Cher Public

  • PCally: Well I honestly can’t remember the singing all that much, it’s not really that kind of role. 11:17 PM
  • Krunoslav: Nope. We have bad/spoiled voices here too. Roz P started out with a rich sound and much promise but never got the top... 10:56 PM
  • Camille: I’m sold. Especially after looking at the programs to be featured this summer–all Puccini and other veristi, all the... 8:23 PM
  • FragendeFrau82: Thank you so much! Will listen to this on the drive to DC on Saturday. Nice photo too–includes the gray. New to me,... 8:07 PM
  • Camille: Bluebeard–I fear you may have hit the bullseye here, based on many of the already established actualities re Ms LH... 8:01 PM
  • Camille: Yes, and similarly, I had so looked forward to the double bill of Iolanta/Bluebeard& #8217;s Castle at the MET, and ended up not... 7:42 PM
  • Camille: Caro Cocky K.— That would indeed make me very happy as -for some peculiar reason- perhaps based upon your unusual degree of... 7:19 PM
  • phoenix: Interesting sub-sub-thread. I also liked Plowright – she had her mannerisms but I still found her interpretations quite... 7:15 PM

Where your hard-earned donations to NYCO go, part who knows I’ve lost track

mortier_baker“The New York City Opera, which just reported a $19.9 million deficit in 2008-09, paid Gerard Mortier $400,000 for his stint as part-time general-manager in-waiting.” [Bloomberg News]

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »