Headshot of La Cieca

Cher Public

  • overstimmelated: There were comments on the amplification and balance by tancredipasero in another thread... 2:40 PM
  • laddie: Paul Curran has done several productions at Santa Fe Opera, three of which I have seen, the best... 2:39 PM
  • bluecabochon: There are enormous speakers on either side of the Met’s proscenium for all to see, fwiw. 2:23 PM
  • rapt: Wow! Thanks so much for posting this truly illuminating– ;and touching, I think–articl e. 2:12 PM
  • La Valkyrietta: To illustrate the phrase “from the ridiculous to the sublime”. httpv://www.you... 1:41 PM
  • Vittelio Scarpia: Paul Curran, the director who will stage the new “La donna del lago” next year... 1:37 PM
  • La Valkyrietta: Dabrowski, Your question, “Is the Wagner “heavier” and appropriate only for dramatic... 1:32 PM
  • armerjacquino: Not sure ‘crossover&# 8217; is the right word. She performs all kinds of music but her... 1:31 PM
  • Hippolyte: The couple of times I’ve heard Jagde I thought he was monotonously loud and lacking in... 12:22 PM
  • la vociaccia: Correction: That crossover soprano they had playing the British dancer with the halter top... 11:49 AM

In the details

The saga of the Royal Opera’s production of Robert le Diable, infinitely more melodramatic than the plot of the opera proper, continues: “After much deliberation and consultation following the final rehearsals of Meyerbeer’s Robert le diable, it has been agreed between The Royal Opera and soprano Jennifer Rowley that the role of Isabelle would not be the right part for her debut at Covent Garden.” [Royal Opera]