Cher Public

  • Poison Ivy: Except the article didnt talk about any of her struggles beyond what was normal for a young struggling singer. Certainly not... 12:10 PM
  • La Cieca: Prévost writes “… j’en avais une autre du côté des Anglais qui ont, comme nous, des établissements dans cette... 11:59 AM
  • LT: In the comments section of the article, the author writes “Okay, I’ll respond. This woman got beaten on the street, lost... 11:58 AM
  • Cicciabella: Why am I a person who can’t go without sleep? I’d have loved to have listened to this last night, and, now,... 11:52 AM
  • antikitschychick: Thanks for sharing that piece Marshie. I dont blame her at all for having conflicted views about her image. I certainly... 11:49 AM
  • Krunoslav: Yes– in French, even, back in school. Very interesting. It’s told from the recollective perspective of the older,... 11:49 AM
  • Lohengrin: I think I should read the novel once more. Did You read it? 11:39 AM
  • SilvestriWoman: MTT isn’t shabby in the least, but it’s hard to believe he’s only a year younger than Levine –... 11:38 AM

The cat didn’t come back

“Along with every other music journalist in New York, I was blindsided by this news. If ever there was a company that appeared the picture of fiscal and artistic good health, it was Gotham.” [New York Observer]

Fine dell’opera

It’s official. “Gotham Chamber Opera is ceasing operations and will be closing. The Board of Directors of Gotham Chamber Opera voted today to shut down the organization,” reads a press release from the organization.   Read more »

It’s complicated

Die Meistersinger von Nürnberg is a problematic opera—or, rather, it is an  opera that has, in the last century or so, become problematic. Its composer,  Richard Wagner, was a profound artist who insisted in treating on profound  themes: Life, Death, Love, Redemption and so forth. In this opera, though, his  focus shifted to different universalities: Art and (here comes the troubling  part) what you might call ‘German-ness’.” [New York Observer] (Photo: Ken Howard/Metropolitan Opera)

El Gato

Puss perfect

Xavier Montsalvatge is best known in these parts for the songs of his “Antilles” period in the 1940s, the exquisite “Cinco Canciones Negras” and so on, making use of rhythms and melodies with a Caribbean flavor.

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gotham_2

Martinu, very dry

Gotham Chamber Opera, which began to operate twelve years ago with a double bill of Bohuslav Martinu’s quirky little pieces, opened its 2014-15 season with two more, Alexandre bis (Alexander, twice) and Comedy on the Bridge.

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Alexandre

Daily double

Here’s a quick last-minute quiz for you Martinu fans out there: answer the question after the jump and win two tickets to Gotham Chamber Opera’s double bill program of Alexandre bis and Comedy on the Bridge this week.

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PHOTO CREDIT – Richard Termine

Raven review

The NY Phil Biennial, a new music festival that is dedicated to new music, kicked off its first season at a drowsy time on the performing arts calendar, the week after Memorial Day.

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Photo: Ken Howard/Metropolitan Opera

West side, east side

Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.

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orphee_thumb

Orpheus goes downtown

Marc-Antoine Charpentier came along at the wrong time for a composer of French opera.

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two_boys

Desk set

“Two Boys demonstrates that Mr. Muhly is capable of very great things indeed, offering extended glimpses of the kind of masterpiece he just missed writing here, and, more happily, of the kind of masterpiece I feel confident he will write in the future.”

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