“Along with every other music journalist in New York, I was blindsided by this news. If ever there was a company that appeared the picture of fiscal and artistic good health, it was Gotham.” [New York Observer]
It’s official. “Gotham Chamber Opera is ceasing operations and will be closing. The Board of Directors of Gotham Chamber Opera voted today to shut down the organization,” reads a press release from the organization. Read more »
The celebration of 50 years of the Mostly Mozart Festival at Lincoln Center includes “The Illuminated Heart,” a theatrical fantasy of Mozart operas and ensembles featuring Christine Goerke, Ana María Martínez, Matthew Polenzani and Peter Mattei; plus staged concerts of Così fan tutte and Idomeneo. Tickets and more information are at MostlyMozart.org. Read more »
“Die Meistersinger von Nürnberg is a problematic opera—or, rather, it is an opera that has, in the last century or so, become problematic. Its composer, Richard Wagner, was a profound artist who insisted in treating on profound themes: Life, Death, Love, Redemption and so forth. In this opera, though, his focus shifted to different universalities: Art and (here comes the troubling part) what you might call ‘German-ness’.” [New York Observer] (Photo: Ken Howard/Metropolitan Opera)
Xavier Montsalvatge is best known in these parts for the songs of his “Antilles” period in the 1940s, the exquisite “Cinco Canciones Negras” and so on, making use of rhythms and melodies with a Caribbean flavor.
Gotham Chamber Opera, which began to operate twelve years ago with a double bill of Bohuslav Martinu’s quirky little pieces, opened its 2014-15 season with two more, Alexandre bis (Alexander, twice) and Comedy on the Bridge.
The NY Phil Biennial, a new music festival that is dedicated to new music, kicked off its first season at a drowsy time on the performing arts calendar, the week after Memorial Day.
Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.
Marc-Antoine Charpentier came along at the wrong time for a composer of French opera.
“Two Boys demonstrates that Mr. Muhly is capable of very great things indeed, offering extended glimpses of the kind of masterpiece he just missed writing here, and, more happily, of the kind of masterpiece I feel confident he will write in the future.”