Headshot of La Cieca

Cher Public

  • 98rsd: Does Rebeka color her voice or inflect? She didn’t as Donna Anna. Singing at different volumes... 2:44 PM
  • Quanto Painy Fakor: Maybe someday he will even sound like a tenor! 2:22 PM
  • Ilka Saro: Who put the bug up Tommasini’s butt? A couple times in my life I have taken ill quite... 2:13 PM
  • Milady DeWinter: I agree that it looks more like not enough rehearsal. As with Vargas, she looks at the... 2:04 PM
  • kashania: Thanks for the review, Ivy. Re: Germont. I think his coldness can be mostly attributed to Decker... 2:01 PM
  • operaassport: I don’t believe you can have a compelling or remarkable performance of an opera when the... 1:02 PM
  • kashania: His voice is quite exciting to experience in person. But even from this video, I hear an... 12:58 PM
  • kashania: One of the best things about reviews from parterrians (and blog reviews in general) is that we... 12:49 PM
  • turings: Still not sure it’s her fault if he can’t hold the stage during Che gelida manina.... 12:43 PM
  • m. croche: A day late and, at last count, approximately 62 rubles short, but … SHCHEDRINSHCHI... 12:36 PM

Let’s make it regal

Having heard a bit of the opening night broadcast and read some decidedly mixed reviews, I was totally unprepared for the remarkable performance of Donizetti’s Anna Bolena that I attended on December 15 at Chicago Lyric Opera.  Read more »

Running, jumping, or burning Gaul

Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise. Russell Thomas, in for Marco Berti, is a very fine Pollione, at once elegant and heroic—a rare combination even in these tenor-rich times with so many worthy lyric singers. Read more »

Roman holiday

Big changes in San Francisco’s Norma: Jamie Barton is now on for all performances of Adalgisa, and Marco Berti is out “for personal reasons.” Russell Thomas will sing the remaining performances of Pollione. [via Iron Tongue of Midnight]

El Barto

The virgin Einspring

Jamie Barton will make her San Francisco Opera debut as Adalgisa in Norma for five of the opera’s seven performances on September 5, 10, 14, 27 and 30. Ms. Barton replaces Daveda Karanas, who has withdrawn from the production for personal reasons.

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gelb

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.

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angela_meade

You don’t have to be Druids to love it

“The Met’s production, originally directed by John Copley, is still a hideous, confusing mess. But with Ms. Meade and Ms. Barton acting with moving subtlety, singing generously and feeling deeply, it was hard to care.”

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barton

Sounds of silence

“Don’t sing anything but teensy bits of Mozart until you’re at least 40…”

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littoral

Love letter in the sand

Well done, littoraldrift!

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barton

Second guess

“An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.”

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jamie_barton

The world on a string: talking to Jamie Barton

American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition.

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