, jumping, or burning Gaul

Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise. Russell Thomas, in for Marco Berti, is a very fine Pollione, at once elegant and heroic—a rare combination even in these tenor-rich times with so many worthy lyric singers. Read more »

hrussell-thomas-color-hs-credit-dario-acosta

Roman holiday

Big changes in San Francisco’s Norma.

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El Barto

The virgin Einspring

Jamie Barton will make her San Francisco Opera debut as Adalgisa in Norma for five of the opera’s seven performances on September 5, 10, 14, 27 and 30. Ms. Barton replaces Daveda Karanas, who has withdrawn from the production for personal reasons.

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gelb

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.

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angela_meade

You don’t have to be Druids to love it

“The Met’s production, originally directed by John Copley, is still a hideous, confusing mess. But with Ms. Meade and Ms. Barton acting with moving subtlety, singing generously and feeling deeply, it was hard to care.”

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barton

Sounds of silence

“Don’t sing anything but teensy bits of Mozart until you’re at least 40…”

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littoral

Love letter in the sand

Well done, littoraldrift!

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barton

Second guess

“An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.”

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