“King of the High D’s” Javier Camarena headlines an HD video performance of I puritani this afternoon live from the Compañia Nacional de Ópera in Mexico, beginning at 5:45 PM EDT. Read more »
This season’s Met Donizetti Tudor Trilogy concluded with Roberto Devereux, given its penultimate performance by HD transmission Saturday, April 16. It is good to see these works finally given here; they are too important, too crucial a part of the operatic repertory to have been ignored for as long as they have. Read more »
Welcome, cher public, to the real-time chat for this afternoon’s Met broadcast and HD of Madama Butterfly, starting at 1:00 PM. Photo: Ken Howard/Metropolitan Opera
Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience.
This is the tenth season of the Met’s HD broadcasts, not that I would know it.
This weekend Il Trovatore outgrossed the The Walk, a new IMAX film directed by Robert Zemeckis and starring Joseph Gordon-Levitt and Ben Kingsley.
Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.
Pytor Ilyich Tchaikovsky’s Eugene Onegin is his masterwork and its themes of social convention and unrequited longing surely struck a deep chord in a composer who, in late 19th century Russia, was gay and had to conduct himself carefully.
“Including staff benefits, Gelb says a full-time chorus member at the Met earns an astonishing $300,000 (£180,000) a year, while the players of the Met Orchestra earn more than any orchestra in the US.”