Headshot of La Cieca

Cher Public

  • Ouf: Many thanks, Moritz. It would make sense that ORF would b’cast the premiere, not a later... 2:09 AM
  • Rackon: Angela is singing/sang Aida in Hamburg and Pitsburgh this year, she did something with Phillidelphia... 1:25 AM
  • Poison Ivy: sorry let me try this again: httpv://www.youtub e.com/watch?v=6OU0 KOBK9pU httpv://www.you... 1:12 AM
  • Poison Ivy: More from this performance: httpv://www.youtub e.com/watch?v=6OU0 KOBK9pU https://www.you... 1:11 AM
  • Poison Ivy: Galina Gorchakova. 12:43 AM
  • Porgy Amor: Then again, she must have known that she’d never have a night like this for her own retirement.... 12:43 AM
  • Rudolf: @ Poison Ivy Thanks for this posting of a younger Borodina Amneris. Warts and all. Do you know who... 12:38 AM
  • Porgy Amor: Well, this is an opera singer quip that goes back some ways, isn’t it? “The most... 12:36 AM
  • basso profundo: I may be late to this party but I just noticed that Elina Garanca has apparently written a... 12:26 AM
  • Poison Ivy: Poor taste, but … Entertaining to watch, no? 12:23 AM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]