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Cher Public

  • Cicciabella: A question for the eminent m.croche: “Famous opera diva” Shen Tiemei is singing in... 4:16 AM
  • Cicciabella: Your take on the Chenier is very interesting, phoenix. I thought London did itself proud in... 3:51 AM
  • Krunoslav: Et MOI! httpv://www.youtub e.com/watch?v=BE2M AxLZUrQ 3:25 AM
  • Krunoslav: I cannot speak for Nerva, who was exploded ( yes, in a revolutionary outrage). Krunoslav, however,... 3:24 AM
  • Krunoslav: Why must Vedernikov be under 40 to have good things in his future? He just turned 51 and has had a... 3:14 AM
  • Krunoslav: Only *think* what Richard Harris at that pitch of high dudgeon could have done in the role of... 2:59 AM
  • Quanto Painy Fakor: I don’t understand. The Geistervariationen are for piano. httpv://www.you... 2:18 AM
  • guy pacifica: I have no idea where this will land but Camille, thank you so much for the Michael Powell... 2:12 AM
  • Quanto Painy Fakor: I guess she was not yet in Washington when William Friedkin’s production at thr... 1:23 AM
  • Poison Ivy: Poor Bobbi K :( 1:16 AM

Return of the king

Fifteen years after his first parterre box interview, that criterion of countertenors David Daniels speaks of Oscar Wilde, Marilyn Horne, marriage and political art. Read more »

Her maestro’s voice

Our Own Poison Ivy interviews conductor Alain Altinoglu over at her own blog, Poison Ivy’s Wall of Text. (Photo © Fred Toulet.)

The world on a string: talking to Jamie Barton

American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition. Watching her final program of arias from Adriana Lecouvreur, Hansel und Gretel, and Berlioz’s Les Troyens, along with a song by Sibelius, it’s hard to imagine how the international jury that included Dame Kiri Te Kanawa, Dame Felicity Palmer, Neil Shicoff and Håkan Hagegård could have chosen anyone else.  Read more »

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The Beatrice generation

Beatrice di Tenda was a problem child, Vincenzo Bellini an alternately protective and disparaging parent.

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grooving

Transparency

Opera Teen (pictured, second from left) is not kidding us: he had an interview with Peter Gelb.

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The man behind the mask

Recently your doyenne engaged in an email-based interview with David Alden, director of the Met’s new production of Un ballo in maschera, opening on Thursday.

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Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

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Anna, in her own words

I was on the bus to Nürnberg today on the way to do Wagner tourism and hear Herr Sacro Fuoco tomorrow, and on the way I translated the juicy bits of the full print edition Anna Netrebko article… I was going to post it as a comment but it turns out I thought a lot of it was interesting (and touches on many of the points that have come up in the comments to the excerpt!) and it ended up long. So here is a translation minus the parts that were already posted and some parts I thought weren’t that [...]

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A great maestro gives an interview

Though Margaret Juntwait may have caught him pitifully unprepared, James Levine did say a few words for those lovely people among the Sirius audience last night during the intermission of Ariadne. Those of you who missed this singular event may want to take a peek after the jump.

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A water, bird talk

Our own JJ “sits down” (figuratively speaking) with Robert Lepage to “talk” (also figuratively speaking) about his production of The Nightingale and Other Short Fables, opening tomorrow night at BAM. [New York Post]

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