Cher Public

  • La Cieca: Surely the custom of little or no applause after the first act had at least some basis in the way the act ends, i.e., very... 6:03 AM
  • 98rsd: LT…i don’t know how old you are, but the Publicans have been drumming up fake Clinton scandals for decades, from... 5:38 AM
  • 98rsd: What a surprise…a Trump voter who, first, injects race into the topic–and then thinks slavery is no big deal! 5:28 AM
  • LT: This years’ Operalia final took place Sunday. It seems that it was a very inconspicuous edition since no one is talking about... 12:37 AM
  • Krunoslav: Favorite Kundry on records? Martha Moedl. I also greatly liked four that I have seen onstage: Christa Ludwig, Tatiana... 11:42 PM
  • Krunoslav: My first Met PARSIFAL in 1977 had practically no applause after Act One, and as a “knowingR 17; student I thought... 11:37 PM
  • PCally: Out of curiosity, who is your favorite Kundry? 11:08 PM
  • Don_Dano: Does anyone have problems with the Metropolitan Opera being able to process corporate matching gifts. Each year, I make a... 7:58 PM

O Caftan! My Caftan!

Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman), who will make his New York opera debut later this week, in, modestly enough, The Medium, everyone’s favorite supernatural Menotti Broadway slasher opera. Details for this event— which might have been genetically engineered to appeal to the mind of the average parterrian—follow the jump.   Read more »

Silvery Moon

German soprano Evelyn Herlitzius in "Tristan und Isolde" in Seville, 2009

The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s anniversary celebrations of the fall of the Berlin Wall in 1989, having taken a prominent role in the celebration twenty years ago. And it was an American – one Leonard Bernstein – who conducted Beethoven’s Ninth at the Wall, famously supplanting the word Freiheit for the word Freude in its finale. For most of last night, it would seem these remembrances were far from their minds.  Read more »