Cher Public

  • NPW-Paris: Valla Allah! as my Turkish friends might say. 4:21 AM
  • NPW-Paris: So, in response to a qustion on anther thread about languages on this site, some Chinese is also allowed! 4:19 AM
  • m. croche: And for this reason, God, in His Inifinite Wisdom, created both dictionaries and Google. 2:41 AM
  • Rudolf: Let’s be realistic. The adulation on display is for the singer who once was. And not for the sounds which a 68 year old... 12:17 AM
  • mirywi: Stephanie Blythe also inexplicably ignored. 10:49 PM
  • DerLeiermann: Is english with the ocassional reference to italian/german/fre nch the only acceptable language on parterre? Is there some... 10:09 PM
  • LT: He didn’t complain. He asked what it meant. So, at least for once, quit bitchin’. 10:06 PM
  • DerLeiermann: (Both are correct!) 10:05 PM

The winner’s tale

In a decision La Cieca doesn’t think anybody is going to dispute, the Richard Tucker Foundation has named mezzo-soprano Jamie Barton their 2015 award winner. Read more »

Let’s make it regal

Having heard a bit of the opening night broadcast and read some decidedly mixed reviews, I was totally unprepared for the remarkable performance of Donizetti’s Anna Bolena that I attended on December 15 at Chicago Lyric Opera.  Read more »

Running, jumping, or burning Gaul

Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise. Russell Thomas, in for Marco Berti, is a very fine Pollione, at once elegant and heroic—a rare combination even in these tenor-rich times with so many worthy lyric singers. Read more »

hrussell-thomas-color-hs-credit-dario-acosta

Roman holiday

Big changes in San Francisco’s Norma.

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El Barto

The virgin Einspring

Jamie Barton will make her San Francisco Opera debut as Adalgisa in Norma for five of the opera’s seven performances on September 5, 10, 14, 27 and 30. Ms. Barton replaces Daveda Karanas, who has withdrawn from the production for personal reasons.

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gelb

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.

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angela_meade

You don’t have to be Druids to love it

“The Met’s production, originally directed by John Copley, is still a hideous, confusing mess. But with Ms. Meade and Ms. Barton acting with moving subtlety, singing generously and feeling deeply, it was hard to care.”

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barton

Sounds of silence

“Don’t sing anything but teensy bits of Mozart until you’re at least 40…”

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littoral

Love letter in the sand

Well done, littoraldrift!

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barton

Second guess

“An earlier version of this post referred incorrectly to the gender of the mezzo-soprano Jamie Barton. Ms. Barton is a woman.”

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