Cher Public

  • Porgy Amor: +1. Fanciulla and the short operas of Il trittico, especially Schicchi, are the best of Puccini to me. 7:44 PM
  • Will: No, not to all of us. There are marvelous things in Fanciulla; many critics and musicologists have commented on its merits and a... 7:39 PM
  • gustave of montreal: « greatest of all Puccini scores » is a surprise to all of us. 7:21 PM
  • Camille: All the Bernard Herrmann one could ever ask for or want: httpv://youtube.co m/watch?v=9uIEIelz _SM About halfway through you may... 6:52 PM
  • Camille: Oh, I just notice Le Mage! That one is a fave of Mr Belfagor and we have had a little discussion at some point in time. I... 5:52 PM
  • Camille: You are not butting at all and your information is more than welcome as I see very clearly I have gotten lazy and relied to... 5:48 PM
  • Camille: Don’t worry about fiddle-arcing. It is okay, whenever and wherever. I am highly unreliable myself, so no es problema!! 5:35 PM
  • Camille: Thank you so much Monsieur Hippolyte! I used to always go there–they have saved me so many dollars, but I’ve gotten... 5:34 PM

Where your hard-earned donations to NYCO go, part who knows I’ve lost track

mortier_baker“The New York City Opera, which just reported a $19.9 million deficit in 2008-09, paid Gerard Mortier $400,000 for his stint as part-time general-manager in-waiting.” [Bloomberg News]

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »