Headshot of La Cieca

Cher Public

  • alejandro: THANK YOU! This is one of my favorite shows ever. I’m a Japanophile and a Sondheimite . . .... 8:10 AM
  • La Valkyrietta: Enjoyed the review. I loved the performances Monday. Camarena is definitely a new star in New... 8:04 AM
  • Cocky Kurwenal: I saw the opening night PI, which I don’t suppose was the broadcast performance, but... 7:52 AM
  • Cocky Kurwenal: I would also go with Sills for this opera, overall, even though I have never particularly... 7:47 AM
  • Regina delle fate: Surely La Cenerentola is Rossini’s comic masterpiece, Camille. Which are your other... 6:54 AM
  • Regina delle fate: Bartoli at the Met is an entirely different thing from Bartoli in Zurich or at the Haus... 6:51 AM
  • manou: mskapay – it is very clear that you are not happy with the tone of this blog (“it’s really... 6:49 AM
  • Regina delle fate: I’ve got it already Buster! But not played it yet. Grim – thanks for the... 6:48 AM
  • Regina delle fate: Camille – I didn’t see her at La Scala, but I’ve seen her Elsa twice at... 6:46 AM
  • oedipe: Great. But you don’t consider baroque opera to be synonymous with Handel, I hope. How about a... 5:56 AM

Fog lifts over channel

Comprimarios begin at Calais“When you read, and credit, the more feverish musings of the internet chatterati, there is some kind of British invasion storming the bastions of American opera. Last month, when the Metropolitan Opera’s Peter Gelb announced the appointment of Robert Rattray, a consultant with the London-based classical-music agency Askonas Holt, as ‘assistant general manager for artistic affairs’, the American opera blogosphere went ballistic, with speculation rife that British Askonas Holt artists — the company represents prominent Americans, too — would be depriving local talent of work at the Met. Last weekend, in New York and Chicago, it was just about possible to believe the paranoia was justified.” [Times of London - paywalled]

Kate Royal, Toby Spence ink 10-year Met deal

Robert Rattray, who has long experience in artist management, has been appointed the Met’s next assistant general manager for artistic affairs, replacing Sarah Billinghurst, who will retire at the end of this season after two decades at the Met, the company announced Tuesday.” [New York Times]

Out of Touch

In a press release that was obviously sent in 1985 and for some bizarre reason only just arrived an hour ago, Lyric Opera of Chicago has announced the production of a new Ring cycle with Sir Andrew Davis conducting and David Pountney directing. Now, if you’ll excuse La Cieca, she will slip into her power suit and head down to Area to celebrate. Read more »

birdie

Not canard, more loon

“More telephone ring tones come from Bizet’s Carmen that any other opera.”

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Scrooge-Porpoise

The Life and Death of Colonel Canard

La Cieca can’t even

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red meat

Why Rupert Christiansen is the wrong commentator about gay rights protesters

The veteran British critic click-whored

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queer_duck

Queer canard

“That [Tchaikovsky] committed suicide cannot be doubted, but what precipitated this suicide has not been conclusively established…”

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in_old_chicago

Wack on Wacker

The announcement of the 2013-2014 season at Lyric Opera of Chicago is not good news at all.

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miller_whinges

Update on great operatic scandals of the 20th century

Noted junk sculptor Dr. Jonathan Miller is now the subject of a biography and it appears he’s mellowed in his old age.

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coming_soon

Provocative ad provokes, surprisingly

But not everyone is amused.

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