Cher Public

  • Greg.Freed: In my family it’s pronounced “ungepotchke h” but the internet likes ongepotchket so I’m not sure how... 6:24 PM
  • Camille: My absolute favourite Max Ophüls, who never made anything more romantically beautiful nor acknowledged the debt we all owe to old... 6:23 PM
  • decotodd: Thanks, Olliedawg — I have Zweig’s memoir in my bookcase (a gift prior to a trip to Vienna) but never read.... 6:21 PM
  • lorenzo.venezia: she is one of the loveliest people imaginable (which is saying a lot for a “movie star”; in civilian life,... 6:11 PM
  • Camille: Caspita! Beato lui!!!!!!!! xxxxooooo 5:57 PM
  • lorenzo.venezia: Her serene imperial sublimity visits Parigi, o cara. httpv://www.youtub eOQpBJk 5:55 PM
  • lorenzo.venezia: Manou– staggeringly polyglottal ;-) In Frankfurt last summer I had lunch with a flying buttress of the Ffurt Opera;... 5:51 PM
  • kashania: Authenticity is key. 5:51 PM

Half a million marks

Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience. Since my first, the Salome of 2008, I have gone to more of the HDs than I have skipped, and I have caught up with many of the ones I missed via PBS broadcasts, DVD releases and Met Player.   Read more »

Out here in the dark

We have voices now.This is the tenth season of the Met’s HD broadcasts, not that I would know it. In New York there was no real reason to go, and since moving across the country altogether, I had only gone once, I think because attendance is too explicit an admission that I’m no longer a Met regular.   Read more »

Joseph Gordon-Who?

The Met: Live in HD kicked off its tenth anniversary season Saturday with a live transmission of Verdi’s popular opera Il Trovatore with an estimated attendance of 84,500 in North America earning a gross of $2 million. . . . Delayed showings throughout Asia, Australia, Dubai, Madagascar, New Zealand and South Africa, and encore performances in North America and Europe, are expected to boost worldwide attendance of Il Trovatore to more than 265,000.”  Read more »


Red queen

Joyce DiDonato is taking her Mary Stuart on the road, so to speak.

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The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.

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No business like snow business

Pytor Ilyich Tchaikovsky’s Eugene Onegin is his masterwork and its themes of social convention and unrequited longing surely struck a deep chord in a composer who, in late 19th century Russia, was gay and had to conduct himself carefully.

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Ready, aim…

“Including staff benefits, Gelb says a full-time chorus member at the Met earns an astonishing $300,000 (£180,000) a year, while the players of the Met Orchestra earn more than any orchestra in the US.”

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Metropolitan Opera 2014-2015

Here you are, cher public, details of the Met’s (to be perfectly frank) not particularly spectacular mid-decade season.

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An audience with La Cieca

La Cieca is happy to announce a meet-and-greet gathering for New York City area parterre readers on November 24 starting at 2:30 pm at Symphony Space. The focal event of the afternoon will be a screening of Les Vêpres Siciliennes from the Royal Opera House at 3:00 pm, with socializing (pictured, above) to occur during the intervals and, after the film, adjourning to a neighborhood watering hole TBD.

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Save the date!

La Cieca asks all members of the cher public in the New York City area to pencil in 3:00 pm on Sunday, November 24 as combination meet-and-greet of the parterriani and viewing of the HD film of Les Vêpres siciliennes at Symphony Space.

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