Headshot of La Cieca

Cher Public

  • La Valkyrietta: manou, Yes, a danger. Anyway, originally on Broadway the lyrics went, “If she is... 1:23 PM
  • Grane: PS–congratul ations, Sanford! 1:14 PM
  • Grane: So did anyone hear Anna in Four Last Songs? I love her voice and her commitment, but I do think you... 1:14 PM
  • manou: Much as I enjoyed the return of the prodigal marshie, I am now worried because sleeping in all those... 1:07 PM
  • La Valkyrietta: “If she is wearing silk and satin she can flatten any Latin…” ;... 1:03 PM
  • kashania: I was quite impressed by Sancho Panza’s aria when I heard Quinn Kelsey sing it in Toronto. I... 12:58 PM
  • kashania: I foresee a Netrebko/Kaufmann/ Garanca Aida either in Vienna or Salzburg within the next 5-6 years. 12:56 PM
  • DellaCasaFan: I’ve been on my Bruna Rasa trip since last night, Mascagni’s favorite Santuzza for... 11:18 AM
  • Feldmarschallin: She also will be doing Eboli at BSO. 11:17 AM
  • Cocky Kurwenal: She’s doing Santuzza this coming season, which I imagine is a first step in the... 11:01 AM

Ennis del Mar! Il storpi montano splende come un santo altar

“The cast, to a member, embraces every chance…” Anthony Tommasini goes to Brokeback Mountain. [New York Times]

Butt of the joke

“The deep stirrings that open Brokeback Mountain, the opera, rise up from the bowels of the orchestra…. And those tones are gripping.” [Wall Street Journal]

Curious “Case”

“…a perfect marriage of text and music, creating a series of tableau-like scenes, as if Paul’s story is being related through a series of exquisitely posed still photographs—exactly, in fact, the lapidary manner in which Paul envisions his life.” [New York Observer] (Photo: Noah Stern Weber)

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Queens logic

Saturday afternoon at 12:30 on WQXR’s magazine show Operavore, our own JJ talks about Mathilde Marchesi and Antony Roth Costanzo discusses his Orlofsky role in the Met’s Fledermaus.

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Nitwit Mountain

“Will the actors stepping into the iconic roles live up to the perfection of Heath Ledger and Tob[e]y Maguire?”

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Built in a day

“The La clemenza di Tito contract will be offered as a ‘Solo Dancer’ contract and requires 8 physically fit men…. The David McVicar production…”

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A disturbance in the force

The scene outside the Met last night (above) and inside (after the jump).

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Mavra, don’t ask!

And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like…

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david_1

Boys to men

You have only until Sunday to catch the most heart-breaking moments seen on New York City operatic stages this season.

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Dream team

Director Daniel Moshel (not pictured) who created the YouTube sensation MeTube, sat down recently—and virtually—to chat with La Cieca (also not pictured.)

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