Headshot of La Cieca

Cher Public

  • Quanto Painy Fakor: Turning attention to South Korea tonight (Saturday) there was a José Carerras concert and... 9:07 PM
  • Grane: Hey, stories about musicians losing their instruments aren’t going to write themselves. 7:49 PM
  • Jungfer Marianne Leitmetzerin: I was there tonight. A great triumph for the company (some vocal snags but not... 7:29 PM
  • Sir Ferris: He also has a minor operatic connection through his grandmother, whose translation of Oscar Wilde... 6:55 PM
  • MontyNostry: … and the sad thing is that a lot of people out there think he is a real music journalist... 5:52 PM
  • RobNYNY: Pin = on. 5:50 PM
  • RobNYNY: “Robert le Diable” it’s pretty much the only opera that I can think of that... 5:50 PM
  • MontyNostry: Part of the problem is that Lebrecht almost certainly has little appreciation of opera or of... 5:32 PM
  • Dabrowski: Sorry, the second video I meant to link to was Fry’s movie “Wagner and Me”:... 5:16 PM
  • Dabrowski: I recently discovered this ludicrous piece of Lebrechtiana from last year: httpv://www.you... 5:15 PM

La marguerite a fermé sa corolle

alagna_keenlyside“…whenever he was joined by the baritone Simon Keenlyside, who sang Rodrigo, the Marquis of Posa and Carlo’s devoted friend, Mr. Alagna opened up in every way.”

Well, wouldn’t you? [NYT]

E avanti a lui fischiava tutta Roma

Photo © 2009 Corrado Maria Falsini“A Zeffirelli, dopo le polemiche della vigilia che lo hanno opposto al soprano Daniela Dessì, da lui ritenuta non giusta per il ruolo di Violetta in questa Traviata, qualche dissenso misto agli applausi al momento di comparire in proscenio assieme a Gelmetti.” [Il Messaggero] Read more »

Le film d’artifice

rufus_seeing_eye_thumbCall this Prima Donna: The Opera: The Documentary: The Trailer. Plus it includes a glimpse of tween Rufus playing Scarpia.  Read more »

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Fortune’s fool

Have you heard the most recent update on the Franco Zeffirelli outburst earlier this week at the Rome Opera? In describing the apocryphal production of Traviata at Hamburg or wherever it was supposed to be (the one with the bidet, remember?) the legendary Romeo and Juliet director also said he saw upon the stage “”transessuali e froci.” “Froci,” as perhaps you know, means “fags.” This last slur was not reported in the Corriere della Sera.

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sissy goes to the opera

[kml_flashembed movie="http://www.youtube.com/v/Obp0PAZB108" width="425" height="350" wmode="transparent" /]

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the seventh veal

Calixo Bieito? Over! Peter Konwitschny?  Yesterday’s news! And David McVicar? Head for the showers! The new home of cutting-edge Regie is in little Seattle, my god, and who could have devised so utterly innovative and openly homoerotic take on Salome? Our Own Wenarto, of course!

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We’re here, we’re mainstream, get used to it

So, who said this? “… all opera hovers on the border of parody. No other performing art — except possibly dance — so exposes its practitioners to ridicule. Part of the thrill of opera is pitting sheer volume against human limitations, the constant awareness of the possibility of failure.” Was it James McCourt? Ethan Mordden? Wayne Koestenbaum? Enzo Bordello?None of the above, actually. Would you believe it’s Anne Midgette, writing in the New York Times? Can it be that the queer opera aesthetic has gone utterly mainstream? Or is it simply that (as La Cieca has so long suspected) Ms. [...]

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