Headshot of La Cieca

Cher Public

  • Camille: Haha! That “BRAVO” ; was so clearly a fully intentioned, well-focused and expertly... 7:18 PM
  • Avantialouie: I have no doubt that the three absences from “Cenerentola ,” during which Florez... 6:52 PM
  • semira mide: Clearly the sleeves are a pre-emptive measure by the Met to assuage possible censorship. After... 6:45 PM
  • shoegirl: I absolutely adored Larmore at her peak. From what I remember she sang a fabulous Rosina also. I... 6:38 PM
  • Camille: The Joyceter has FAB arms! Go look at her album covers! Where is bluecabachon when we need her?... 6:37 PM
  • CwbyLA: i was wondering the same thing. I don’t think JDD has tattoos on her arms. 6:31 PM
  • shoegirl: Good answer! These are actually rather popular with ladies of a certain. Mary Portas does a range... 6:26 PM
  • Salome Where She Danced: Track marks? 6:25 PM
  • norma54: Who would want to hear Matthew Polenzani in a horribly high and difficult Rossini role? Pray that... 6:21 PM
  • phoenix: Did anyone see or hear (today on broadcast) the Nationale (Nederlandse) Opera Arabella? If so, could... 6:13 PM

Where your hard-earned donations to NYCO go, part who knows I’ve lost track

mortier_baker“The New York City Opera, which just reported a $19.9 million deficit in 2008-09, paid Gerard Mortier $400,000 for his stint as part-time general-manager in-waiting.” [Bloomberg News]

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »