Headshot of La Cieca

Cher Public

  • Milady DeWinter: A trifecta of wonderful singers amongst Streich, Valetti, and Koshetz – thanks for... 10:12 AM
  • kashania: Even if I agreed that Germont’s empathy towards Violetta isn’t supported by his... 10:03 AM
  • kashania: That is one of my favourite moments too. Ciofi’s acts the hell out of the role. Her voice is... 9:33 AM
  • kashania: Kelsey is a noted Rigoletto and the Met’s next revival better feature him and not Plácido Domingo... 9:26 AM
  • Quanto Painy Fakor: PS: That was the New York City Opera Orchestra. 9:22 AM
  • pasavant: Thanks for posting the gbopera review. The reviewer certainly knows about singing ( i.e. he agrees... 9:18 AM
  • Quanto Painy Fakor: Hot night at Madison Square Garden last night! httpv://www.youtub e.com/watch?v=R... 9:08 AM
  • zinka: httpv://www.youtub e.com/watch?v=TmkR RJhO8mA NO VOICE ever,in my view, combined beauty of tone and... 8:55 AM
  • zinka: httpv://www.youtub e.com/watch?v=73QG wHG1R1w&featur e=youtu.be 10 years ago on Dec.19, 2004, she... 8:37 AM
  • armerjacquino: I especially feel this about the theatre. Critics must think that all plays are slightly... 8:11 AM

O Caftan! My Caftan!

Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman), who will make his New York opera debut later this week, in, modestly enough, The Medium, everyone’s favorite supernatural Menotti Broadway slasher opera. Details for this event— which might have been genetically engineered to appeal to the mind of the average parterrian—follow the jump.   Read more »

Silvery Moon

German soprano Evelyn Herlitzius in "Tristan und Isolde" in Seville, 2009

The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s anniversary celebrations of the fall of the Berlin Wall in 1989, having taken a prominent role in the celebration twenty years ago. And it was an American – one Leonard Bernstein – who conducted Beethoven’s Ninth at the Wall, famously supplanting the word Freiheit for the word Freude in its finale. For most of last night, it would seem these remembrances were far from their minds.  Read more »