Headshot of La Cieca

Cher Public

  • Feldmarschallin: Radiant is the perfect word for her in this Buster. She is only seen briefly but that is... 4:47 AM
  • Krunoslav: Siffleuse , at least on Monday and she was VERY audible, and PD rarely moved more than 20 feet... 2:38 AM
  • danpatter: Oh sure, I had one, and a copy of the record, too. I was seven. I did not drive my parents insane... 2:32 AM
  • m. croche: Almost forgot: “Thank you, Mr. Boulez.” httpv://www.youtub e.com/watch?v=NW30 g2tPmDA 1:09 AM
  • parpignol: I love Ernani, totally crazy masterpiece, and the presence of Carlo Quinto even suggests an... 12:05 AM
  • DeepSouthSenior: The subsequent careers of competition winners and losers is similar to academic... 12:01 AM
  • DeepSouthSenior: I’ve always loved much of the 20th-century musical avant-garde, including Boulez.... 11:41 PM
  • DeepSouthSenior: Black leather (or something leather-like), a short skirt, and boots cover a multitude of... 11:25 PM
  • m. croche: httpv://www.youtub e.com/watch?v=sFFp zip-SZk 11:10 PM
  • DeepSouthSenior: Singers who conduct (some of them, anyway) remind me of the old joke about the question... 11:04 PM

In the details

The saga of the Royal Opera’s production of Robert le Diable, infinitely more melodramatic than the plot of the opera proper, continues: “After much deliberation and consultation following the final rehearsals of Meyerbeer’s Robert le diable, it has been agreed between The Royal Opera and soprano Jennifer Rowley that the role of Isabelle would not be the right part for her debut at Covent Garden.” [Royal Opera]