Cher Public

  • Jungfer Marianne Leitmetzerin: At one of the two performances of the Castorf “Ring” which I attended, I was seated next to a very kind... 7:17 PM
  • lorenzo.venezia: I found it fitfully fascinating. My big objection was the way he consistently undermined the important moments with... 7:02 PM
  • Jungfer Marianne Leitmetzerin: I know they have made some changes to the Regie – is it still the inflatable swimming pool and... 6:34 PM
  • manou: Wrth gwrs! 6:23 PM
  • Donna Anna: We were in Colorado when Cincinnati Opera offered Fidelio with Thomas as Florestan and Goerke as Leonora. The reports were on... 6:12 PM
  • Quanto Painy Fakor: The realization of “Ihr, da oben!” / “Was willst du dort unten?” Pfui! 6:08 PM
  • Jungfer Marianne Leitmetzerin: Cami, going back to your first question, I have now had some time to listen to some bits of the... 5:53 PM
  • Jungfer Marianne Leitmetzerin: I guess adding the “v” to a URL only works with YouTube, so the link should be: http://www.me... 5:35 PM

Sag, welch wunderbare Träume

Before audiences around the world saw his celebrated production of Wagner’s Parsifal, Toronto audiences were introduced to the operatic work of Quebec director François Girard at the Canadian Opera Company. He made his company debut with a striking double-bill of Stravinsky’s Oedipus Rex and Symphony of Psalms, and followed up with his distinctive Siegfried, with Canada’s set designer extraordinaire, Michael Levine, as his collaborative partner in all three.   Read more »

Blood simple

“One of the things I’m gradually learning as I’m coming up my the 20th anniversary of writing about opera for publication is that you have to be wary about making Pronouncements, because no matter how obvious or intuitive a hard-and-fast rule seems to be, if you write it down where people can find it, one of these days it’s going to embarrass you.” Our Own JJ contemplates François Girard‘s production of Parsifal in the latest installment of Rough and Regie.   Read more »