Headshot of La Cieca

Cher Public

  • Camille: Are you in this one, armerjay? Do you know this man, let me tey to spell his name Chewetel Eijiofor?... 4:29 PM
  • jrance: I think that a major issue here is that Gelb has been spending money so freely and touting how... 4:25 PM
  • semira mide: Interesting. I just passed the “campus̶ 1; this weekend and thought wistfully about... 4:22 PM
  • Buster: Never heard Sari in this, Camille. The only Saffi’s I know well are Sena Jurinac (just... 4:17 PM
  • kashania: Oedipe: Vogt as Bacchus sounds great! That should be quite a pairing. 4:10 PM
  • zinka: I left after act one..what a bore..all of them..Best voice was David Crawford who had two lines..The... 4:07 PM
  • zinka: In case you might doubt some of the things I will say in this post, just go to either “La Puma... 4:06 PM
  • armerjacquino: Those wanting to celebrate Shakespeare’ s birthday could always, ahem, pop to their... 4:05 PM
  • semira mide: I totally agree. And what keeps it from being comedy ( in the sense that I was taught) is that... 4:03 PM
  • semira mide: If I find it, I will “mark the score” and pass it on to you! You are absolutely... 3:59 PM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]