Headshot of La Cieca

Cher Public

  • turings: Thanks, manou – very funny! Calleja reminds me a bit of Ramon Vargas – lovely lyric voice, seems... 6:28 AM
  • NPW-Paris: I saw that Lakmé. You were better off just hearing it. 4:16 AM
  • NPW-Paris: Some of us here have also seen it (and discussed it) and found it a disappointment. 4:02 AM
  • MontyNostry: I’ve always found Ken Russell’s (admittedly rather tacky, but that’s Ken for... 3:41 AM
  • armerjacquino: Whoa there. ‘Matronly 217; doesn’t mean the same as ‘maternal 217;. 2:53 AM
  • armerjacquino: Shicoff was no slouch either. 2:52 AM
  • guy pacifica: Thanks for posting that snippet of Aria. A reminder that I must watch it again. There are some... 2:36 AM
  • Krunoslav: Croatia a/k/a Dalmatia produced several “ItalianR 17; opera singers, including Ester... 1:47 AM
  • Krunoslav: ‘When was last superb Rodolfo [--] Carreras???’ Fabiano is excellent, but I’ll... 1:24 AM
  • antikitschychick: goodness what a harsh review! Poor Joseph Calleja is reduced to a Teddy Bear…and... 12:35 AM

Double digits

“Promiscuous — it’s not a pretty word. But when a matron in black underwear cavorts with two dozen naked hunks, what else can you call her? That’s one of the more striking images director Jay Scheib devised for Thomas Adès’ 1995 Powder Her Face, which this weekend jolted the New York City Opera’s brief spring season to a sizzling start.” [New York Post]