Headshot of La Cieca

Cher Public

  • ML: He is past the end of his shelf life. Have you heard the Sony Don Carlo? 4:04 AM
  • m. croche: Also forthcoming. Reviews enclosed. Can you spot the JJ? httpv://www.youtub e.com/watch?v=5... 2:27 AM
  • danpatter: Camille, I believe Beverly Sills’ recording of NORMA has “Casta diva” in G,... 10:47 PM
  • danpatter: I watched the ARABELLA clip with some trepidation. Fleming’s voice has loosened a bit, but... 10:31 PM
  • danpatter: Yes it Roberta Alexander, as the Fifth Maid, and she gets a very nice ovation at the end. Also... 10:23 PM
  • laddie: Do like the rest of us do, buy $32 tickets and move up. Better yet, volunteer a teensy amount of your... 9:31 PM
  • Ruxxy: What? She breathes oxygen and can move her legs and arms? lol 8:32 PM
  • pavel: Quite a tempting selection of treats, save for the Rameau. Even people dancing in their knickers... 8:10 PM
  • Archaeopteryx: I must say that I find Eaglen’s reading of Norma’s scene on her recital disc with... 6:29 PM
  • manou: Toscanini e passato naturalmente. 6:17 PM

O Caftan! My Caftan!

Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman), who will make his New York opera debut later this week, in, modestly enough, The Medium, everyone’s favorite supernatural Menotti Broadway slasher opera. Details for this event— which might have been genetically engineered to appeal to the mind of the average parterrian—follow the jump.   Read more »

Silvery Moon

German soprano Evelyn Herlitzius in "Tristan und Isolde" in Seville, 2009

The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s anniversary celebrations of the fall of the Berlin Wall in 1989, having taken a prominent role in the celebration twenty years ago. And it was an American – one Leonard Bernstein – who conducted Beethoven’s Ninth at the Wall, famously supplanting the word Freiheit for the word Freude in its finale. For most of last night, it would seem these remembrances were far from their minds.  Read more »