Cher Public

  • Poison Ivy: “Racette, Dasch, Merbeth and Racette.” You’re not mean there are two soprano Racettes on the scene today? 1:57 PM
  • Porgy Amor: Agreed on Magee, PCally. I sometimes have found her frustrating in that everything seems to be there for her to be a bigger... 1:55 PM
  • armerjacquino: “I don’t think there was anything strange in Wilson’s reaction to the parterre review” Um, I’d say there... 1:41 PM
  • NPW-Paris: The Villa Igiea was a shabby but comfortable hotel too, only I imagine it’s been tarted up a great deal since I was there. 1:40 PM
  • PCally: I rather like Magee. I think she’s a fine Tosca and that her Ariadne from Zurich was absolutely sublime in every way. In the... 1:38 PM
  • NPW-Paris: Just for the record, at the Teatro Massimo I saw Maria Stuarda. Conductor: Fabrizio Maria Carminati. Production, sets, costumes... 1:36 PM
  • NPW-Paris: And that Roman Villa in the middle of the island with acres of mosaic floors… 1:34 PM
  • danpatter: It ran for 205 performances, certainly not the worst outing on Broadway, and according to Wikipedia did turn a small profit. I... 1:26 PM

Dearly beloved

Mezzo Rinat Shaham takes a short break from being the world’s busiest Carmen and rehearsing for the theatrical concert “The Sorrows of Young Werther” to dish with your doyenne. Read more »

Return of the king

Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art. Read more »

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)


The world on a string: talking to Jamie Barton

American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition.

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The Beatrice generation

Beatrice di Tenda was a problem child, Vincenzo Bellini an alternately protective and disparaging parent.

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Opera Teen (pictured, second from left) is not kidding us: he had an interview with Peter Gelb.

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The man behind the mask

Recently your doyenne engaged in an email-based interview with David Alden, director of the Met’s new production of Un ballo in maschera, opening on Thursday.

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Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

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Anna, in her own words

I was on the bus to Nürnberg today on the way to do Wagner tourism and hear Herr Sacro Fuoco tomorrow, and on the way I translated the juicy bits of the full print edition Anna Netrebko article… I was going to post it as a comment but it turns out I thought a lot of it was interesting (and touches on many of the points that have come up in the comments to the excerpt!) and it ended up long. So here is a translation minus the parts that were already posted and some parts I thought weren’t that [...]

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A great maestro gives an interview

Though Margaret Juntwait may have caught him pitifully unprepared, James Levine did say a few words for those lovely people among the Sirius audience last night during the intermission of Ariadne. Those of you who missed this singular event may want to take a peek after the jump.

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