“It was… immediately clear that neither Finnish soprano Soile Isokoski nor French mezzo Sophie Koch were going to provide wildly enchanting interpretations of the Marschallin and Octavian…. But the most exciting element of the evening was the Sophie of the young British soprano Lucy Crowe, floating through the ecstasy of the Presentation of the Rose with silvery clarity and painting a totally plausible figure of a gauche, gold-digging minx. Here is an outstanding talent, and I only hope the Royal Opera will nurture it.” [The Telegraph]
Brit crit calls Nico Muhly‘s work “slow, painful death”; Nico calls Brit crit “cunty” and makes fun of the funny way they spell stuff. Which means that the 2011 premiere of Two Boys at ENO should be great fun for all us sport fans. [The Guardian]
La Cieca should know by now that any think piece that kicks off with the locution “I have from time to time wrestled with this conundrum” is just going to piss her off and she should just close the tab. But she didn’t, and this is what she found a little lower down (in more than one sense of the word): Read more »
“We live in an age in which everyone is encouraged to express themselves, from inane blogging, Twittering and voting in mediocre talent shows. Please, let’s keep this out of the concert hall.” Jonathan Lennie admonishes over-enthusiastic applauders. (PS: the quotation sounds particularly funny if you do the voice.) [Time Out London]
Oh, but this looks dire. Not the fellow wallowing amidst the counterpane, obviously — he’s rather dishy if you like that type — but rather what he’s advertising. It’s a reworking of Don Giovanni called (La Cieca only wishes she were making this up) “The Gay Don,” to be previewed on July 4 at the London Pride festival in Trafalgar Square. If MusicOMH can be trusted, the gaydaptation is “set in a 1980s club and with most of the Don’s conquests as men rather than women.” …Zerlina becomes Zac a young James Dean type, Masetto becomes Marina the vampish fiancée [...]
Just how badly does Robert Heuer want Stewart Robertson out of Florida Grand Opera? Well, so La Cieca hears, badly enough for the board to agree even in the current economy to pay Robertson his full salary for next season. This is despite the fact that the maestro resigned early this year, and has been relieved of his conducting duties at FGO for 2009-2010.
La Cieca is frankly gobsmacked that Our Own Vicar of John Wakefield has remained mum about the most important sex scandal of the 21st century, and possibly in Western Civilization taken as a whole. Definitive mezzo-soprano Anne Howells has apparently fingered author and TV presenter Clive James as her illicit lover. James, whose name Ms. Howells cleverly veils as “Clyde” in her memoir, supposedly “invited her to his Docklands flat and, after they had shared a couple of bottles of wine, he peered across the table at her and said: ‘Be my mistress’.” Howells responded: “All right, I’ll give it a [...]
Florida Grand Opera announced today that Music Director Stewart Robertson has decided to relinquish his position at the conclusion of the current season in May 2009. It should be noted Robertson has not completely pried his mouth off the American teat, as he will continue as Music Director and Principal Conductor of the Florida based Atlantic Classical Orchestra. He has even expressed some vague and surely quixotic notions about trying to get work in his native Scotland.
Cher Public