Headshot of La Cieca

Cher Public

  • Lohengrin: Why should I blame one, when lots of blog.writers repeat the meaning without having had the... 12:24 PM
  • manou: semira mide and marshie – you are too kind. I find it useful to remember this: “If evil... 12:19 PM
  • Poison Ivy: Lohengrin, take it up with Feldmarschallin then, who said: “Cicciabella one doesn’t need... 12:14 PM
  • la vociaccia: You make a very good point, Lohengrin. I wonder why then you aren’t directing your... 12:13 PM
  • quibbleglib: Ditto — it positively made my day. What a gorgeous and thrilling recording. 12:13 PM
  • Lohengrin: Why should we presume that Mr. Kaufmann never had the intention to sing those “only... 12:09 PM
  • Krunoslav: Rostropovich and MM II favorite Galina Petrovna brought Petkov (b. 1938) to Carnegie as King René... 12:01 PM
  • Poison Ivy: Lohengrin, you have one member of parterre saying everyone was stupid for even believing Jonas... 11:48 AM
  • la vociaccia: Lohengrin, I am not ‘spreading speculations.̵ 7; I am replying to Feldmarschallin... 11:41 AM
  • JohninSeattle: The Fernand Ansseau sample is wonderful. Thank you for this. It’s sad that the... 11:40 AM

La marguerite a fermé sa corolle

alagna_keenlyside“…whenever he was joined by the baritone Simon Keenlyside, who sang Rodrigo, the Marquis of Posa and Carlo’s devoted friend, Mr. Alagna opened up in every way.”

Well, wouldn’t you? [NYT]

E avanti a lui fischiava tutta Roma

Photo © 2009 Corrado Maria Falsini“A Zeffirelli, dopo le polemiche della vigilia che lo hanno opposto al soprano Daniela Dessì, da lui ritenuta non giusta per il ruolo di Violetta in questa Traviata, qualche dissenso misto agli applausi al momento di comparire in proscenio assieme a Gelmetti.” [Il Messaggero] Read more »

Le film d’artifice

rufus_seeing_eye_thumbCall this Prima Donna: The Opera: The Documentary: The Trailer. Plus it includes a glimpse of tween Rufus playing Scarpia.  Read more »

Read more »

Fortune’s fool

Have you heard the most recent update on the Franco Zeffirelli outburst earlier this week at the Rome Opera? In describing the apocryphal production of Traviata at Hamburg or wherever it was supposed to be (the one with the bidet, remember?) the legendary Romeo and Juliet director also said he saw upon the stage “”transessuali e froci.” “Froci,” as perhaps you know, means “fags.” This last slur was not reported in the Corriere della Sera.

Read more »

Read more »

sissy goes to the opera

[kml_flashembed movie="http://www.youtube.com/v/Obp0PAZB108" width="425" height="350" wmode="transparent" /]

Read more »

Read more »

the seventh veal

Calixo Bieito? Over! Peter Konwitschny?  Yesterday’s news! And David McVicar? Head for the showers! The new home of cutting-edge Regie is in little Seattle, my god, and who could have devised so utterly innovative and openly homoerotic take on Salome? Our Own Wenarto, of course!

Read more »

Read more »

We’re here, we’re mainstream, get used to it

So, who said this? “… all opera hovers on the border of parody. No other performing art — except possibly dance — so exposes its practitioners to ridicule. Part of the thrill of opera is pitting sheer volume against human limitations, the constant awareness of the possibility of failure.” Was it James McCourt? Ethan Mordden? Wayne Koestenbaum? Enzo Bordello?None of the above, actually. Would you believe it’s Anne Midgette, writing in the New York Times? Can it be that the queer opera aesthetic has gone utterly mainstream? Or is it simply that (as La Cieca has so long suspected) Ms. [...]

Read more »