Headshot of La Cieca

Cher Public

  • Bill: Zinka – well Gertrude Grob-Prandl did not make alot of commercial recordings and was a fine... 9:43 PM
  • uwsinnyc: Just read the insert from the daughters in the Playbill. Very thoughtfully and well written. Also... 9:28 PM
  • brahseph: The booing was louder for Wilson’s Lohengrin :) Btw it sounded like the disruptor tonight was... 9:08 PM
  • Satisfied: Surpassingly, very little ruckus so far. Some shouts during musical pauses, but nothing... 9:01 PM
  • Jungfer Marianne Leitmetzerin: Just to put that in context, this was just published by the Wall Street... 8:59 PM
  • philomel: And there it is. A man is yelling “The murderer of Klinghoffer will never be forgiven!R... 8:45 PM
  • kashania: In later years, Sutherland would transpose “Dove Sono” down just so she could end it... 8:32 PM
  • kashania: HH: Thanks for discussing the musical/dramatic of this work, which has been absent among all the... 8:27 PM
  • mirywi: I always finished off my Dove Sono that way. Then the conductors took over and spoiled opera. 8:11 PM
  • CwbyLA: damekenneth, in many interviews Peter Gelb said as a Jew himself, he doesn’t find the work... 7:59 PM

Where your hard-earned donations to NYCO go, part who knows I’ve lost track

mortier_baker“The New York City Opera, which just reported a $19.9 million deficit in 2008-09, paid Gerard Mortier $400,000 for his stint as part-time general-manager in-waiting.” [Bloomberg News]

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »