Cher Public

  • JackJack: I strongly disagree about the Immolation Scene. I thought it was clearly the best part of the night. Her voice had warmed up... 8:16 PM
  • Porgy Amor: Signor Bruschino, my perception of the Met as an organization re: Levine is a little different. With the promotion of the HDs... 8:15 PM
  • Alex Baker: Goerke should definitely commemorate next April 1 with a Facebook missive describing how she is withdrawing from all current... 8:13 PM
  • Signor Bruschino: wow- ok, LaCieca, but I have actually in my years of posting given both sides of the argument. There is no question that... 8:01 PM
  • williams: Goerke is a mixed bag. Some thrilling moments but her voice, to my ears, curdles above the staff. That said there are few... 7:49 PM
  • grimoaldo: Hahahahahahahahaha Absolutely priceless. 7:19 PM
  • Gualtier M: Oh I think her singing last night went beyond “satisfactor y” and her stage presence was impressive too. Moedl... 7:14 PM
  • RosinaLeckermaul: Certainly this was true of her not very good Turandot last fall. The voice narrowed where it needed to soar. 7:00 PM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]