Cher Public

  • stevey: +1 10:49 PM
  • la vociaccia: She also has her worst tuning problems when she has to sing high notes that aren’t approached stepwise. Her soprano 2... 10:44 PM
  • JackJack: I strongly disagree about the Immolation Scene. I thought it was clearly the best part of the night. Her voice had warmed up... 8:16 PM
  • Porgy Amor: Signor Bruschino, my perception of the Met as an organization re: Levine is a little different. With the promotion of the HDs... 8:15 PM
  • Alex Baker: Goerke should definitely commemorate next April 1 with a Facebook missive describing how she is withdrawing from all current... 8:13 PM
  • Signor Bruschino: wow- ok, LaCieca, but I have actually in my years of posting given both sides of the argument. There is no question that... 8:01 PM
  • williams: Goerke is a mixed bag. Some thrilling moments but her voice, to my ears, curdles above the staff. That said there are few... 7:49 PM
  • grimoaldo: Hahahahahahahahaha Absolutely priceless. 7:19 PM

The rite stuff

Remember that time you went to the opera and the entire evening was perfection? Yeah, me neither: you get so close but there’s always something that detracts from total glory. My remembrances of LA Opera’s production of Bellini’s Norma will have no such detractions since the flaws in the performance where so minor compared to the whole I can easily dismiss them.  Read more »

Barton glances

I’m giving my age away here by saying that I am unfortunate enough to remember how Rudy Giuliani would sometimes drop by the Met airwaves and claim he was a “huge” opera fan. The most mild inquiries revealed that his knowledge of opera started at La traviata and ended at La bohème. But there is a sizable portion of opera audiences who only like the bread and butter Italian operas, and the annual Richard Tucker Gala is probably the event of the year to indulge your love of verismo staples and can belto screaming.   Read more »

Man of steel

“This throwback to the golden age of opera—superhuman singing greeted with frenzied ovations—was a function of a perfect storm of excitement: a performance of Verdi’s 1853 spellbinder to rank with one’s rosiest recollections of past glories, in combination with a poignant human story that left both cast and audience dissolved in tears.” [New York Observer]

Bolena 1

Don’t axe me why

The Metropolitan Opera’s much vaunted so-called “Tudor Ring” of three royal operas by Donizetti got off to a bumpy start Saturday afternoon with a revival of Anna Bolena that stubbornly refused to cohere either musically or dramatically.

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Jamie Barton

Everything’s coming up Jamie

Mezzo-of-the-moment Jamie Barton’s future Met assignments include . . .

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Jamie Barton

The winner’s tale

In a decision La Cieca doesn’t think anybody is going to dispute, the Richard Tucker Foundation has named mezzo-soprano Jamie Barton their 2015 award winner.

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Anna Bolena

Let’s make it regal

Having heard a bit of the opening night broadcast and read some decidedly mixed reviews, I was totally unprepared for the remarkable performance of Donizetti’s Anna Bolena that I attended on December 15 at Chicago Lyric Opera.

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Norma San Francisco

Running, jumping, or burning Gaul

Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.

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hrussell-thomas-color-hs-credit-dario-acosta

Roman holiday

Big changes in San Francisco’s Norma.

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El Barto

The virgin Einspring

Jamie Barton will make her San Francisco Opera debut as Adalgisa in Norma for five of the opera’s seven performances on September 5, 10, 14, 27 and 30. Ms. Barton replaces Daveda Karanas, who has withdrawn from the production for personal reasons.

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