Cher Public

  • overstimmelated: Not that it matters, but what was it, though? It came through on the Sirius broadcast and I assumed it was a transmission... 1:38 PM
  • La Cieca: Maybe they should have sent flowers to your home the next day with a warm note of condolence. 12:57 PM
  • kashania: Well put, Porgy. 12:50 PM
  • La Valkyrietta: Sorry, La Cieca. I should also have said I loved the evening and the review above, of corse, and Mattei was divine, I... 12:49 PM
  • La Cieca: Yeah, the Met should really reconsider their voluntary decision to create that noise deliberately, given that it annoys you and... 12:03 PM
  • kashania: Wonderfully detailed review, John. Thanks! 11:56 AM
  • La Valkyrietta: Hated the long hiss in the second scene of the first act when first they mention Elizabeth. A lady near me thought it was... 11:56 AM
  • kashania: basically top notch but just a little bit pareil LOL. Thanks for the great read. We had Brian Mulligan as Enrico the Edgardo... 11:49 AM

O Caftan! My Caftan!

Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman), who will make his New York opera debut later this week, in, modestly enough, The Medium, everyone’s favorite supernatural Menotti Broadway slasher opera. Details for this event— which might have been genetically engineered to appeal to the mind of the average parterrian—follow the jump.   Read more »

Silvery Moon

German soprano Evelyn Herlitzius in "Tristan und Isolde" in Seville, 2009

The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s anniversary celebrations of the fall of the Berlin Wall in 1989, having taken a prominent role in the celebration twenty years ago. And it was an American – one Leonard Bernstein – who conducted Beethoven’s Ninth at the Wall, famously supplanting the word Freiheit for the word Freude in its finale. For most of last night, it would seem these remembrances were far from their minds.  Read more »