Headshot of La Cieca

Cher Public

  • Krunoslav: For that matter, Richard Tucker himself was hardly an artist of the consequence of Edgar Evans or... 12:32 AM
  • Krunoslav: “the excellent Marjorie Owens, soon to be Norma at ENO” Owens did well at the Met as... 12:24 AM
  • Bill: PCally – Benackova was truly radiant as Elisabeth and I saw Jones do it several times in Vienna... 12:20 AM
  • Satisfied: My favorite line: Knowing that Ms. Damrau was sick, Dr. Cho expected she would not kiss her... 10:45 PM
  • PCally: Unfortunately I’ve never seen any of those ladies live but Jones and Studer (I can’t... 9:25 PM
  • Poison Ivy: One thing EMW does have that will work in her favor is a naturally sympathetic, warm stage... 9:07 PM
  • Bill: Westbroek may have the prerequisite volume for Elisabeth, but the persistent wobble absolutely turns me... 8:52 PM
  • PCally: I think Elisabeth is actually the right way for her to go. It’s not a very loud role and sits... 8:04 PM
  • whiskey per tutti: I’ve never understood what a “glassy̶ 1; tone is. Definition? YouTube... 6:46 PM
  • PCally: I still think she has the potential to be an excellent Elisabeth next season, dramatically... 5:19 PM

O Caftan! My Caftan!

Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman), who will make his New York opera debut later this week, in, modestly enough, The Medium, everyone’s favorite supernatural Menotti Broadway slasher opera. Details for this event— which might have been genetically engineered to appeal to the mind of the average parterrian—follow the jump.   Read more »

Silvery Moon

German soprano Evelyn Herlitzius in "Tristan und Isolde" in Seville, 2009

The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s anniversary celebrations of the fall of the Berlin Wall in 1989, having taken a prominent role in the celebration twenty years ago. And it was an American – one Leonard Bernstein – who conducted Beethoven’s Ninth at the Wall, famously supplanting the word Freiheit for the word Freude in its finale. For most of last night, it would seem these remembrances were far from their minds.  Read more »