Cher Public

  • Quanto Painy Fakor: New FAUST production in Salzburg – UGLY!!!!!!!! 2:04 AM
  • danpatter: I couldn’t agree more. Tucker’s voice was the first tenor voice I listened to and liked. He was on so many... 6:45 PM
  • kennedet: I could be dead wrong but I find it difficult to believe that Battle’s life will ever appear on stage, film or anywhere... 5:14 PM
  • gustave of montreal: Then BOULEVARD SOLITUDE 4:50 PM
  • JohninSeattle: Returns of the day to our favored “playwright, actor, commentator and diseuse”. That said… Oh to have... 3:51 PM
  • Daniel: Arquez, pardonnez-moi̷ 0; 3:33 PM
  • Daniel: It’s unfortunate to read yet another review so focused on soloists’ vocal timbre rather than the overall effect of the... 3:31 PM
  • 98rsd: Levine and the Met Chorus and Orchestra easily outclassed this effort. And the soloists were basically just okay. Any idea why... 2:41 PM

Dearly beloved

Mezzo Rinat Shaham takes a short break from being the world’s busiest Carmen and rehearsing for the theatrical concert “The Sorrows of Young Werther” to dish with your doyenne. Read more »

Return of the king

Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art. Read more »

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

jamie_barton

The world on a string: talking to Jamie Barton

American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition.

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michael_spyres

The Beatrice generation

Beatrice di Tenda was a problem child, Vincenzo Bellini an alternately protective and disparaging parent.

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grooving

Transparency

Opera Teen (pictured, second from left) is not kidding us: he had an interview with Peter Gelb.

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ballo_alden

The man behind the mask

Recently your doyenne engaged in an email-based interview with David Alden, director of the Met’s new production of Un ballo in maschera, opening on Thursday.

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Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

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Anna, in her own words

I was on the bus to Nürnberg today on the way to do Wagner tourism and hear Herr Sacro Fuoco tomorrow, and on the way I translated the juicy bits of the full print edition Anna Netrebko article… I was going to post it as a comment but it turns out I thought a lot of it was interesting (and touches on many of the points that have come up in the comments to the excerpt!) and it ended up long. So here is a translation minus the parts that were already posted and some parts I thought weren’t that […]

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A great maestro gives an interview

Though Margaret Juntwait may have caught him pitifully unprepared, James Levine did say a few words for those lovely people among the Sirius audience last night during the intermission of Ariadne. Those of you who missed this singular event may want to take a peek after the jump.

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