Cher Public

  • armerjacquino: Sigh. And once again, the daily OT thread, RIGHT UNDER THIS ONE, wonders what it did wrong. 6:01 AM
  • NPW-Paris: My apologies if this is a “repeat̶ 1; : http://www.concert classic.com/video/ le-trouvere-de-ver di-la-bastille-... 4:45 AM
  • la vociaccia: It’s a great voice no doubt but a bit too cloudy in the vowels (especially the the French) for me to invite... 3:24 AM
  • la vociaccia: It’s not a massively complex or uncommon phenomenon; she produces her current sound by driving her voice at full force... 3:16 AM
  • Tamerlano: Angie was a fucking pig. My god, she just tore those arias to shreds…jerky tempo changes and overly precious... 2:39 AM
  • overstimmelated: I notice that the opening performances of Boccanegra and Entführung are far from sold out. I found myself wondering if... 2:35 AM
  • Tamerlano: Sierra fascinates me. She reminds of me Moffo in the way that the voice is fucking gorgeous and there is incredible instinctual... 2:27 AM
  • Flora del Rio Grande: I, too, wish Mme Goerke well — she deserves success after a lot of hard work. But I am not buying her top... 1:18 AM

Where your hard-earned donations to NYCO go, part who knows I’ve lost track

mortier_baker“The New York City Opera, which just reported a $19.9 million deficit in 2008-09, paid Gerard Mortier $400,000 for his stint as part-time general-manager in-waiting.” [Bloomberg News]

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »