Cher Public

  • lorenzo.venezia: Ivy, I agree there are undertones and overtones and I’m not arguing against that. My argument is against people who... 5:14 PM
  • NPW-Paris: (That was in reply to Satisfied, and I apologise for the mistakes). 5:13 PM
  • NPW-Paris: Les Contes d’Hoffmann, in Marthaler’s Madrid production, came out quite recently, I think. Opéra Magazine said (my... 5:10 PM
  • Porgy Amor: I never thought Beckmesser was specifically targeted in the Act Two riot because people found him annoying. He gets the worst... 4:58 PM
  • Batty Masetto: I get the sympathy for Beckmesser – for one thing, he lives out one of our commonest nightmares. What opera lover hasn’t... 4:57 PM
  • armerjacquino: Lorenzo- I was with you right until the end. Your mention of historical context is vital, and in that light MERCHANT is a... 4:51 PM
  • Poison Ivy: Well again, I don’t think any piece of art (or literature) should be studied in a vacuum, as solely a piece of art. For... 4:34 PM
  • Satisfied: Looking for some good regie productions to order for Christmas (recently released). Suggestions? 4:22 PM

“Then, with financial assistance provided by the United Negro College Fund, Bess got a degree in medical transcription…”

“Instead of Bess’s leaving their Charleston ghetto for New York by herself, with the crippled Porgy giving chase some time later, the Broadway version would include a newly invented scene in which Bess tries to persuade Porgy to start a new life with her up North. She leaves, followed by Porgy; one final stage picture that was considered had the two looking at each other at a distance. The intent was to indicate that Porgy and Bess would be reunited.” [New York Times]

The look your heart can’t disguise

In what is without doubt the final chapter of their on-again, off-again romance, Angela Gheorghiu and Roberto Alagna are on again, she says.