Cher Public

  • DonCarloFanatic: +1 2:24 PM
  • armerjacquino: I don’t like Voigt-bashing either, Camille, but she’s done fellow performers few favours with this sophistry.... 2:19 PM
  • Camille: And so, so sorry to be an old chiding biddy (and not directing my comments at you, vociaccia but only using your comment as... 1:07 PM
  • Camille: No, she needn’t but most likely she feels a need to ‘splain herself, unfortunately, to clarify that this time around,... 1:00 PM
  • Camille: Thanks for the mention of the Cinq-Mars as I’ve long been curious about it. If any of the rest of the score is as pretty... 12:40 PM
  • Camille: Oh lordy–Chris Merritt strikes again! You know, I heard him almost exactly ten years previously, in May 1997, give one of... 12:35 PM
  • Camille: I cannot thank you enough for mention of the theatre at Compiègne as it was their production, I now see, which I used to... 12:29 PM
  • Cicciabella: So sorry I missed this. But, seek and ye shall find… 12:10 PM

The rite stuff

Remember that time you went to the opera and the entire evening was perfection? Yeah, me neither: you get so close but there’s always something that detracts from total glory. My remembrances of LA Opera’s production of Bellini’s Norma will have no such detractions since the flaws in the performance where so minor compared to the whole I can easily dismiss them.  Read more »

Barton glances

I’m giving my age away here by saying that I am unfortunate enough to remember how Rudy Giuliani would sometimes drop by the Met airwaves and claim he was a “huge” opera fan. The most mild inquiries revealed that his knowledge of opera started at La traviata and ended at La bohème. But there is a sizable portion of opera audiences who only like the bread and butter Italian operas, and the annual Richard Tucker Gala is probably the event of the year to indulge your love of verismo staples and can belto screaming.   Read more »

Man of steel

“This throwback to the golden age of opera—superhuman singing greeted with frenzied ovations—was a function of a perfect storm of excitement: a performance of Verdi’s 1853 spellbinder to rank with one’s rosiest recollections of past glories, in combination with a poignant human story that left both cast and audience dissolved in tears.” [New York Observer]

Bolena 1

Don’t axe me why

The Metropolitan Opera’s much vaunted so-called “Tudor Ring” of three royal operas by Donizetti got off to a bumpy start Saturday afternoon with a revival of Anna Bolena that stubbornly refused to cohere either musically or dramatically.

Read more »

Jamie Barton

Everything’s coming up Jamie

Mezzo-of-the-moment Jamie Barton’s future Met assignments include . . .

Read more »

Jamie Barton

The winner’s tale

In a decision La Cieca doesn’t think anybody is going to dispute, the Richard Tucker Foundation has named mezzo-soprano Jamie Barton their 2015 award winner.

Read more »

Anna Bolena

Let’s make it regal

Having heard a bit of the opening night broadcast and read some decidedly mixed reviews, I was totally unprepared for the remarkable performance of Donizetti’s Anna Bolena that I attended on December 15 at Chicago Lyric Opera.

Read more »

Norma San Francisco

Running, jumping, or burning Gaul

Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.

Read more »

hrussell-thomas-color-hs-credit-dario-acosta

Roman holiday

Big changes in San Francisco’s Norma.

Read more »

El Barto

The virgin Einspring

Jamie Barton will make her San Francisco Opera debut as Adalgisa in Norma for five of the opera’s seven performances on September 5, 10, 14, 27 and 30. Ms. Barton replaces Daveda Karanas, who has withdrawn from the production for personal reasons.

Read more »