Cher Public

  • danpatter: Goerke’s “Hojotoho 221; is indeed thrilling. There’s even a fairly decent trill. That trill was also on... 2:20 AM
  • Krunoslav: “the Czech soprano Gabriela Benacková” Do not call her than in Bratislava! She made a great career inPrague but she... 1:18 AM
  • Sanford: Roberta Peters was the reason I became an opera singer. When I was 14 or 15, I heard her sing the Vilialied on Dinah... 12:22 AM
  • antikitschychick: LOL @ this and your previous comment. Perhaps you and Verret are right. Also, I’m sure Elina, La Rad and Mariusz... 11:29 PM
  • antikitschychick: Hi Neil, thank you for sharing your thoughts about Rad’s Norma. Having listened to a couple of live broadcasts... 11:20 PM
  • LT: This whole paraNorma activity reminded me of Verrett’s autobiography, in which she says that Norma is one of the most overrated... 10:14 PM
  • antikitschychick: https://cdn.meme.a m/instances/500x/4 4843606.jpg 9:19 PM
  • LT: Polenzani was wonderful in his role. Costello? He would have needed CPR during his aria. 8:39 PM

“Then, with financial assistance provided by the United Negro College Fund, Bess got a degree in medical transcription…”

“Instead of Bess’s leaving their Charleston ghetto for New York by herself, with the crippled Porgy giving chase some time later, the Broadway version would include a newly invented scene in which Bess tries to persuade Porgy to start a new life with her up North. She leaves, followed by Porgy; one final stage picture that was considered had the two looking at each other at a distance. The intent was to indicate that Porgy and Bess would be reunited.” [New York Times]

The look your heart can’t disguise

In what is without doubt the final chapter of their on-again, off-again romance, Angela Gheorghiu and Roberto Alagna are on again, she says.