Headshot of La Cieca

Cher Public

  • Feldmarschallin: The new Siegfried which opens on Pfinstsonntag at BSO. Funny that Lance Ryan sounds Eastern... 2:56 AM
  • MontyNostry: … and does Stemme’s voice really have a “bright sheen”? Oh, I’d... 2:55 AM
  • MrGuy1804: You are right on the money. I was not terribly impressed with any of the singing. There were a few... 12:29 AM
  • Camille: That was fun, thanks! I had completely forgotten Eastern Airlines, the Wings of Man. With a name like... 12:22 AM
  • Henry Holland: Thanks! Too bad they didn’t do Der Zwerg instead of the (wonderful) Puccini. The LA Opera... 12:09 AM
  • Camille: Thanks Blue, for the review. Lord, what are “earthy colorings”? 12:06 AM
  • Gualtier M: Here is Carmelita Pope in the actual 70′s era Pam commercial at 2:36 in: httpv://www.you... 12:03 AM
  • CruzSF: kashania, please tell us more about these performances. Who? How presented? And don’t neglect the... 12:03 AM

divan decadence

Our Own Gualtier Maldè reports:

Not every opera has to be a masterpiece.  I couldn’t subsist on a steady diet of Tristan und Isolde, Die Zauberfloete, Fidelio, plus Otello,  Falstaff et al.  Frankly the occasional light comic bonbon or trashy but fun melodramatic tunefest makes a nice palate cleanser.  I am talking Adriana Lecouvreur, La Gioconda, Mignon – you know – the operas critics love to hate. 

I very much wanted Thaïs to be a guilty pleasure like La Gioconda or Adriana but alas, the opening night performance of the Met’s new production dashed my hopes.  Thaïs is an act of diva worship, purely a vehicle for a glamorous soprano to put in as much vocal and dramatic bling-bling into her performance while leaving out of her costumes as much as modesty will allow.  The opening night on Monday had celebrities like Christine Baranski and Anna Netrebko (with bass-barihunk Erwin Schrott in tow) and the rest of the audience primed to give Renée Fleming a sternstunde event.  It turned out to be a somewhat lukewarm evening.  Read more »

sign of lacroix

It turns out that La Cieca’s fanciful prediction (of what Renée Fleming would wear from the Christian Lacroix collection) was not so far off after all!

More images from the Met’s Thaïs after the jump.  Read more »

gelb’s gala gyres up glamour, gaiety

In what La Cieca believes is the gayest photograph ever taken, Rufus Wainwright strikes a pose with Faye Dunaway on the red carpet at the Met’s opening night.

More heart-warming news from Women’s Wear Daily: Oscar de la Renta will not, after all, boycott the Met as he previously threatened.  The designer had complained to the media that no American designer was included in the roster of designers creating frocks for Renée Fleming; in fact, de la Renta even toyed with the idea of canceling his annual donation to the opera company! Fortunately, cooler heads prevailed, with Met benefactress Mercedes Bass effecting a rapprochement.

“After all this brouhaha in the papers, he is here,” said Bass. “It was just a momentary thing — he was being protective of American designers.”

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“…replacing madge alsop, who is ill”

Diva of the Future Renée Fleming, whose impending assignments include modeling four couture gowns on the stage of the Metropolitan Opera, is shown here making a septuagenarian female impersonator look positively chic by comparison.

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no geh friends

[kml_flashembed movie="http://www.youtube.com/v/3mmpcdNNMos" width="425" height="350" wmode="transparent" /] Thackeray Gnomey has already pointed out this video in the comments, but La Cieca feels with all her heart that it deserves a featured place on this site. Among the subtler pleasures of this cavalcade of visual filth: the expression of stoic acceptance on the face of Waltraud Meier. “Well, what can you do?” she seems to be thinking, and can one but agree with her?

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she better work!

As if the aural presence of The Beautiful Voice were not enough to justify five-figure ticket prices, the Metropolitan Opera’s opening night on Monday, September 22 will feature four couture creations to bedeck Renée Fleming in her gala program. Fashion legends John Galliano, Christian Lacroix, and Karl Lagerfeld for Chanel will design costumes for the star soprano’s fully staged selections from Verdi’s La Traviata (Act II), Massenet’s Manon (Act III), and Strauss’s Capriccio (final scene). “Working with the design masters Galliano, Lacroix, and Lagerfeld is an absolute thrill.  Their sense of poetry in motion is a total complement to the music that [...]

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