This season’s Met Donizetti Tudor Trilogy concluded with Roberto Devereux, given its penultimate performance by HD transmission Saturday, April 16. It is good to see these works finally given here; they are too important, too crucial a part of the operatic repertory to have been ignored for as long as they have. Read more »
Welcome, cher public, to the real-time chat for this afternoon’s Met broadcast and HD of Madama Butterfly, starting at 1:00 PM. Photo: Ken Howard/Metropolitan Opera
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience. Since my first, the Salome of 2008, I have gone to more of the HDs than I have skipped, and I have caught up with many of the ones I missed via PBS broadcasts, DVD releases and Met Player. Read more »
This is the tenth season of the Met’s HD broadcasts, not that I would know it.
This weekend Il Trovatore outgrossed the The Walk, a new IMAX film directed by Robert Zemeckis and starring Joseph Gordon-Levitt and Ben Kingsley.
Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.
Pytor Ilyich Tchaikovsky’s Eugene Onegin is his masterwork and its themes of social convention and unrequited longing surely struck a deep chord in a composer who, in late 19th century Russia, was gay and had to conduct himself carefully.
“Including staff benefits, Gelb says a full-time chorus member at the Met earns an astonishing $300,000 (£180,000) a year, while the players of the Met Orchestra earn more than any orchestra in the US.”
Here you are, cher public, details of the Met’s (to be perfectly frank) not particularly spectacular mid-decade season.