Cher Public

  • NPW-Paris: Surprisingly, in Paris, at the Châtelet, we had Nikolai Schukoff. Perhaps you’d have liked him. 1:56 AM
  • Greg.Freed: Glad to hear Halfvarson’s still doing good work. I must have heard him do Ochs (in Houston) over 20 years ago. And... 1:45 AM
  • Salomanda: Also, having just heard Goerke in the HGO Siegfried, I’m excited that we’ll have moved back to Houston in time for... 1:13 AM
  • Salomanda: It was lovely, the Immolation Scene was the best of the evening. The whole thing was quite thrilling, although the orchestra... 1:11 AM
  • Krunoslav: Meanwhile , I am praying that One of Our Merry Band was at Carnegie Hall tonight for the thrilling RING excerpts with Goerke... 12:29 AM
  • uwsinnyc: What an absolutely lovely dove sono. I forget sometimes what a truly beautiful and juicily rich voice she had in her prime. I... 10:49 PM
  • DonCarloFanatic: If it’s done right, it does choke you up. Worth waiting sixteen hours for that. It was a wonderful experience.... 10:44 PM
  • mjmacmtenor: Like She Loves Me and Gooch, but LIli is supposed to be a child/woman of teenage years. How about Kate in Kiss Me Kate or... 10:09 PM

Winged victory

“A wayward bouquet conked Kristine Opolais on her noggin during the ovation Friday night in La Rondine—but that was the only mishap in the Latvian soprano’s spectacular Met debut. Her coolly glamorous voice rose to the many challenges of the role of Magda, a Parisian courtesan who tries to live out a fantasy of finding true love in Puccini’s 1917 opera.” [New York Post]

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

Working “Tito”

“After an uneven start to the season, the Met brought its A game Friday to a superb revival of Mozart’s La Clemenza di Tito.” [New York Post]

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Window of opportunity

You may recall a couple of weeks ago La Cieca spoke to Giuseppe Filianoti about the “lost” aria from Cilea’s L’arlesiana he had reconstructed to include in a concert performance of the opera.

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Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors, he plays detective.

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Telling tales

“In the Met’s Tales of Hoffmann, Giuseppe Filianoti plays a poet defeated by life. In reality, the 36-year-old singer’s brush with tragedy had a far happier ending.” The tenor talks to Our Own JJ in the New York Post.

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Private dancer

Hunkentenor Giuseppe Filianoti performs a little “risqué business” in this trailer for a new production of L’elisir d’amore that opened last night at the Bayerische Staatsoper.

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