Cher Public

  • La Cieca: Surely the custom of little or no applause after the first act had at least some basis in the way the act ends, i.e., very... 6:03 AM
  • 98rsd: LT…i don’t know how old you are, but the Publicans have been drumming up fake Clinton scandals for decades, from... 5:38 AM
  • 98rsd: What a surprise…a Trump voter who, first, injects race into the topic–and then thinks slavery is no big deal! 5:28 AM
  • LT: This years’ Operalia final took place Sunday. It seems that it was a very inconspicuous edition since no one is talking about... 12:37 AM
  • Krunoslav: Favorite Kundry on records? Martha Moedl. I also greatly liked four that I have seen onstage: Christa Ludwig, Tatiana... 11:42 PM
  • Krunoslav: My first Met PARSIFAL in 1977 had practically no applause after Act One, and as a “knowingR 17; student I thought... 11:37 PM
  • PCally: Out of curiosity, who is your favorite Kundry? 11:08 PM
  • Don_Dano: Does anyone have problems with the Metropolitan Opera being able to process corporate matching gifts. Each year, I make a... 7:58 PM

Where your hard-earned donations to NYCO go, part who knows I’ve lost track

mortier_baker“The New York City Opera, which just reported a $19.9 million deficit in 2008-09, paid Gerard Mortier $400,000 for his stint as part-time general-manager in-waiting.” [Bloomberg News]

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »