Headshot of La Cieca

Cher Public

  • m. p. arazza: Gwynn Cornell took over Troyanos’s Cassandres (except the Sat. broadcast, which of course... 2:37 AM
  • Feldmarschallin: Well for those bel canto operas Dame Joan sang, diction really didn’t matter but if... 1:54 AM
  • danpatter: Has anyone heard anything recently about the announced Gergiev SIEGFRIED and GOTTERDAMMERUNG? I... 1:36 AM
  • Lohenfal: Liebster MMII, Wie lange fern! Wie fern so lang! Inspired by the one and only Mathilde (von)... 12:35 AM
  • DellaCasaFan: Jungfer Marianne, I had no idea that there was another recording with Bruna Rasa/Mascagni.... 12:11 AM
  • phoenix: Here is Barkmin’s Salome (with Yevgeny Nikitin as Jochanaan) complete. Audio only –... 11:52 PM
  • damekenneth: Ciao, Marshie! I have so missed your presence here. I thought you’d missed to Luxembourg!... 10:57 PM
  • Jungfer Marianne Leitmetzerin: Della Casa Fan – I will put the Arangi-Lombardi “Cavaller... 10:33 PM
  • La Valkyrietta: Hello! I congratulate you also in all your activity, work, and positive endeavors. You are... 10:28 PM
  • Camille: One hopes that Lurquito’s chastity has managed to remain intact!! Please do not apologise for... 9:43 PM

O Caftan! My Caftan!

Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman), who will make his New York opera debut later this week, in, modestly enough, The Medium, everyone’s favorite supernatural Menotti Broadway slasher opera. Details for this event— which might have been genetically engineered to appeal to the mind of the average parterrian—follow the jump.   Read more »

Silvery Moon

German soprano Evelyn Herlitzius in "Tristan und Isolde" in Seville, 2009

The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s anniversary celebrations of the fall of the Berlin Wall in 1989, having taken a prominent role in the celebration twenty years ago. And it was an American – one Leonard Bernstein – who conducted Beethoven’s Ninth at the Wall, famously supplanting the word Freiheit for the word Freude in its finale. For most of last night, it would seem these remembrances were far from their minds.  Read more »