Headshot of La Cieca

Cher Public

  • PokeyGascon: Game of Thrones look was intentional or at least acknowledged by the director in the program... 12:09 AM
  • ML: It seems that a Saturday threat by the CGIL union was the last straw: http://roma.repubb lica.it/crona... 12:03 AM
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  • Clita del Toro: Poor Sondra, she looks as if she is about to be sick. 11:46 PM
  • ML: Bachler would look like a patsy if he allowed Eyvazov to jump in. 11:37 PM
  • Feldmarschallin: Well I think both of them will probably let one or two go under the table. He cancelled one... 11:22 PM
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  • mia apulia: but then Flagstad was a kind of miracle anyway 11:16 PM

Scent of mystery

La Cieca has been sniffing around her generally reliable (and fragrant) sources, and she thinks she has pieced together a list of the dozen operas to be featured in the 2013-2014 season of “The Met: Live in HD.” Details are, naturally, after the jump. Read more »

Träume Center

This is Ring week here at parterre.com, cher public, and to kick of the communal watching festivities, La Cieca (not pictured) invites you to watch tonight’s prologue to the prologue, the documentary Wagner’s Dream. The Susan Froemke film is scheduled for PBS at 9:00 pm. Read more »

It’s the pictures that got small

Norma in HD from Teatro Antico, Taormina, Italy. Pollione: Gregory Kunde; Oroveso: Giacomo Prestia; Norma: Chiara Taigi; Adalgisa: Irina Lungu; Clotilde: Katia Lytting; Flavio: Massimiliano Chiarolla. The Chorus of Francesco Cilea, directed by Bruno Tirotta; The Festival Euro Mediterraneo Symphony Orchestra.” [Opera in Cinema]

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Screen and screen again

The New York Times sends cub reporter (Get it? Cub reporter! Oh, La Cieca is killing herself with the puns!) Zachary Woolfe to the movie palaces of the heartland.

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Red all over

You’ve heard what it sounded like; now you can see Saturday afternoon’s HD of La traviata, thanks to YouTube.

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Slow curtain, the end

Here’s a taste of what’s in store for the Met’s HD audience on Saturday

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Recovered girl

Here’s a bit of good news for all you Traviata fans with tickets for tomorrow night’s Met performance or Saturday afternoon’s HD.

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Glass, Gandhi, Occupy: Action

As suggested in Part I of this piece, to experience Glass’s Satyagraha as a purely aesthetic experience is unfortunately to succumb to a romantic ideology promoting detached reflection on art which is wholly inapplicable to such a politically-charged opera. The idea that Gandhi’s action-oriented philosophy would be packaged and sold for the sake of passive introspection would have bothered him deeply.

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Glass, Gandhi, Occupy: Performance

That Philip Glass’s opera about Gandhi’s nonviolent civil disobedience should be revived by the Metropolitan Opera in 2011—a year marked by nonviolent revolutions and uprisings around the globe—is timely, to say the least. The most recent production of his Satyagraha (1979) was first premiered by the Met in the spring of 2008 as America stood on the precipice of the most devastating economic crisis in three-quarters of a century.

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Experiment in error

It is, as Noel Coward remarked, astonishing how potent cheap music is. According to Brockway and Weinstock’s World of Opera, Gounod’s Faust was performed, after a rather lackluster debut in 1859, a thousand times inParis at the Opera between 1869 and 1894—a gobsmacking average of once every nine days. 

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