Headshot of La Cieca

Cher Public

  • manou: Per molti anni dear Batty – you don’t look a day older than yesterday. 6:50 PM
  • Flora del Rio Grande: Well, well; that lovely old song! Whoever played the piano for Katherine Hepburn... 6:06 PM
  • Flora del Rio Grande: Let me recommend a reading of Heidi Waleson’s review of Klinghoffer in... 5:58 PM
  • LittleMasterMiles: Where is the f**king “Like” button on this thing? 5:48 PM
  • MontyNostry: Rather than La clemenza della Cieca, how about La moderazione della Cieca, which makes itself... 5:44 PM
  • Cicciabella: Autocorrect won’t have her any other way. 5:30 PM
  • Guestoria Unpopularenka: Especially Danielle Denise. 5:20 PM
  • tiger1: You are welcome, Lurker. Actually, I do not subscribe to Haaretz but I did register once, maybe that... 5:06 PM
  • Poison Ivy: Thanks Lurker! :) 4:35 PM
  • Lurker_del_Cairo: Ivy – beautifully written, especially your closing. I would like to thank everyone... 4:28 PM

Arms and the Menotti

“…it’s not enough that The Consul is an inch-deep trivialization of one of the most momentous and agonizing events of the modern era, Eastern Europe’s (ongoing) struggle against totalitarianism…. Menotti, astonishingly, managed to ratchet up the outrage even further: He wrote an opera ostensibly about the horrors of dehumanization in which the empty characters exist only to be manipulated for his ulterior motives. That’s one hell of a sick irony.” [Seattle Weekly]

O Caftan! My Caftan!

Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman), who will make his New York opera debut later this week, in, modestly enough, The Medium, everyone’s favorite supernatural Menotti Broadway slasher opera. Details for this event— which might have been genetically engineered to appeal to the mind of the average parterrian—follow the jump.   Read more »