Headshot of La Cieca

Cher Public

  • Poison Ivy: And I ask this because when I saw the POB (they came to NYC two years ago) the casting was... 7:58 PM
  • Poison Ivy: While we’re at it does the POB attract a similar young crowd? Or does ballet/dance attract... 7:54 PM
  • oedipe: BTW, the ONP has just published its 2013 accounts. It seems that the average age of the audience last... 7:47 PM
  • steveac10: Unless you’re a once in a generatio artist, is it really possible to get more than a golf... 7:39 PM
  • oedipe: Not the prettiest high notes, but they were there and well projected. Unfortunately, she didn’t... 7:37 PM
  • fletcher: Thanks for the info, oedipe. As for the audience being young, I think you’re right to credit... 7:35 PM
  • -Ed.: See? Better to wear an emerald necklace, like I do. Emeralds do not countenance vulgar clutching. At... 7:31 PM
  • Poison Ivy: How was Urmana’s top in Isolde? Last time I heard her she definitely had problematic high... 7:22 PM
  • Clita del Toro: I heard only parts of Puritani last night: additionally, the clip from the Met and several... 7:17 PM
  • Flora del Rio Grande: jacquino: I always make a point to review Ms. Racette’s bosom when I cover her... 7:04 PM

Winged victory

“A wayward bouquet conked Kristine Opolais on her noggin during the ovation Friday night in La Rondine—but that was the only mishap in the Latvian soprano’s spectacular Met debut. Her coolly glamorous voice rose to the many challenges of the role of Magda, a Parisian courtesan who tries to live out a fantasy of finding true love in Puccini’s 1917 opera.” [New York Post]

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

Working “Tito”

“After an uneven start to the season, the Met brought its A game Friday to a superb revival of Mozart’s La Clemenza di Tito.” [New York Post]

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Window of opportunity

You may recall a couple of weeks ago La Cieca spoke to Giuseppe Filianoti about the “lost” aria from Cilea’s L’arlesiana he had reconstructed to include in a concert performance of the opera.

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Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors, he plays detective.

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Telling tales

“In the Met’s Tales of Hoffmann, Giuseppe Filianoti plays a poet defeated by life. In reality, the 36-year-old singer’s brush with tragedy had a far happier ending.” The tenor talks to Our Own JJ in the New York Post.

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Private dancer

Hunkentenor Giuseppe Filianoti performs a little “risqué business” in this trailer for a new production of L’elisir d’amore that opened last night at the Bayerische Staatsoper.

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