Headshot of La Cieca

Cher Public

  • Camille: Haha! That “BRAVO” ; was so clearly a fully intentioned, well-focused and expertly... 7:18 PM
  • Avantialouie: I have no doubt that the three absences from “Cenerentola ,” during which Florez... 6:52 PM
  • semira mide: Clearly the sleeves are a pre-emptive measure by the Met to assuage possible censorship. After... 6:45 PM
  • shoegirl: I absolutely adored Larmore at her peak. From what I remember she sang a fabulous Rosina also. I... 6:38 PM
  • Camille: The Joyceter has FAB arms! Go look at her album covers! Where is bluecabachon when we need her?... 6:37 PM
  • CwbyLA: i was wondering the same thing. I don’t think JDD has tattoos on her arms. 6:31 PM
  • shoegirl: Good answer! These are actually rather popular with ladies of a certain. Mary Portas does a range... 6:26 PM
  • Salome Where She Danced: Track marks? 6:25 PM
  • norma54: Who would want to hear Matthew Polenzani in a horribly high and difficult Rossini role? Pray that... 6:21 PM
  • phoenix: Did anyone see or hear (today on broadcast) the Nationale (Nederlandse) Opera Arabella? If so, could... 6:13 PM

In the details

The saga of the Royal Opera’s production of Robert le Diable, infinitely more melodramatic than the plot of the opera proper, continues: “After much deliberation and consultation following the final rehearsals of Meyerbeer’s Robert le diable, it has been agreed between The Royal Opera and soprano Jennifer Rowley that the role of Isabelle would not be the right part for her debut at Covent Garden.” [Royal Opera]